In 1983, a husband and wife were in an accident on the beltway. The man subsequentially died. Eight months later, a biracial child was born to a white mother in a redneck valley that was not prepared to deal with him. Children can be cruel, and growing up was a struggle. Music became his voice to the world.
Brash, duplicitous women, murder and mayhem, and illicit love abound in this wild adventure for fans of Outlander and The Home for Unwanted Girls, announcing a major new talent in historical fiction. Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch. Quiet, ungainly Mariah, her face scarred in a dog attack back home in Ireland, has been living on sufferance in her sister Biddy’s home since they sailed for a new life. She’s treated as the spinster aunt, a farmhand working alongside Biddy’s husband, Seamus. But the three of them are keeping a bitter secret: Mariah, in love with Seamus, is the mother of Thomas, the family’s oldest child. And she’s about to burst under the strain of making herself small. While Mariah plots to claim her rightful place in the world, Thomas keeps secrets of his own. Eager to escape the roiling tensions at home, he’s apprenticed himself to a blacksmith in Bytown, but soon falls into trouble too big for him to handle. To save himself, he’s made a deal with the one man colder than the devil—Peter Aylen, leader of a powerful Irish rebel gang. As danger mounts, both for Thomas and for the town, there’s only one way for Mariah to save her son: by becoming the hero of her own story, facing her deepest fears with a determination she never knew she had.
The greatest need of the primary school to-day is some positive content or subject matter of instruction. The popular conception of such a school is that its main function is to teach the young child to read, write, and cipher. That is, that it has to do mainly with the formal aspects of language and numbers. So long as a certain amount of facility is gained in these formal arts, there is little disposition to demand anything more. Even so great an authority as the Committee of Fifteen has championed this view, and has given as its deliberate judgment that the first four years of school life should be devoted to the mastery of the formal phases of instruction. While it may be contended that it is not meant to exclude the giving of a positive subject matter, still it is interpreted as sanctioning the present obvious over-emphasis of the formal side of language in our primary schools. A strict conformity to this formal program would mean that the first four years of school life, the most impressionable[6] period in the pupil's school career, are to be empty of any real subject matter. The mastery of written and printed forms is to be set up as an end in itself, losing sight of the fact that they are but means for conveying the thought, feelings, experiences, and aspirations of the race from one generation to another. When we consider what the child at the age of six or seven really is; when we consider his love of story, his hunger for the concrete material of knowledge, his deep interest in the widening of his experience,—it is evident that such a course is out of all harmony with his real nature. It is the giving of stones when the cry is for bread. It is even worse than the proverbial making of bricks without straw. It is attempting to make bricks with straw alone.
Mark and Ellie Gibbins moved to the country to leave their demons behind, and for a better life for their unborn son, but nothing could compare to the demons they were about to face.
Females on the Nile is a short story collection whose author, Heba Bendary, seems to have turned her pen into a camera that takes thrilling shots from various angles of a variety of critical situations in the lives of Egyptian women. These women belong to different age brackets, numerous personal backgrounds, diverse social classes, and various demographic and geographic settings. This book sheds light on the conditions of women in Egypt and probably in many other areas in the Middle East.
This is a valuable work on child psychology. It presents sixteen illustrative short stories. The authors provide suggestions on teaching children to acquire knowledge through stories. It contains insightful details on the subjects such as subject selection for topics, language and vocabulary development, mental activity, etc. The aim of the work is the overall development of the students. Contents include Introductory Discussion The Story in Primary Instruction The Selection of the Subject Matter The Problem of Correlation Suggestions Sixteen Illustrative Stories
"Mind Gives Opportunity" is a book about the power of your thought and illusion and particularly with the use and application of thought to live a happy, beautiful and equanimous life. You can bring into your life, more powerful, wealthier, and healthier, more happiness and many more by learning or understanding the concept of spirituality and the great mind you have. This book will serve as a great guide if you wish to achieve something new in your life or a dream that was desolate due to some reason.
This book is a treasure trove of some of the world's best stories, carefully selected and presented for parents to share with their children. But it's not just for parents - Sunday-school teachers, librarians, and anyone who understands the power of storytelling will find value in this collection. The stories have been tried and tested, with the author having told them to audiences of all ages and sizes. In fact, some of the stories have been retold by children and young people themselves, proving their enduring appeal. Featured titles included in this book are 'The Golden Goose', 'The Sleeping Beauty', 'The Red Riding Hood', and 'The Blind Men and the Elephant'.