Lin, a wandering singer, learns that his dual heritage from a ruling Min father and a magic-using Artist mother uniquely fits him to oppose the powerful evil spirit which is causing chaos in his land. But if he accepts this quest, will he succeed? Can anyone oppose such evil power and be unchanged? Or will he die in the attempt? Other powerful forces aid him, but not even they can assure him of a good outcome. The choice is his—do nothing or pay the ultimate sacrifice.
During the Song (960-1279), all educated Chinese men traveled frequently, journeying long distances to attend school and take civil service examinations. They crisscrossed the country to assume government posts, report back to the capital, and return home between assignments and to attend to family matters. Based on a wide array of texts, Transformative Journeys analyzes the impact of travel on this group of elite men and the places they visited. In the first part of the book, Cong Ellen Zhang considers the practical aspects of travel during the Song in the context of state mobilization of and assistance to government travelers, including the infrastructure of waterways and highways, the bureaucratic procedures entailed in official travel, and the means of transport and types of lodging. The second part of the book focuses on elite activities on the road, especially the elaborate farewell banquets, welcoming ceremonies, and visits to famous places. Zhang argues convincingly that abundant travel experience became integral to Song elite identity and status, greatly strengthening the social and cultural coherence of the practitioners. In promoting their experience of traveling across a large empire, Song elite men firmly established their position as the country’s political, social, and cultural leaders. The literary compositions and physical traces they left behind also formed an overlapping web of collective memories, continually enhancing local pride and defining the place of various localities in the cultural geography of the country. Transformative Journeys sheds new light on the nature of Chinese literati, their dominance of culture and society, and China’s social and cultural integration. Those interested in premodern China and travel literature will find a wealth of material previously unavailable to Western readers.
'Jana Chan has produced a wonderfully lush and atmospheric odyssey of survival against all odds' Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other 'A strong picaresque element powers this saga' Daily Mail 'Michelle Jana Chan brings a world of equal peril and possibility to life with her rich, radiant prose' Tatler 'A beautifully told tale with fascinating historical insight' Vanity Fair Song is just a boy when he sets out from Lishui village in China. Brimming with courage and ambition, he leaves behind his impoverished broken family, hoping he’ll make his fortune and return home. Chasing tales of sugarcane, rubber and gold, Song embarks upon a perilous voyage across the oceans to the British colony of Guiana, but once there he discovers riches are not so easy to come by and he is forced into labouring as an indentured plantation worker. This is only the beginning of Song’s remarkable life, but as he finds himself between places and between peoples, and increasingly aware that the circumstances of birth carry more weight than accomplishments or good deeds, Song fears he may live as an outsider forever. This beautifully written and evocative story spans nearly half a century and half the globe, and though it is set in another century, Song’s story of emigration and the quest for an opportunity to improve his life is timeless.
In Song of the Road, Tsarchen Losal Gyatso (1502-66), a tantric master of the Sakya tradition of Tibetan Buddhism, weaves ecstatic poetry, song, and accounts of visionary experiences into a record of pilgrimage to central Tibet. Translated for the first time here, Tsarchen's work, a favorite of the Fifth Dalai Lama, brims with striking descriptions of encounters with the divine as well as lyrical portraits of Tibetan landscape. The literary flights of Song of the Road are anchored by Tsarchen's candid observations on the social and political climate of his day, including a rare example in Tibetan literature of open critique of religious power. Like the Japanese master Basho's famous Narrow Road to the Interior, written 150 years later, Tsarchen's travelogue contains a mixture of luminous prose and verse, rich with allusions. Traveling on horseback with a band of companions, Tsarchen visited some of the most renowned holy sites of the Tsang region, incluing Jonang, Tropu, Ngor, Shalu, and Gyantse. In his introduction and copious notes, Cyrus Stearns unearths the layers of meaning concealed in the text, excavating the history, legends, and lore associated with people and places encountered on the pilgrimage, revealing the spiritual as well as geographical topography of Tsarchen's journey.
"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde—Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself. Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed. Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness. "Each of the essays in this debut collection reads like a mini-memoir . . . in which the author reflects on her experiences of young love, trauma, and transcendence through discussions of art and music . . . with an intimacy that is at once tender and expansive." —New York magazine
“American history comes to vivid, engaging life in this tale of two interconnected families (one white, one black) that spans from the 1950s to Barack Obama’s first year as president. . . . The complex, beautifully drawn characters are unique and indelible.”—Entertainment Weekly “An astoundingly audacious debut.”—O: The Oprah Magazine • “A gorgeous generational saga.”—New York Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY ESQUIRE • FINALIST FOR THE PEN/HEMINGWAY AWARD FOR DEBUT NOVEL Meet James Samuel Vincent, an affluent Manhattan attorney who shirks his modest Irish American background but hews to his father’s meandering ways. James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie. Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again. These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true. With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today. Praise for The Travelers “[A] kaleidoscopic début . . . Porter deftly skips back and forth through the decades, sometimes summarizing a life in a few paragraphs, sometimes spending pages on one conversation. As one character observes, ‘We move in circles in this life.’” —The New Yorker “Porter’s electric debut is a sprawling saga that follows two interconnected American families. . . . Readers will certainly be drawn in by Porter’s sharp writing and kept hooked by the black-and-white photographs interspersed throughout the book, which give faces to the evocative voices.”—Booklist
This book from Rick Mooney features easy classical music as well as folk songs, fiddle tunes and Mooney originals composed to address specific technical points. A second cello part throughout promotes a student's ability to hear and play accurately.
A lush and beautiful fantasy set in a world where music is magic and the fate of many thrones lies with one girl… “Excellent.”—Booklist An Amazon #1 Children's Music Book at Release Twelve-year-old Elissa has been raised in seclusion as a devotee of the Mother Goddess. She is a special child, a blessed child, a child who can sing miracles into being. Her voice can heal wounds, halt landslides, cure hunger—and even end wars. But there are those who would use her gift for darker things. And when Elissa finds herself the farthest from home she’s ever been—along with her vain and jealous music tutor, Lucio—she will have to develop the judgment to decide who wants to use her song to heal… and who wants to use her song to hurt. In this astonishing debut—perfect for music lovers—Catherine Bakewell presents not only a wholly unique musical magic system, but a sumptuous baroque world filled with soaring basilicas, gilded palaces, dazzling food, and snow-piled wildernesses. It is a world both beautiful and treacherous, with a fiercely determined girl blazing brightly at its center. Can a lone voice change the world? “Spellbinding.”—The Horn Book “Beguiling.”—Publishers Weekly “Unique.”—BCCB “Captivating.”—School Library Connection “Enthralling.”—YA Books Central “Alluring.”—School Library Journal
