Appalachian women have been the subject of song, story, and report for nearly two centuries. Now for the first time a fully annotated bibliography makes accessible this large body of literature. Works covered include novels, short stories, magazine articles, manuscripts, dissertations, surveys, and oral history tapes—altogether over 1,200 items. The annotated listings are grouped under broad subject headings, including biography, coal mining, education, fiction, health care, industry, migrants, music, poetry, and religion. An author/title/subject index provides easy access to the listings.
During the Great Depression of the 1930s thousands of writers were hired by the Works Project Administration to create hundreds of guidebooks on all of the states in the U.S. These volumes that were produced became known as the American Guide Series. This series has been described as the biggest, fastest and most original research job in the history of the world. No library collection in Kentucky would be complete without a copy of Kentucky: A Guide To The Bluegrass State.
Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.
"In Literature of Place Melanie Simo looks beyond crowded malls and boarded-up storefronts on Main Street to our collective memory, finding answers to these questions in stories, novels, memoirs, poetry, essays, diaries, travel writing, and nature writing that range in origin from New England and the Southern Highlands to Hawaii and in subject from little gardens to lost or reinhabited places in cities, mill towns, deserts, and woodlands. In her consideration of selected American works from 1890 to 1970 - years that mark the closing of the Western frontier and later openings in space exploration, environmental protection, genetic engineering, and cyberspace - Simo uncovers a literature of place and the often-surprising relationship of place to our daily lives."--BOOK JACKET.
Dulcimer experiences, news, memories, snapshots, playing styles, tuning and tablature methods, favourite songs, opinions, advice and information on the Appalachian dulcimer.
Words and music for 16 songs from The Ritchie Family of Kentucky. How to tune and play and recollections of the dulcimer's local history. Illustrations and drawings.
The first comprehensive history of Kentucky during the first half of the twentieth century, presenting a sweeping view of these crucial years when the forces of continuity and change competed for primacy in the state.
Louisville native John Jacob Niles (1892–1980) is considered to be one of our nation’s most influential musicians. As a composer and balladeer, Niles drew inspiration from the deep well of traditional Appalachian and African American folk songs. At the age of sixteen Niles wrote one of his most enduring tunes, “Go ’Way from My Window,” basing it on a song fragment from a black farm worker. This iconic song has been performed by folk artists ever since and may even have inspired the opening line of Bob Dylan’s “It Ain’t Me Babe.” In I Wonder as I Wander: The Life of John Jacob Niles, the first full-length biography of Niles, Ron Pen offers a rich portrait of the musician’s character and career. Using Niles’s own accounts from his journals, notebooks, and unpublished autobiography, Pen tracks his rise from farm boy to songwriter and folk collector extraordinaire. Niles was especially interested in documenting the voices of his fellow World War I soldiers, the people of Appalachia, and the spirituals of African Americans. In the 1920s he collaborated with noted photographer Doris Ulmann during trips to Appalachia, where he transcribed, adapted, and arranged traditional songs and ballads such as “Pretty Polly” and “Black Is the Color of My True Love’s Hair.” Niles’s preservation and presentation of American folk songs earned him the title of “Dean of American Balladeers,” and his theatrical use of the dulcimer is credited with contributing to the popularity of that instrument today. Niles’s dedication to the folk music tradition lives on in generations of folk revival artists such as Jean Ritchie, Joan Baez, and Oscar Brand. I Wonder as I Wander explores the origins and influences of the American folk music resurgence of the 1950s and 1960s, and finally tells the story of a man at the forefront of that movement.
Kentucky Country is a lively tour of the state's indigenous music, from the days of string bands through hillbilly, western swing, gospel, bluegrass, and honkey-tonk to through the Nashville Sound and beyond. Through personal interviews with many of the living legends of Kentucky music, Charles K. Wolfe illuminates a fascinating and important area of American culture. The list of country music stars who hail from Kentucky is a long and glittering one. Red Foley, Bill Monroe, Loretta Lynn, Tom T. Hall, the Judds, Dwight Yaokum, Billy Ray Cyrus, Ricky Skaggs, John Michael Montgomery, and Keith Whitely—all these and many others have called Kentucky home. Kentucky Country is the story of these stars and dozens more. It is also the story of many Kentucky musicians whose contributions have been little known or appreciated, and of those collectors, promoters, and entrepreneurs who have worked behind the scenes to bring Kentucky music to national attention.
