"The book provides details of the location, layout, structure, and decoration of the tombs. Hodel-Hoenes addresses subjects such as the two-dimensional art of the Kingdom of New Thebes, the contents of the tombs, the pigments used in the artists' paints, and the symbolism of the colors and the scenes depicted in the tomb paintings and reliefs."--BOOK JACKET.
Discover the rich history and culture of some of the world¿s most influential historical places with these highly illustrated books, packed with informative and enlightening descriptions and information
Pharaoh Akhenaten remains one of the most fascinating and studied figures of ancient history. Akhenaten and the Origins of Monotheism focuses on Akhenaten's preoccupation with worshipping the sun disc Aten, and the implications of this unique religion in foundationally shaping monotheism.
William J. Murnane (1945-2000) dedicated his life to the epigraphic recording and historical interpretation of the monuments of pharaonic Egypt. In tribute to his important contributions to Egyptology, a prominent group of his colleagues and students offer a range of new studies on Egyptian epigraphy and historiography. Amarna studies loom large in the volume as they did in Murnane's own work. Several chapters investigate the art, history and chronology of the reigns of Akhenaten and his immediate successors. Other contributions deal with historical issues, especially those connected with the epigraphic and archaeological aspects of the Theban temples of Karnak and Luxor. The book is richly illustrated with photographs and drawings.
First published in 1992 as part of the Studies in Egyptology Series. This study looks at the depiction of the Sed-festival on blocks of the Temple at Karnak. According to some studies, Pharaoh Amenhotep IV recorded details of a Sed-festival event in his new temple complex dedicated to the Aten at Karnak. Blocks from the temple buildings which were re-used after the death of Amenhotep IV, were examined and photographed by the Akhenaten Temple Project between 1966 and 1977 in an attempt to analyse, with the aid of the computer, scenes carved on the blocks known as the Akhenaten 'talatat'.
In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king's feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite. This volume analyses the new presentation of foreigners in these tombs. Far from being chaotic, they are shown in an orderly fashion, carrying tribute that underscores the wealth and prestige of the tomb owner. This orderliness reflects the ability of the Egyptian state to impose order on foreign lands, but also crucially symbolises the tomb owner's ability to overcome the chaos of death and achieve a successful afterlife. Illustrated with colour plates and black-and-white images, this new volume is an important and original study of the significance of these images for the tomb owner and the functioning of the funerary cult.
A collection of papers from the Egyptologists' Electronic Forum (http: //welcome.to/EEF) on a variety of Egyptological topics, of interest to both professionals and laypersons. Five broad themes may be discerned: royalty in ancient Egypt, scarabs and funerary items, archaeology and early Egypt, Egyptology - past, present and future, and ancient Egyptian language, science and religion
A groundbreaking historiography of the reign of Akhenaten More ink has probably been spilled on Akhenaten and his times (‘the Amarna Period’) than any other figure from ancient Egypt, with a vast range of interpretations and theories that can leave the uninitiated utterly bewildered. Against this background, Akhenaten: A Historian’s View examines what scholars have said over the years regarding key aspects of the period, to produce a ‘history of histories,’ exploring exactly how various chains of arguments were arrived at—and how houses of cards thus erected have subsequently come tumbling down. In particular, it teases out ideas based on solid documentation from those based on theory and fancy, and tracks ways in which new evidence became available, how it was interpreted, and how it fed—or didn't—into the big picture. This book thus fills a major gap in the literature of the Amarna Period and also contributes to the wider, and much neglected, field of the historiography of ancient Egypt.
"In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration"--
