In-depth understanding of the way the state and the populace told the story of the Tlatelolco massacre Close reading of media coverage of the massacre Close reading of the testimonial and academic texts about the massacre Close reading of literary works about the massacre
In-depth understanding of the way the state and the populace told the story of the Tlatelolco massacre Close reading of media coverage of the massacre Close reading of the testimonial and academic texts about the massacre Close reading of literary works about the massacre
This Handbook brings together essays from an impressive group of well-established and emerging scholars from all around the world, to show the many different types of violence that have plagued Latin America since the pre-Colombian era, and how each has been seen and characterized in literature and other cultural mediums ever since. This ambitious collection analyzes texts from some of the region's most tumultuous time periods, beginning with early violence that was predominately tribal and ideological in nature; to colonial and decolonial violence between colonizers and the native population; through to the political violence we have seen in the postmodern period, marked by dictatorship, guerrilla warfare, neoliberalism, as well as representations of violence caused by drug trafficking and migration. The volume provides readers with literary examples from across the centuries, showing not only how widespread the violence has been, but crucially how it has shaped the region and evolved over time.
This volume presents an interdisciplinary analysis of the practice of disappearances in Mexico, from the period of the so-called ‘dirty war’ to the current crisis of disappearances associated with the country’s ‘war on drugs’, during which more than 80,000 people have disappeared. The volume brings together contributions by distinguished scholars from Mexico, Argentina and Europe, who focus their chapters on four broad axes of enquiry. In Part I, chapters examine the phenomenon of disappearances in its historical and present-day forms, and the struggles for memory around the disappeared in Mexico with reference to Argentina. Part II addresses the political dimensions of disappearances, focusing on the specificities that this practice acquires in the context of the counterinsurgency struggle of the 1970s and the so-called ‘war on drugs’. The third section situates the issue within the framework of human rights law by examining the conceptual and legal aspects of disappearances. The final chapters explore the social movement of the relatives of the disappeared, showing how their search for disappeared loved ones involves bodily and affective experiences as well as knowledge production. The volume thus aims to further our understanding of the crisis of disappearances in Mexico without, however, losing sight of the historic origins of the phenomenon.
• The book is strongly aligned with a number of scholarly associations. These include those dedicated to histories of the British Empire, Latino/a Studies, Spain, labour histories, migration histories and Australian history. • The book has been written to appeal to multiple subject areas of international appeal that cover core areas of history syllabi throughout English-speaking universities; labour histories, histories of the British world and Hispanic histories. • Although this book is firmly located in Australian history, it has application beyond this area.
1) This book gives an overview of Goan Literature in Portuguese – for students and experienced scholars of Portuguese wanting an overview of this production 2) Consideration of works from colonial and post-colonial period – for above and students of colonial and post-colonial South Asia. 3) It gives an overview of Goan Literature in Portuguese – for teachers and students of survey courses on literary production in Portuguese.
This volume includes the first English translations of Paulo Emílio Salles Gomes’ most influential essays on Hollywood, Soviet, European and Brazilian Cinema. Provides readers with theoretical ruminations on the vicissitudes of developing a national film archive, extending our appreciation of national film theory to encompass such practical endeavours. Shows how Brazil’s national film culture was theorised through extensive engagements with international trends thereby broadening our understanding of national cinema.
This book reconstructs the poetics of Carmen Martín Gaite by viewing the concept of journey as a fundamental principle upon which she bases and elaborates her narrative writing of the 1990s. Five novels published in this period receive critical attention, all of which coincide with the last trips taken by the writer to New York: Caperucita en Manhattan (1990), Nubosidad variable (1992), La reina de las nieves (1994), Lo raro es vivir (1996) and Irse de casa (1998). To the extent that the journey is the essence of the narrative under consideration, the concept is analysed as an aesthetic practice and an attempt to identify a series of actions, which allow us to link the writer’s novels with two areas that have previously received only scant critical scrutiny: geography and the visual dimension. This book presents a comparative and interdisciplinary analysis of space in Martín Gaite’s narrative as well as in her collages, drawings and paintings.
This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain. It draws on extensive archival evidence, vivid personal testimonies and in-depth analysis of legislation to document the different kinds of theatre censorship practised during the Second Republic (1931–6), the civil war (1936–9), the Franco dictatorship (1939–75) and the transition to democracy (1975–85). Changes in criteria, administrative structures and personnel from these periods are traced in relation to wider political, social and cultural developments, and the responses of playwrights, directors and companies are explored. With a focus on censorship, new light is cast on particular theatremakers and their work, the conditions in which all kinds of theatre were produced, the construction of genres and canons, as well as on broader cultural history and changing ideological climate – all of which are linked to reflections on the nature of censorship and the relationship between culture and the state.
The subject matter is topical: madness has universal and enduring appeal. The positive aspects of the irrational, particularly its potential for cultural renewal, are given more prominence than has been the case in the past. The coverage is wide-ranging: new critical angles enrich our understanding of major writers while the appeal of lesser-known figures is highlighted, often by means of a comparative perspective.
