Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.
As F. Schiller himself has defended, a work does not have to bear a purely academic and rather boring style, in order to be qualified as historical. The scene of this extensive work is the larger Europe from Russia to the Italian peninsula and the states bordering the Ottoman Empire. The actors of this so-called 30-year religious war were the sovereigns and churches of Europe. The political and military maneuvers are described, hence, in this masterpiece, in the literary style of a fiction, although the events and details related in it are truly historical. In the first parts of the book, the different warring forces as well as their motives for going to war are presented. "The prospect of independence, the rich plunder of the spiritual foundations must have made the regents craving for a religious conversion, and the weight of the inner conviction did certainly not have less strengthened this attraction in them; however, state reason alone could press them to that end." With this sentence, Schiller makes his whole point about the war. It was not so much a precise religious doctrine for which the European powers were fighting against each other, but certainly the acquisition and the possession of wealth and privileges detained by the spiritual foundations. Alliances, unions on one side, defections and betrayals on the other, are among all the various components that make up this war, to the image of the Hungarian leaders who allied themselves with whatever party would assure them the best of their interests. In addition to that, court judgments, intrigues and affairs, poisoning and outright financial corruption are among the weapons that Schiller also describes to render a vivid comprehension of this historical event to us.
A deadly continental struggle, the Thirty Years War devastated seventeenth-century Europe, killing nearly a quarter of all Germans and laying waste to towns and countryside alike. Peter Wilson offers the first new history in a generation of a horrifying conflict that transformed the map of the modern world. When defiant Bohemians tossed the Habsburg emperor’s envoys from the castle windows in Prague in 1618, the Holy Roman Empire struck back with a vengeance. Bohemia was ravaged by mercenary troops in the first battle of a conflagration that would engulf Europe from Spain to Sweden. The sweeping narrative encompasses dramatic events and unforgettable individuals—the sack of Magdeburg; the Dutch revolt; the Swedish militant king Gustavus Adolphus; the imperial generals, opportunistic Wallenstein and pious Tilly; and crafty diplomat Cardinal Richelieu. In a major reassessment, Wilson argues that religion was not the catalyst, but one element in a lethal stew of political, social, and dynastic forces that fed the conflict. By war’s end a recognizably modern Europe had been created, but at what price? The Thirty Years War condemned the Germans to two centuries of internal division and international impotence and became a benchmark of brutality for centuries. As late as the 1960s, Germans placed it ahead of both world wars and the Black Death as their country’s greatest disaster. An understanding of the Thirty Years War is essential to comprehending modern European history. Wilson’s masterful book will stand as the definitive account of this epic conflict. For a map of Central Europe in 1618, referenced on page XVI, please visit this book’s page on the Harvard University Press website.
The Thirty Years War: A Documentary History fills a gap in recent studies of the great pan-European conflict, providing fresh translations of thirty-eight primary documents for the student and general reader. The selections are drawn from the standard political documents, from the Apology of the Bohemian Estates for the Defenestration of Prague to the text of the Treaty of Westphalia, as well as from imperial edicts, trial records, letters, diary entries, and satirical broadsheets, all directly translated from the Early New High German, French, Swedish, and Latin. The volume contains some ten illustrations and one map . . . and on the whole is well organized and well presented with a judicious amount of footnotes and a slim For Further Reading section. A succinct introduction introduces the four sections, each with its own substantial introduction: (1) Outbreak of the Thirty Years War (1618-1623), (2) The Intervention of Denmark and Sweden (1623-1635), and (3) The Long War (1635-1648). The concluding section (4) Two Wartime Lives (1618-1648), interestingly juxtaposes the journals of a wandering mercenary and a settled townsman. The first is the diary of Peter Hagendorf, kept between the years 1624 and 1649 and only rediscovered in 1993. Hagendorf experienced the war as a common mercenary from the Baltic to Italy, from France to Pomerania. His counterpart is Hans Heberle, a shoemaker from a small town in the territory of the free imperial city of Ulm whose Zeytregister chronicled happenings both in the neighborhood and further afield. The engrossing accounts of their shifting fortunes over the three decades of the war really help to give this collection of texts, and the troublesome period itself, a human face. They are the stuff from which Grimmelshausen would craft his great novel of the war, The Adventuresome Simplicissimus (1668). Tryntje Helfferich is to be applauded for this consistently interesting and eminently useful volume. --Martin W. Walsh, University of Michigan, in Sixteenth Century Journal
One of the most momentous and destructive wars in European history, the Thirty Years War has long been studied for its diplomatic, political, and military consequences. Yet the actual participants in this religiously motivated, seemingly endless conflict have largely been ignored. Hans Medick and Benjamin Marschke reveal the Thirty Years War from the perspective of those who lived it. Their introduction provides important insights into the roiling religious and political landscape from which the war emerged, as well as a thoughtful examination of the war's stages and enduring significance. An unprecedented collection of personal accounts, many of them translated for the first time into English, combine with visual sources to convey directly to students the experience of early modern warfare. Incisive document headnotes, maps and illustrations, a chronology, questions to consider, and a bibliography enrich students' understanding of this fateful war.
In the spring of 1974, Second Lieutenant Hiroo Onoda of the Japanese army made world headlines when he emerged from the Philippine jungle after a thirty-year ordeal. Hunted in turn by American troops, the Philippine police, hostile islanders, and successive Japanese search parties, Onoda had skillfully outmaneuvered all his pursuers, convinced that World War II was still being fought and that one day his fellow soldiers would return victorious. This account of those years is an epic tale of the will to survive that offers a rare glimpse of man's invincible spirit, resourcefulness, and ingenuity. A hero to his people, Onoda wrote down his experiences soon after his return to civilization. This book was translated into English the following year and has enjoyed an approving audience ever since.
The Thirty Years War - the first great pan-European war, and until the twentieth century the most terrible - ravaged Germany, but myth, propaganda and historical controversy have obscured its true nature. Another perspective is provided by the private diaries, memoirs and chronicles of soldiers and citizens who recorded their own experiences. War at the individual level is discussed and described using these sources, which are extensively quoted in their own words.
The Hungarian-born historian and concert pianist shows how every time America moves away from its founding principles it moves in the direction where a fantasy of "social justice" is pursued through ever-greater government control.
