Apart from being a scholar and theologian, Rowan Williams has also demonstrated a rare gift for speaking and writing plainly and clearly about essentials of the Christian faith. In the chapters of this book he writes with profound perception about the life of holiness to which we are called. The range of Williams' frame of reference is astonishing – he brings poets and theologians to his aid, he writes about the Rule of St Benedict, the Bible, Icons, contemplation, St Teresa of Avila and even R. D. Laing. He concludes with two chapters on the injunction 'Know Thyself' in a Christian context. Throughout, Williams points out that holiness is a state of being – it is he writes 'completely undemonstrative and lacking any system of expertise. It can never be dissected and analysed.'
Rowan Williams is a complex, creative and versatile thinker. Not only a theologian and church leader, he is also a poet, a translator, a literary critic, a social theorist and historian. His imaginative vision brings together the streams of modern literature, patristic theology, Russian orthodoxy, German philosophy and Welsh piety. In this lucid and elegant guide, Benjamin Myers explores Williams' thought from the 1960s to the present. He shows that Williams has developed an immensely resourceful - and distinctively Christian - response to some of the major social, moral and intellectual challenges of our time.
Theological education has always been vital to the Church’s life and mission; yet today it is in crisis, lacking focus, direction, but also resources and even students. In the early Church, there is no doubt that to lead worship one had to be able to read and interpret the Bible. In order to lead, it was necessary to know at least something about the history of Israel and the work of God in the Gospels, and interpret that history, making it relevant to daily living. Quickly the Church developed schools for its teachers, whether lay or clergy. A catechetical system was organized through which candidates prepared for baptism were given a basic form of theological education. Hence to be a Christian meant persons knew what and why they believed. But over the years, theological education has come to mean education for clergy and church professionals. It has drifted, seeking new moorings.
Rowan Williams is widely recognized as a creative and powerful theologian, but his theological writings are frequently complex and difficult. This book provides a clear and simple guide to all the main themes of his theology, and shows how they are related to his reading of the Bible, his careful and wide-ranging engagement with the Christian tradition, and his grappling with contemporary culture. It shows how the Archbishop's ideas about peace or about popular culture, about sexuality or about evangelism, relate to his understanding of the nature of the life of God, and the challenging good news of Jesus Christ. This book is designed especially for those who have no formal training in theology or academic expertise, but are interested in finding out more about what Rowan Williams stands for.
Wrestling with Angels gathers writings by Rowan Williams, spanning the years 1980-2000. It focuses on his engagement with a range of modern theologians and philosophers - Hegel, Wittgenstein, Barth, Bonhoeffer, Balthasar, Simone Weil, Marilyn McCord Adams, and more. Key themes explored in this volume include negative theology, postmodernity, violence, innocence, divine action, and the nature of historical development in theology.--From publisher's description.
This distillation of 20 years of Rowan Williams' pastoral and academic work tackles many of the most searching questions of theology and society at the end of the twentieth century. Collects the work of a prominent writer and serving bishop on the history of Christian theology and spirituality. Brings together Rowan Williams' theological essays with studies of wider issues from a theological point of view. Includes an introduction to his work by Bishop Williams.
One of the central arguments of post-metaphysical theology is that language is inherently 'metaphysical' and consequently that it shoehorns objects into predetermined categories. Because God is beyond such categories, it follows that language cannot apply to God. Drawing on recent work in theology and philosophy of language, Kevin Hector develops an alternative account of language and its relation to God, demonstrating that one need not choose between fitting God into a metaphysical framework, on the one hand, and keeping God at a distance from language, on the other. Hector thus elaborates a 'therapeutic' response to metaphysics: given the extent to which metaphysical presuppositions about language have become embedded in common sense, he argues that metaphysics can be fully overcome only by defending an alternative account of language and its application to God, so as to strip such presuppositions of their apparent self-evidence and release us from their grip.
Former Archbishop of Canterbury Rowan Williams offers fascinating insight into The Chronicles of Narnia, the popular series of novels by one of the most influential Christian authors of the modern era, C. S. Lewis. Lewis once referred to certain kinds of book as a "mouthwash for the imagination." This is what he attempted to provide in the Narnia stories, argues Williams: an unfamiliar world in which we could rinse out what is stale in our thinking about Christianity--"which is almost everything," says Williams--and rediscover what it might mean to meet the holy. Indeed, Lewis's great achievement in the Narnia books is just that-he enables readers to encounter the Christian story "as if for the first time." How does Lewis makes fresh and strange the familiar themes of Christian doctrine? Williams points out that, for one, Narnia itself is a strange place: a parallel universe, if you like. There is no "church" in Narnia, no religion even. The interaction between Aslan as a "divine" figure and the inhabitants of this world is something that is worked out in the routines of life itself. Moreover, we are made to see humanity in a fresh perspective, the pride or arrogance of the human spirit is chastened by the revelation that, in Narnia, you may be on precisely the same spiritual level as a badger or a mouse. It is through these imaginative dislocations that Lewis is able to communicate--to a world that thinks it knows what faith is--the character, the feel, of a real experience of surrender in the face of absolute incarnate love. This lucid, learned, humane, and beautifully written book opens a new window onto Lewis's beloved stories, revealing the moral wisdom and passionate faith beneath their perennial appeal.
The Edge of Words is Rowan Williams' first book since standing down as Archbishop of Canterbury. Invited to give the prestigious 2014 Gifford Lectures, Dr Williams has produced a scholarly but eminently accessible account of the possibilities of speaking about God – taking as his point of departure the project of natural theology. Dr Williams enters into dialogue with thinkers as diverse as Augustine and Simone Weil and authors such as Joyce, Hardy, Burgess and Hoban in what is a compelling essay about the possibility of language about God.
Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it.
