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Author: Samuel Beckett
Publisher: Faber & Faber Plays
Published: 2021-08-05
Total Pages: 0
ISBN-13: 9780571348725
DOWNLOAD EBOOKVol III of the four-volume series reproducing Beckett's theatrical notebooks in facsimile - now in affordable paperback edition.
Author: Daniel Sack
Publisher: Taylor & Francis
Published: 2016-10-04
Total Pages: 81
ISBN-13: 1317335368
DOWNLOAD EBOOK"We lay there without moving. But under us all moved, and moved us." - Krapp Samuel Beckett’s most accessible play is also one of the twentieth century’s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp’s Last Tape (1958) with a general reader in mind. Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett’s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors. Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett’s work.
Author: Samuel Beckett
Publisher: Grove Press
Published: 2021-08-24
Total Pages: 512
ISBN-13: 9780802159519
DOWNLOAD EBOOK"The publication of Samuel Beckett's Theatrical Notebooks . . . is a major event which casts fascinating light on the thought processes of a great writer."--Review of English Studies From the mid-1960s, Samuel Beckett himself directed all his major plays in Berlin, Paris, or London. For most of these productions he meticulously prepared notebooks for his personal use. The Theatrical Notebooks of Beckett that are reproduced in facsimile here are translated and annotated and thus offer a remarkable record of his own involvement with the staging of his texts. They present his solutions to practical problems but also provide a unique insight into the ways he envisaged his plays. With additional information taken from Beckett's own annotated and corrected copies, the editors have been able to constitute a new revised text for each of the major plays. Beckett directed Krapp's Last Tape on four separate occasions: this volume offers a facsimile of his 1969 Schiller Theater notebook, which contains some of the most explicit analysis by the playwright of his own work ever revealed. The revised text incorporates many of the changes he made in the 1969 Schiller production, as well as subsequent changes in later productions. It reveals a flexibility and openness of approach often considered alien to Beckett's ways of working in the theatre.
Author: Samuel Beckett
Publisher: Faber & Faber
Published: 2012-10-04
Total Pages: 145
ISBN-13: 0571297005
DOWNLOAD EBOOKKrapp's Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and described as 'a solo, if that is the word, for one voice and two organs: one human, one mechanical. It fills few pages. It is perhaps the most original and important play of its length ever written.' (Roy Walker) The present volume brings together Krapp's Last Tape and Beckett's other shorter works or 'dramaticules' written for the stage. It will be complemented by a forthcoming Faber edition of dramatic works written for radio and screen. Arranged in chronological order of composition, these shorter plays exhibit the laconic means and compassionate ends of Beckett's dramatic vision. KRAPP 'Here I end this reel. Box - [ Pause.] - three, spool - [ Pause.] - five. [ Pause.] Perhaps my best years have gone. When there was a chance of happiness. But I wouldn't want them back. Not with the fire in me now. No, I wouldn't want them back. [ Staring motionless before him.]
Author: David Tucker
Publisher: Bloomsbury Publishing
Published: 2016-06-30
Total Pages: 287
ISBN-13: 1474240194
DOWNLOAD EBOOKBeckett's relationship with British theatre is complex and underexplored, yet his impact has been immense. Uniquely placing performance history at the centre of its analysis, this volume examines Samuel Beckett's drama as it has been staged in Great Britain, bringing to light a wide range of untold histories and in turn illuminating six decades of drama in Britain. Ranging from studies of the first English tour of Waiting for Godot in 1955 to Talawa's 2012 all-black co-production of the same play, Staging Samuel Beckett in Great Britain excavates a host of archival resources in order to historicize how Beckett's drama has interacted with specific theatres, directors and theatre cultures in the UK. It traces production histories of plays such as Krapp's Last Tape; presents Beckett's working relationships with the Royal Court, Riverside and West Yorkshire Playhouse, as well as with directors such as Peter Hall; looks at the history of Beckett's drama in Scotland and how the plays have been staged in London's West End. Production analyses are mapped onto political, economic and cultural contexts of Great Britain so that Beckett's drama resonates in new ways, through theatre practice, against the complex contexts of Great Britain's regions. With contributions from experts in the fields of both Beckett studies and UK drama, including S.E. Gontarski, David Pattie, Mark Taylor-Batty and Sos Eltis, the volume offers an exceptional and unique understanding of Beckett's reception on the UK stage and the impact of his drama within UK theatre practices. Together with its sister volume, Staging Samuel Beckett in Ireland and Northern Ireland it will prove a terrific resource for students, scholars and theatre practitioners.
Author: Lucy Jeffery
Publisher: BoD – Books on Demand
Published: 2021-11-16
Total Pages: 342
ISBN-13: 3838215842
DOWNLOAD EBOOKThis is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.
Author: Llewellyn Brown
Publisher: BoD – Books on Demand
Published: 2016-03-01
Total Pages: 472
ISBN-13: 3838208196
DOWNLOAD EBOOKThe voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language. In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation
Author: Carrie J. Preston
Publisher: Columbia University Press
Published: 2016-08-16
Total Pages: 366
ISBN-13: 0231544294
DOWNLOAD EBOOKIn this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater’s stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh’s important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston’s critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston’s assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston’s analysis and her journey reflect a more nuanced understanding of cultural exchange.
Author: Samuel Beckett
Publisher:
Published: 1959
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Samuel Beckett
Publisher:
Published: 2019-08
Total Pages: 512
ISBN-13: 9780571348701
DOWNLOAD EBOOKWaiting for Godot follows Endgame and Krapp's Last Tape in this highly praised series of Beckett's notebooks, which show for the first time the extensive revisions made by Beckett during revivals of the play. This volume is in part a facsimile, with transcription and commentary, of the notebook kept by Beckett for Berlin's Schiller-Theater production in 1975. It contains a full set of directorial notes, and discloses, section by section, a total system that works by repetition and analogy, musical rhythm and echo, establishing subtle patterns of sound, movement and gestures.
