Edwin Booth

Edwin Booth

Author: L Oggel

Publisher: Greenwood

Published: 1992-06-23

Total Pages: 324

ISBN-13:

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Edwin Booth was the foremost Shakespearean actor in late nineteenth-century America, enjoying almost mythic status. This comprehensive analysis and documentation of his career provides an aperture from which to view theatre and society of the period. The scholarly bibliography of over 1,000 annotated entries includes substantive writings about Booth in books, journals, and dissertations covering 130 years during and after his career as well as ephemeral references to Booth in the major journals of his day and a section of specialized reference materials relating to Booth. Among its unique features are a section on Booth's own writings and a section on Booth manuscript materials identified in sixty-four repositories in the United States and England. A biographical sketch analyzes Booth's career in terms of the major periods and upheavals in his life: his early fame, the death of his first wife, the assassination of President Lincoln by his brother, his management of Booth's Theatre, and his national and international tours. Accompanying this is a chronology of major events, a genealogical chart, and reproductions of portraits and playbills. Fully indexed, this volume makes a wealth of material readily available to Booth scholars as well as to others researching related theatre and social history.


The Cambridge History of American Theatre

The Cambridge History of American Theatre

Author: Don B. Wilmeth

Publisher: Cambridge University Press

Published: 1998-02-28

Total Pages: 554

ISBN-13: 9780521472043

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The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.