During the 1960s, the SNCC Freedom Singers, the Living Theatre, the Diggers, the Art Workers Coalition and the Guerrilla Art Action Group fused art and politics by staging unexpected and uninvited performances in public spaces. This text offers detailed portraits of each of these groups.
During the 1960s, the SNCC Freedom Singers, the Living Theatre, the Diggers, the Art Workers Coalition and the Guerrilla Art Action Group fused art and politics by staging unexpected and uninvited performances in public spaces. This text offers detailed portraits of each of these groups.
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Quick! In the heart of little old New York, you’ll find a thoroughfare–what is it? Forty-second Street, of course! In this entertaining book, noted theater historian traces the rise and fall and rise of the street that symbolizes the Broadway experience. The first theater went up in 1899, and by 1920, there were twelve stretching from avenue to avenue, plus a flow of trolleys, a subway stop at each end, and a never-ceasing bustle of activity in between. The 1920s and 1930s were the golden age, fueled by Hollywood movies and Damon Runyon stories; then there were the war years, when every American soldier and sailor paid a call. After the war, the slow decline of 42nd Street, lined with peep shows, symbolized decay. In the 1990s, as theaters were renovated, the street was miraculously reclaimed.The Story of 42nd Streetcaptures the colorful characters, shows, scandals, and stories of this uniquely American dreamscape.
He's bad at sports and not much better at school, but Jimmy sure can draw terrific cartoons. And his dream, like that of his Uncle Lester, who writes flop Broadway musicals'is to be recognized for what he loves doing most.
Exploring diverse human experiences in the US, Poland and Northern Ireland, this book is of interest to practitioners and students of applied theatre, peace and conflict studies, professionals working in conflict resolution, counselors, psychotherapists, professionals in the field of criminal and restorative justice, and spiritual seekers.
This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.