The Ten of Mario Bava
The Ten of Mario Bava

Author: Laura Cremonini

Publisher: Self-Publish

Published: 2020-06-19

Total Pages: 456

ISBN-13:

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This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches. (Eleven different topics grouped in one book) The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes) In addition, each film is linked to Youtube and in most cases the films are viewed in full Movie. Contents of the book: La maschera del demonio (1960), La ragazza che sapeva troppo (1963), I tre volti della paura (1963), La frusta e il corpo (1963), Operazione Paura (1963), Sei donne per l’assassino (1964), Il Rosso Segno della Follia (1970), 5 bambole per la luna di agosto (1970), Ecologia del delitto (1971), Lisa e il Diavolo (1972). Of each film: Poster, Plot, Cast, Production, Development, Filming, Release, Home media, Critical reception, Influence and analysis, Scenes from the film, Footnotes, References, Further reading.

The Haunted World of Mario Bava
The Haunted World of Mario Bava

Author: Troy Howarth

Publisher:

Published: 2014-05-28

Total Pages: 210

ISBN-13: 9781936168453

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The Haunted World of Mario Bava has now been updated, revised and expanded by author Troy Howarth to give a better overview of Bava's remarkable legacy as a director and "cinema magician."

The Ten of Mario Bava (Color Version)
The Ten of Mario Bava (Color Version)

Author: Laura Cremonini

Publisher:

Published: 2020-06-12

Total Pages: 226

ISBN-13:

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This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? The answer: because it means you avoid having to carry out long and tedious internet searches (eleven different topics grouped in one book), but above all the pleasure of reading a paper book comfortably seated in an armchair The topics are all linked to each other organically, and as a function of the subject and, in most cases, contain additional unpublished topics, not found on the web. Moreover, the inclusion of images completes the work so as to make it unique and unrepeatable. (Over 100 poster and film scenes)Contents of the book: La maschera del demonio (1960), La ragazza che sapeva troppo (1963), I tre volti della paura (1963), La frusta e il corpo (1963), Operazione Paura (1963), Sei donne per l'assassino (1964), Il Rosso Segno della Follia (1970), 5 bambole per la luna di agosto (1970), Ecologia del delitto (1971), Lisa e il Diavolo (1972). Of each film: Poster, Plot, Cast, Production, Development, Filming, Release, Home media, Critical reception, Influence and analysis, Scenes from the film, Footnotes, References, Further reading.

Perverse Titillation
Perverse Titillation

Author: Danny Shipka

Publisher: McFarland

Published: 2011-07-25

Total Pages: 350

ISBN-13: 0786486090

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The exploitation film industry of Italy, Spain and France during the height of its popularity from 1960 to 1980 is the focus of this entertaining history. With subject matter running the gamut from Italian zombies to Spanish werewolves to French lesbian vampires, the shocking and profoundly entertaining motion pictures of the "Eurocult" genre are discussed from the standpoint of the films and the filmmakers, including such internationally celebrated auteurs as Mario Bava, Jess Franco, Jean Rollin and Paul Naschy. The Eurocult phenomenon is also examined in relation to the influences that European culture and environment have had on the world of exploitation cinema. The author's insight and expertise contribute to a greater understanding of what made these films special--and why they have remained so popular to later generations.

Italian Gothic Horror Films, 1957-1969
Italian Gothic Horror Films, 1957-1969

Author: Roberto Curti

Publisher: McFarland

Published: 2015-03-27

Total Pages: 221

ISBN-13: 1476619891

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The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

The Book of Renfield
The Book of Renfield

Author: Tim Lucas

Publisher: Riverdale Avenue Books LLC

Published: 2023-04-11

Total Pages: 216

ISBN-13: 1626016534

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"Lucas mimics Stoker's style so well that it's hard to distinguish his own writing from passages interpolated from Dracula. A fully humanized character study.” – Publishers Weekly Perhaps the most infamous supporting character in all of Gothic Horror is R.M. Renfield, the unstable patient under observation at Dr. Seward’s Carfax Asylum in Bram Stoker’s Dracula—a pathetic wretch who prophesies the imminent arrival of “the Master” while covertly feeding on spiders and flies. Yet Stoker’s 1887 classic tells us almost nothing about him. Why—and how—was such an unsavory figure chosen to be the Un-dead Count’s groveling envoy? In this remarkable harbinger of the “mash-up” novel, author Tim Lucas—with the help of Stoker himself—takes us on an illuminating, magical, sometimes strangely erotic investigation into Renfield’s origin, fitted seamlessly within the language and the flurry of correspondence and other documentation found in Dracula. THE BOOK OF RENFIELD reinvigorates Stoker’s seminal horror masterpiece with numerous, uncanny stories within stories—alternately ghastly, marvelous, and hauntingly tender, framing DRACULA’s robust blood-and-thunder with a flair for meta and modernity. This Newly Revised Edition is extensively reworded and restructured, incorporating many paragraphs of content deleted from the original 2005 text. Also included is a contextualizing new Foreword by horror expert Stephen R. Bissette and a substantial Afterword by the author.

Vampires in Italian Cinema, 1956-1975
Vampires in Italian Cinema, 1956-1975

Author: Michael Guarneri

Publisher: Edinburgh University Press

Published: 2020-05-28

Total Pages: 232

ISBN-13: 1474458130

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Demonstrates how and why the transnational figure of the vampire was appropriated by Italian genre filmmakers between 1956 and 1975.

The Only Criminal
The Only Criminal

Author: Tim Lucas

Publisher: Riverdale Avenue Books LLC

Published: 2024-09-27

Total Pages: 183

ISBN-13: 1626016917

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Once upon a time, in a world otherwise much like our own, there is only one source of evil, torment and crime in the entire world. He is known as The Only Criminal. By extension, he is also the only source of interesting information in print and televisual news. All movies, all TV shows, are made about him. He is also responsible for all the recorded music in the world, brought into being under the influence of illegal drugs. The Only Criminal is also the only source of fascination for a brilliant young psychologist, Dr. Paul Vaguely – a man driven by his obsession with this one subject, which fills him with fear and fuels his boundless curiosity and imagination. The good Dr. Vaguely is developing a new branch of psychiatric care, specializing in the treatment of patients whose lives were touched by the peril and plunder of The Only Criminal, but his plans are upset by two things: the discovery of the only known survivor of an Only Criminal attack to have actually seen him and lived; and The Only Criminal’s most fiendish coup of all, which steers the world at large toward a collective nervous breakdown. Decades in preparation, The Only Criminal is many things: a Kafkaesque comic book on the theme of Original Sin; a never-more-relevant love story between two isolated characters fearful of risking human contact; even a fanciful alternative history of how our world may have ended up in such a catastrophic mess. Dark, humorous, erotic and charged with danger, The Only Criminal may be its author’s definitive journey into the depths of dark obsession. “Compulsively, enviably superb. THE ONLY CRIMINAL is a marvel! Tim Lucas brilliantly weaves wit, romance and glorious wisdoms with maestro cool.” - R.C. Matheson (Dystopia) “It’s brilliant… one of the most interesting and entertaining things I’ve read! - Kelley Jones, (Batman, The Sandman) “This is a wonderful, droll, witty book—a real joy for people with eclectic cinematic and reading tastes. A bedtime book to savor, just like one of the hero’s vanilla-flavored cigarettes.” - Joan Hawkins (Cutting Edge: Art Horror & the Horrific Avant-Garde)

Mario Bava
Mario Bava

Author: Leon Hunt

Publisher: Bloomsbury Publishing USA

Published: 2022-02-24

Total Pages: 370

ISBN-13: 1501356534

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How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.