The Telescope and Microscope (Classic Reprint)
The Telescope and Microscope (Classic Reprint)

Author: Thomas Dick

Publisher: Forgotten Books

Published: 2016-08-18

Total Pages: 184

ISBN-13: 9781333268732

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Excerpt from The Telescope and Microscope There are various kinds of refracting tel scopes, which we shall describe in their ord commencing with that which is the most simpl and most easily understood. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Worlds Beyond
Worlds Beyond

Author: Laura Forsberg

Publisher: Yale University Press

Published: 2021-05-11

Total Pages: 297

ISBN-13: 0300258410

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An innovative study of how the Victorians used books, portraits, fairies, microscopes, and dollhouses to imagine miniature worlds beyond perception In 1856, Elizabeth Gaskell discovered a trove of handmade miniature books that were created by Charlotte and Branwell Brontë in their youth and that, as Gaskell later recalled, “contained an immense amount of manuscript, in an inconceivably small space.” Far from being singular wonders, these two-inch volumes were part of a wide array of miniature marvels that filled the drawers and pockets of middle- and upper-class Victorians. Victorian miniatures pushed the boundaries of scientific knowledge, mechanical production, and human perception. To touch a miniature was to imagine what lay beyond these boundaries. In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible. Forsberg guides readers through microscopic science, art history, children’s culture, and book production to show how Victorian miniatures offered scripts for expansive fantasies of worlds beyond perception.

The Invisible World
The Invisible World

Author: Catherine Wilson

Publisher: Princeton University Press

Published: 1997-12-21

Total Pages: 291

ISBN-13: 0691017093

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In the 17th century the microscope opened up a new world of observation, and, according to author Catherine Wilson, profoundly revised the thinking of scientists and philosophers alike. Focusing on the earliest forays into microscopical research, from 1620 to 1720, this book provides us with both a compelling technological history and a lively assessment of the new knowledge.

Concepts of Classical Optics
Concepts of Classical Optics

Author: John Strong

Publisher: Courier Corporation

Published: 2004-01-01

Total Pages: 718

ISBN-13: 0486432629

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An intermediate course in optics, this volume explores both experimental and theoretical concepts, offering practical knowledge of geometrical optics that will enhance students' comprehension of any relevant applied science. Its exposition of the concepts of classical optics is presented with a minimum of mathematical detail but presumes some knowledge of calculus, vectors, and complex numbers. Subjects include light as wave motion; superposition of wave motions; electromagnetic waves; interaction of light and matter; velocities and scattering of light; polarized light and dielectric boundaries; double refraction; and the interference of two sources laterally separated. Additional topics cover Fresnel and Fraunhofer diffraction; coherent sources separated in depth; applications of physical optics; images of points by single surfaces and by systems of surfaces; magnification, aperture, and field; and image defects. Illustrative problems appear throughout the text, assuring students of an opportunity to attain a full understanding of the material. The appendixes feature short topics of lively research interest that can be used simply for reference or formally incorporated by the instructor into the course.

High-Resolution Electron Microscopy
High-Resolution Electron Microscopy

Author: John C. H. Spence

Publisher: Oxford University Press

Published: 2009

Total Pages: 425

ISBN-13: 0199552754

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This book describes how to see atoms using electron microscopes. This new edition includes updated sections on applications and new uses of atomic-resolution transmission electron microscopy. Several new chapters and sources of software for image interpretation and electron-optical design have also been added.

Encyclopedia of Optical and Photonic Engineering (Print) - Five Volume Set
Encyclopedia of Optical and Photonic Engineering (Print) - Five Volume Set

Author: Craig Hoffman

Publisher: CRC Press

Published: 2015-09-22

Total Pages: 3726

ISBN-13: 1351247174

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The first edition of the Encyclopedia of Optical and Photonic Engineering provided a valuable reference concerning devices or systems that generate, transmit, measure, or detect light, and to a lesser degree, the basic interaction of light and matter. This Second Edition not only reflects the changes in optical and photonic engineering that have occurred since the first edition was published, but also: Boasts a wealth of new material, expanding the encyclopedia’s length by 25 percent Contains extensive updates, with significant revisions made throughout the text Features contributions from engineers and scientists leading the fields of optics and photonics today With the addition of a second editor, the Encyclopedia of Optical and Photonic Engineering, Second Edition offers a balanced and up-to-date look at the fundamentals of a diverse portfolio of technologies and discoveries in areas ranging from x-ray optics to photon entanglement and beyond. This edition’s release corresponds nicely with the United Nations General Assembly’s declaration of 2015 as the International Year of Light, working in tandem to raise awareness about light’s important role in the modern world. Also Available Online This Taylor & Francis encyclopedia is also available through online subscription, offering a variety of extra benefits for researchers, students, and librarians, including: Citation tracking and alerts Active reference linking Saved searches and marked lists HTML and PDF format options Contact Taylor and Francis for more information or to inquire about subscription options and print/online combination packages. US: (Tel) 1.888.318.2367; (E-mail) [email protected] International: (Tel) +44 (0) 20 7017 6062; (E-mail) [email protected]

Print, Visuality, and Gender in Eighteenth-Century Satire
Print, Visuality, and Gender in Eighteenth-Century Satire

Author: Katherine Mannheimer

Publisher: Routledge

Published: 2012-05-23

Total Pages: 248

ISBN-13: 1136728562

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This study interprets eighteenth-century satire’s famous typographical obsession as a fraught response to the Enlightenment’s "ocularcentric" epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly "visual" — a moment at which widespread attention was being paid, for the first time, to format, layout, and eye-catching advertising strategies. On the one hand, the Augustans were convinced of the ability of their elaborately printed texts to function as a kind of optical machinery rivaling that of the New Science, enhancing readers’ physical but also moral vision. On the other hand, they feared that an overly scrutinizing gaze might undermine the viewer’s natural faculty for candor and sympathy, delight and desire. In readings of Pope, Swift, and Montagu, Mannheimer shows how this distrust of the empirical gaze led to a reconsideration of the ethics, and most specifically the gender politics, of ocularcentrism. Whereas Montagu effected this reconsideration by directly satirizing both the era’s faith in the visual and its attendant publishing strategies, Pope and Swift pursued their critique via print itself: thus whether via facing-page translations, fictional editors, or disingenuous footnotes, these writers sought to ensure that typography never became either a mere tool of (or target for) the objectifying gaze, but rather that it remained a dynamic and interactive medium by which readers could learn both to see and to see themselves seeing.