The Tate Gallery Report
Author: Tate Gallery
Publisher:
Published: 1964
Total Pages: 108
ISBN-13:
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Author: Tate Gallery
Publisher:
Published: 1964
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Tate Gallery
Publisher:
Published: 1972
Total Pages: 652
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1915
Total Pages: 192
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DOWNLOAD EBOOKAuthor: Commonwealth Shipping Committee
Publisher:
Published: 1915
Total Pages: 960
ISBN-13:
DOWNLOAD EBOOKAuthor: Tate Gallery
Publisher:
Published: 1976
Total Pages: 256
ISBN-13:
DOWNLOAD EBOOKAuthor: Great Britain. Parliament. House of Commons
Publisher:
Published: 1928
Total Pages: 1086
ISBN-13:
DOWNLOAD EBOOKAuthor: National Museum of Wales
Publisher:
Published: 1915
Total Pages: 292
ISBN-13:
DOWNLOAD EBOOKAuthor: ChristopherR. Marshall
Publisher: Routledge
Published: 2017-07-05
Total Pages: 227
ISBN-13: 1351549545
DOWNLOAD EBOOKSculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying curatorial philosophies. Sculptors discussed include Canova, Rodin, Henry Moore, Flaxman and contemporary artists such as Rebecca Horn, Rachel Whiteread, Mark Dion and Olafur Eliasson, with a variety of museums in America, Canada and Europe presented as case studies. Underlying all of these discussions is a concern to chart the critical importance of the acquisition, placement and display of sculpture in museums and to explore the importance of sculptures as a forum for the expression of programmatic statements of power, prestige and the museum's own sense of itself in relation to its audiences and its broader institutional aspirations.
Author:
Publisher: Distributed Art Publishers (DAP)
Published: 2020-11-17
Total Pages:
ISBN-13: 9781942884651
DOWNLOAD EBOOKDramatically reinventing the lineage of Goya, Sargent and Manet, Lynette Yiadom-Boakye imbues the Black subjects in her paintings with atmospheric grace and elegance Taking inspiration from the techniques of historic European portraiture, Lynette Yiadom-Boakye's oil paintings could almost be from a much older era if it were not for the contemporary details of the Black subjects that populate her work. Though her subjects are people conjured in her imagination, Yiadom-Boakye imbues her portraits with a near-tangible spirit through her deliberate brush strokes and rich dark tones. The result is paintings that seem to exist outside of time while still remaining grounded in reality. This lavishly illustrated volume of nearly 80 paintings and drawings--some of which have never been exhibited before--accompanies the first major survey of Yiadom-Boakye's work, shown at Tate Britain. In addition to new fiction writing by the artist, this publication includes in-depth thematic essays on Yiadom-Boakye's artistic development, reflecting the dual aspects of the artist's career as both a painter and a writer and offering an intimate insight into her creative process. Lynette Yiadom-Boakye (born 1977) is a British artist and writer acclaimed for her atmospheric oil paintings that depict imagined sitters in dark color palettes, executed with a contemporary sensibility while still rooted in an art historical practice. She attended Central Saint Martins School of Art and Design, Falmouth College of Art and the Royal Academy Schools. In 2018, she was awarded the prestigious Carnegie Prize.
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Publisher:
Published: 1913
Total Pages: 518
ISBN-13:
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