When Mina joins a troupe of travelling actors, her aim is to find her missing brother, but her search unlocks a series of secrets that will change the world she knows forever. Tarya, the mystical realm spoken of in tales, is real, and her gift for story telling opens a way to it. But Tarya has a shadow side, and someone in the troupe of actors is using it to harm people. Mina soon realises she may be the only one with the power to stop them. The Tales of Tarya is a young adult fantasy trilogy about the gift of creativity and where it can take you. This book bundle contains all books in The Tales of Tarya trilogy: Harlequin's Riddle, Columbine's Tale, and Pierrot's Song.
For three hundred years the travelling actors of Litonya roamed the land entertaining crowds, but secretly leaving devastation in their wake. Is Mina the only person with the power to stop them? In the ethereal otherworld of Tarya, Mina begins to master the rare, inexplicable powers attached to her gift for storytelling. She discovers she can touch dreams, influence the real world, and perhaps find out who is manipulating Tarya for dark purposes. In the waking world Mina is on the run, beset by divided loyalties between the travellers, and caught between two men she could love and a brother who desperately needs her help.
The travelling players of Litonya have destroyed many lives by manipulating the mystical realm of Tarya, and Mina has discovered her brother is one of their victims. Although she is determined to stop them, her hopes for help from the Council of Muses have been dashed. The only possibility for healing lies in a journey to the heart of Litonya, and into a past long lost to history. When ancient stories give up their forgotten secrets, a path forward begins to appear. But love and talent are pushed to their limits as Mina and her companions come face to face with an enemy who has finally stepped out of the shadows.
When She Was 11 Years Old, She Discovered It; On Her 16th Birthday, Tarya Must Learn To Control It! Everybody dreams; cute dreams, loving dreams, funny dreams, sad dreams, and nightmares. But what if you woke up someday and one of your dreams turns into reality right in front of your eyes? That is what Tarya Jones discovers about herself when she is just eleven years old; her dreams are not “dreams”; they are visions of the future! Is there an explanation for this power? Can she control it, and maybe change the future for her and her loved ones? And how? Follow her on a mesmerizing, supernatural adventure, as she tries to prevent a heart-breaking tragedy that she knows is coming – but she doesn’t know that there’s a steep price to pay for that… Don’t Waste Another Second! Order Your Copy Now & Immerse Yourself In Tarya’s Endeavour’s
When Mina joins a troupe of travelling actors, her aim is to find her missing brother, but her search unlocks a series of secrets that will change the world she knows forever. Tarya, the mystical realm spoken of in tales, is real, and her gift for story telling opens a way to it. But Tarya has a shadow side, and someone in the troupe of actors is using it to harm people. Mina soon realises she may be the only one with the power to stop them. Harlequin’s Riddle is the first book in a Young Adult fantasy trilogy about the gift of creativity and where it can take you.
These early works by various authors were originally published between the late 16th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume I.' contains a collection of short stories that include 'The Mark of the Beast' by Rudyard Kipling, 'The Eyes of the Panther' by Ambrose Bierce, 'In the Avu Observatory' by H. G. Wells, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.
“These Feathered Flames is a stunning debut as dark, lush, and captivating as the best fairy tales.”—Nina Varela, author of the Crier's War duology When twin heirs are born in Tourin, their fates are decided at a young age. While Izaveta remained at court to learn the skills she’d need as the future queen, Asya was taken away to train with her aunt, the mysterious Firebird, who ensured magic remained balanced in the realm. But before Asya’s training is completed, the ancient power blooms inside her, which can mean only one thing: the queen is dead, and a new ruler must be crowned. As the princesses come to understand everything their roles entail, they’ll discover who they can trust, who they can love—and who killed their mother. Books in the These Feathered Flames duology: These Feathered Flames This Cursed Crown
In eighth century India, Andal is born into a world where girls are married and with child by fourteen. Defying the mores of her time, she refuses marriage to a mortal man. Only a god will do. Andal’s imagination is boundless and her antics set the town’s tongues wagging. As Andal becomes more and more absorbed by her visions, she composes songs to her divine lover. Saisha discovers Andal’s songs in a book on a trip to India with her partner Marcus. The verses are confronting and unearth memories Saisha thought were long ago buried. Not only is she unable to conceive, for the past two decades Marcus has chosen celibacy. What defines her as a woman when these two primal desires remain unfulfilled? Andal’s words are deceptively simple, yet shine a lamp on the labyrinths of Saisha’s sexuality and her quest to find peace with the choices she has made.
On the island of Arcosi, dragons and their riders used to rule the skies. But now they are only legends, found in bedtime stories, on beautiful murals and ancient jewellery. Then servant girl Milla witnesses a murder and finds herself caring for the last four dragon eggs. Forced to keep them secret amidst the growing tensions in the city, she begins to fear that the island's ruler, Duke Olvar, isn't all that he seems. But how can Milla and her friends keep the eggs safe when it means endangering everything she's ever loved? Fiery friendships, forgotten family and the struggle for power collide as Milla's fight to save the dragons leads her to discover her own hidden past.
A profound look at what it means for new generations to read and interpret ancient religious texts In this book, rabbi and philosopher Marc-Alain Ouaknin offers a postmodern reading of the Talmud. Combining traditional learning and contemporary thought, Ouaknin dovetails discussions of spirituality and religious practice with such concepts as deconstruction, intertextuality, undecidability, multiple voicing, and eroticism in the Talmud. On a broader level, he establishes a dialogue between Hebrew tradition and the social sciences, which draws, for example, on the works of Lévinas, Blanchot, and Jabès as well as Derrida. The Burnt Book represents the innovative thinking that has come to be associated with a school of French Jewish studies, headed by Lévinas and dedicated to new readings of traditional texts. The Talmud, transcribed in 500 C.E., is shown to be a text that refrains from dogma and instead encourages the exploration of its meanings. A vast compilation of Jewish oral law, the Talmud also contains rabbinical commentaries that touch on everything from astronomy to household life. Examining its literary methods and internal logic, Ouaknin explains how this text allows readers to transcend its authority in that it invites them to interpret, discuss, and recreate their religious tradition. An in-depth treatment of selected texts from the oral law and commentary goes on to provide a model for secular study of the Talmud in light of contemporary philosophical issues. Throughout, the author emphasizes the self-effacing quality of a text whose worth can be measured by the insights that live on in the minds of its interpreters long after they have closed the book. He points out that the burning of the Talmud in anti-Judaic campaigns throughout history has, in fact, been an unwitting act of complicity with Talmudic philosophy and the practice of self-effacement. Ouaknin concludes his discussion with the story of the Hasidic master Rabbi Nahman of Bratslav, who himself burned his life achievement—a work known by his students as "the Burnt Book." This story leaves us with the question, should all books be destroyed in order to give birth to thought and renew meaning?
