The Sylphs of the Season With Other Poems By Washington Allston

The Sylphs of the Season With Other Poems By Washington Allston

Author: Washington Allston

Publisher: BoD - Books on Demand

Published: 2024-02-24

Total Pages: 66

ISBN-13:

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"The Sylphs of the Season with Other Poems" is a collection of poems by Washington Allston, an American painter and poet from the Romantic era. Washington Allston (1779–1843) was associated with the Transcendentalist movement and is known for his contributions to both the visual arts and literature. The collection likely features a variety of poems, and given Allston's interests, you can expect themes related to nature, imagination, and the spiritual. The title poem, "The Sylphs of the Season," might involve mythological or fantastical elements, given the reference to sylphs, which are often depicted as air spirits or nymphs in mythology. Allston's poetry is characterized by a romantic and visionary style, often drawing inspiration from his experiences in art and nature. If you have access to the full collection or specific questions about individual poems within "The Sylphs of the Season with Other Poems," feel free to provide more details, and I'll do my best to assist you further.


The Sylphs of the Season with Other Poems

The Sylphs of the Season with Other Poems

Author: Washington Allston

Publisher: Good Press

Published: 2019-12-24

Total Pages: 98

ISBN-13:

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"The Sylphs of the Season with Other Poems" is a collection of poems by Washington Allston. The poems of Allston influenced the generation of prominent literary figures like Ralph Waldo Emerson, Margaret Fuller, and Sophia Peabody, the wife of Nathaniel Hawthorne.


The Correspondence of Washington Allston

The Correspondence of Washington Allston

Author: Nathalia Wright

Publisher: University Press of Kentucky

Published: 2014-07-15

Total Pages: 711

ISBN-13: 0813165040

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Washington Allston (1779-1843), the first major American artist trained in Europe, produced important paintings, explored sculpture and architecture, and published poetry and art criticism. On his return to America he became influential in the cultural and intellectual life of New England. Allston "knew everyone" and corresponded with many of the leading figures of his day, including Wordsworth, Longfellow, Irving, Sully, and Morse. Nathalia Wright's edition is the most comprehensive work to date on Allston, bringing together all known letters by and to him and describing his principal activities in years for which correspondence is lacking. Allston holds an important place in the history of American culture and European art and has long deserved such a volume, which offers a fascinating view of the world of arts and letters during the early American flowering.


Emerson's Emergence

Emerson's Emergence

Author: Mary Kupiec Cayton

Publisher: UNC Press Books

Published: 2017-11-01

Total Pages: 340

ISBN-13: 1469621428

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As the culture of commercial capitalism came to dominate nineteenth-century New England, it changed people's ideas about how the world functioned, the nature of their work, their relationships to one another, and even the way they conceived of themselves as separate individuals. Drawing on the work of the last twenty years in New England social history, Mary Cayton argues that Ralph Waldo Emerson's work and career, when seen in the context of the momentous changes in the culture and economics of the region, reveal many of the tensions and contradictions inherent in the new capitalist social order. In exploring the genesis of liberal humanism as a calling in the United States, this case study implicitly poses questions about its assumptions, its aspirations, and its failings. Cayton traces the ways in which the social circumstances of Emerson's Boston gave rise to his philosophy of natural organicism, his search for an appropriate definition of the intellectual's role within society, and his exhortations to individuals to distrust the norms and practices of the mass culture that was emerging. She addresses the historical context of Emerson's emergence as a writer and orator and undertakes to describe the Federalism and Unitarianism in which Emerson grew up, explaining why he eventually rejected them in favor of romantic transcendentalism. Cayton demonstrates how Emerson's thought was affected by the social pressures and ideological constructs that launched the new cultural discourse of individualism. A work of intellectual history and American studies, this book explores through Emerson's example the ways in which intellectuals both make their cultures and are made by them.