A sweeping history of the often-violent conflict between Islam and the West, shedding a revealing light on current hostilities The West and Islam -- the sword and scimitar -- have clashed since the mid-seventh century, when, according to Muslim tradition, the Roman emperor rejected Prophet Muhammad's order to abandon Christianity and convert to Islam, unleashing a centuries-long jihad on Christendom. Sword and Scimitar chronicles the decisive battles that arose from this ages-old Islamic jihad, beginning with the first major Islamic attack on Christian land in 636, through the Muslim occupation of nearly three-quarters of Christendom which prompted the Crusades, followed by renewed Muslim conquests by Turks and Tatars, to the European colonization of the Muslim world in the 1800s, when Islam largely went on the retreat -- until its reemergence in recent times. Using original sources in Arabic and Greek, preeminent historian Raymond Ibrahim describes each battle in vivid detail and explains how these wars and the larger historical currents of the age reflect the cultural fault lines between Islam and the West. The majority of these landmark battles -- including the battles of Yarmuk, Tours, Manzikert, the sieges at Constantinople and Vienna, and the crusades in Syria and Spain--are now forgotten or considered inconsequential. Yet today, as the West faces a resurgence of this enduring Islamic jihad, Sword and Scimitar provides the needed historical context to understand the current relationship between the West and the Islamic world -- and why the Islamic State is merely the latest chapter of an old history.
The newly crowned King Arthur has yet to win the support of the people. Merlin must do something before the king is betrayed, or murdered, or--worst of all--gets married. So Merlin creates a trick: a sword magically placed into a slab of rock that only Arthur can withdraw. Then he lets it be known that whosoever removes the blade will rule all of England, and invites any man who would dare, to try to pull out the sword. But then someone else pulls the sword out first. . . .
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Elegant data and ideas deserve elegant expression, argues Helen Sword in this lively guide to academic writing. For scholars frustrated with disciplinary conventions, and for specialists who want to write for a larger audience but are unsure where to begin, here are imaginative, practical, witty pointers that show how to make articles and books a pleasure to read—and to write. Dispelling the myth that you cannot get published without writing wordy, impersonal prose, Sword shows how much journal editors and readers welcome work that avoids excessive jargon and abstraction. Sword’s analysis of more than a thousand peer-reviewed articles across a wide range of fields documents a startling gap between how academics typically describe good writing and the turgid prose they regularly produce. Stylish Academic Writing showcases a range of scholars from the sciences, humanities, and social sciences who write with vividness and panache. Individual chapters take up specific elements of style, such as titles and headings, chapter openings, and structure, and close with examples of transferable techniques that any writer can master.
The fourth book of the DEATH OF ROME SAGA is a must-read for those who loved the heroism of Gladiator and Spartacus. 687 AD. Expansive and triumphant, the Caliphate has stripped Egypt and Syria from the Byzantine Empire. Farther and farther back, the formerly hegemonic Empire has been pushed - once to the very walls of its capital, Constantinople. But what is all this to old Aelric, now in his nineties, and a refugee from the Empire he's spent his life holding together? No longer the Lord Senator Alaric, Brother Aelric is writing his memoirs in the remote wastes of northern England, and waiting patiently for death. Then a band of northern barbarians turn up outside the monastery - and then another. Before he can draw another breath, Aelric is a prisoner of unknown forces, and headed straight back into the snake pit of Mediterranean hatreds. What awaits him at the end of his long and dangerous journey is a confrontation that decides the fate of all mankind.
The Sword of the Lord is the first book to examine military chaplains and the development of the military chaplaincy across history and geography - from the first to the twenty-first century, from Europe to North America. The scope of this work reveals the astonishing fact that the military chaplaincy has existed in a recognizable form for more than 1600 years. Contributors analyze specific historical moments in the development of the chaplaincy, beginning in antiquity and progressing through the Crusades, the English Civil War, the American Civil War, both World Wars, and the Vietnam War. Four key themes connect the chapters of this book. The first is the basic issue of historical development over time. Where and when did the military chaplaincy begin and how has it changed? A second theme involves the emotionally and spiritually intense relationships that develop between chaplains and the men and women they serve. How have military chaplains dealt with the enormous responsibility of ministering to soldiers about to kill or possibly be killed? The third theme is that of chaplains' often precarious position between military and religious authorities. Are military chaplains primaril