Represents a wide range of deities in the Greek and Roman pantheons, from Zeus and Jupiter to Eos and Quirinus. Includes discussions of the significance of the given deities, the mythology surrounding them, and the forms of worship associated with them.
Like Letters in Running Water explores ways in which fiction (prose, drama, poetry, myth, fairytale) yields transformative insights for educational theory and practice. Through a series of intensely original, powerful essays drawing on curriculum theory, literary analysis, psychology, and feminist theory and practice, Doll seeks to confront a commonly held bias that reading literary fictions is "mere" entertainment (not a learning experience). She suggests that fiction has immense teaching power because it connects readers with their alliances within themselves and this connection attends to social, outer issues addressed by traditional pedagogies with greater, deeper awareness. Her elaboration in this book of the concept of currere--the lived experience of curriculum--through literature, drama, and myth is a major contribution to the field of curriculum theory.
All myths skew the truth... Twenty years have come and gone since the Titan War; since Hades' fate was sealed. He has remained in the Underworld, a recluse who misses his home but accepts his self-inflicted banishment. He believes he'll never set foot again on the Upperworld, but that changes when he's convinced to go to Olympus for The Deciding: a celebration of gods and goddesses about to receive their Purposes. By chance, Hades encounters Persephone, a young goddess with eyes as captivating as a field of flowers. Their time together on Olympus is brief, but Persephone manages to do the unthinkable. She brings joy to his wounded heart. All Persephone has dreamed of is entering godhood and being strong enough to detach from her mother's hip. After meeting Hades, she realizes she craves something more, something she's never considered before now. It isn't until a strange encounter with the Fates that she takes the opportunity to live on her terms. This newfound bravery and confidence drive her to the Underworld, a place full of secrets that she's the center of. Another side of her awakens, a terrifying and exhilarating side that pushes her further into Hades' arms and has her falling in love with a realm she's been taught to fear and hate. Every time she visits, she finds it more difficult to leave, to remember her place. Things turn for the worse when Zeus discovers her biggest secret. Fearful of the truth, he lashes out; hurting all those in existence. Can Persephone embrace the truth in time to stop Zeus? Can she find a way to have Hades but also fully embrace her Purpose?
All myths skew the truth... From the age of five, Hades was imprisoned and tortured at the hands of his father, the Titan King. Every night he’d dream of freedom and the chance to seek his revenge. When Zeus saved him and their four siblings and declared war on the Titans, Hades thought his father’s days were numbered. Ten years later, Hades fears Cronus won’t face the consequences for his vile nature. The gods are struggling to maintain their early momentum. Lately, they lose more battles than they win. Morale is low, and many of their allies have abandoned them for the opposite side. The Fates propose a way for the gods to topple the Titans once and for all, and though apprehensive, Hades embraces the opportunity. His rash decision takes him to the Underworld to join forces with Kore, the Daemon Queen. Kore despises Cronus as much as the gods. She wants nothing more than to watch him suffer, and for the gods to reign in a new era. For ten years, she’s offered her assistance, and each time she’s been turned away. Finally, Zeus pushes Kore too far, and she vows to leave the gods to their inevitable demise. Her conviction doesn’t last long when Hades appears, begging for her help. Against her Council’ wishes and her own good sense, Kore agrees to lead Hades through her home, Tartarus, to search for the Hecatoncheires—the gods’ only hope to destroy Cronus. Their journey pushes them to their limits, in both body and mind. Along the way, their hearts get tangled in the mix; a more dangerous dilemma than defeating the Titans. For if they survive, to remain together, they may have to battle both the Underworld and Upperworld.
The war with the Daranii, instigated by Earth, was short and brutal. Outgunned by superior weapons, the obliteration of the military outpost on Jupiter’s moon, Io, ended with Earth’s unconditional surrender. Captain Jonathan Thomsin of the warship Excalibur was the only Captain of Earth’s combined forces to successfully destroy Daranii ships, not by confronting them, but with guerilla warfare. Outraged by Thomsin’s dishonorable tactics, the Daranii demand the captain as part of Earth’s reparations to Daran. Captain Thomsin was given to Daran to protect Earth from Daranii vengeance. A Sacrifice. He expected to be tormented by loss and grief. He expected to be tortured and die on Daran. He never expected to fall in love. PLEASE NOTE: This is a slow burn, male/male romance with on-page torture scenes, health issues, and adult sexual situations.
Dubbed 'the greatest Greek city and the most beautiful of them all' by Cicero, Syracuse also boasts the richest history of anywhere in Sicily. Syracuse, City of Legends - the first modern historical guide to the city - explores Syracuse's place within the island and the wider Mediterranean and reveals why it continues to captivate visitors today, more than two and a half millennia after its foundation. For more than 1600 years, from its settlement by Greeks in 733 BC, Syracuse was the leading city in Sicily and at times one of the most powerful in the world. As a Greek city-state it competed with Athens and Carthage and was for a while an important ally of Rome. When Sicily became Rome's first province, Syracuse was the island's capital and was an important centre for early Christianity. Under Byzantine rule, the Emperor Constans II even moved his court to Syracuse for five years. Capture by the Arabs in 878 AD marked the end of ancient Syracuse but the city continued to evolve and during the Spanish era Caravaggio created one of his masterpieces, The Burial of Santa Lucia, in the city. After a devastating earthquake in 1693, a major rebuilding programme gave the city the characteristic Baroque appearance it retains today. Over its long and colourful life, Syracuse has been home to many creative figures, including Archimedes, the greatest mathematician of the ancient world, as well as host to Plato, Scipio Africanus, conqueror of Hannibal, and Caravaggio, who have all contributed to the rich history and atmosphere of this beguiling and distinctive Sicilian city. Generously illustrated, Syracuse, City of Legends also offers detailed descriptions of the principal monuments from each period in the city's life, explaining their physical location as well as their historical context. This vivid and engaging history weaves together the history, architecture and archaeology of Syracuse and will be an invaluable companion for anyone visiting the city as well as a compelling introduction to its ancient and modern history.
A dark lesbian romance retelling of the Hades/Persephone abduction story, set in mythological ancient Greece. In the land of the dead, Queen Hades’ word is law. Hades gets what she wants—always—and what she wants is a certain goddess of the springtime. Innocent Persephone chafes beneath her mother’s hawkish gaze and mercurial temper. Demeter has rebuffed all her daughter’s suitors, but she is not yet satisfied; she strives to crush Persephone’s spirit. Still, when Hades pulls her into the dark realm of the underworld, Persephone longs for the world above, even if it means an eternity under her mother’s thumb. With her tears and pleas for freedom ignored by pitiless Hades, Persephone must learn to satisfy her keeper in all ways, lest she suffer the consequences. And though she cannot deny that something blooms within her, something forbidden, Persephone despairs of ever feeling the sun upon her skin once more. No matter the cost, Hades intends to keep her. Forever. * * * Captive in the Underworld is a standalone dark lesbian romance novel set in mythological ancient Greece. It is rooted in the misogyny and cruelties of the Hades/Persephone myth and contains sensitive material. Due to mature content and dark themes, this book is intended for adult readers only. It contains scenes depicting non-consensual sex, death, abuse, kidnapping, assault, and other intimate partner violence. It is not recommended for readers sensitive to such content. PRAISE FOR CAPTIVE IN THE UNDERWORLD “A dark sapphic romance based on the myth of Persephone and Hades... entertaining, captivating, and exceptionally enjoyable... I read it twice in a row without stopping… if you like my work, I bet you’ll like this a whole lot!” ―Rae D. Magdon, author of Lucky 7 “I adored this brutally ruthless Hades... She was everything I wanted her to be... frightening and passionate all at once... a beautiful example of classic dark romance... Gorgeous novel, highly recommend.” ―Roses and Thorns Book Reviews “[The] best Hades/Persephone story I've ever read… such a gripping read I literally devoured it whole in one sitting like I was Kronos eating his kids… the world and the characters are so lush and compelling I'm tempted not to finish this review and just start rereading the book instead.”―Katarina, Goodreads reviewer
Blood Calls to Blood Ever since his Embrace, Duce Carter has been a firebrand among the Kindred of Chicago, fanning the flames of revolution against the city’s Prince and its hidebound elders. But when Chicago’s Carthians turn their backs on Duce in the wake of a brutal assassination attempt, the only person he can turn to for help is none other than Persephone Moore, the Prince’s only childe. Is Persephone the friend she claims to be, or is she an agent of the shadowy forces who are out to destroy Carter? Blood In, Blood Out is the second in a series of novels based on the wildly successful Vampire: The Requiem and World of Darkness horror settings.
This first volume examines how sexual mores and behavior, religious dogma and practice, and artistic creativity and authenticity have influenced, and been influenced by, the existentialist thought of Kierkegaard, Heidegger, Sartre, Nietzsche, Husserl and Buber, and the writings of Camus, Dostoevsky, Beckett, Kafka and Shestov. It compares the author’s personality theory with those of Freud, Jung, Fairbairn, Karl Abraham and Melanie Klein, and Buddhist, Gnostic, Christian and Muslim mysticism with Jewish Kabbalah. It explains society’s harsh treatment of Carlo Gesualdo, Vincent van Gogh and Antonin Artaud, and analyzes the existentialist approach to existence, absurdity, human dialogue, and suicide. It will appeal to students and professionals in fields as diverse as philosophy, psychology, sociology, anthropology, religion, law, music, art, drama, literature and biology.