Biographies of three men who achieved fame for their ability to entertain--one as a magician, one as a cowboy comedian and philosopher, and one as a producer of motion pictures and animated cartoons.
Before the "Bronx Zoo" of George Steinbrenner and Billy Martin, there were the Oakland Athletics of the early 1970s, one of the most successful, most colorful-and most chaotic-baseball teams of all time. They were all of those things because of Charlie Finley. Not only the A's owner, he was also the general manager, personally assembling his team, deciding his players' salaries, and making player moves during the season-a level of involvement no other owner, not even Steinbrenner, engaged in. Drawing on interviews with dozens of Finley's players, family members, and colleagues, G. Michael Green and Roger D. Launius present "Baseball's Super Showman" (Time magazine's description of Finley on the cover of an August 1975 issue) in all his contradictions: generous yet vengeful, inventive yet destructive. The stories surrounding him are as colorful as the life he led, the chronicle of which fills an important gap in baseball's literature.
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Samuel "Roxy" Rothafel (1882–1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to Rothafel's multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New York's most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. Roxy's interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release "events," and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.
This A-to-Z etymology guide reveals the people and characters whose names have evolved into common English words. Have you ever wondered about the origins of words like “Bowdlerize”? In 1818 Thomas Bowdler published and abridged set of Shakespeare's plays which “omitted those passages which might offend family propriety”—thereby making his name literally synonymous with the practice of distorting someone’s words. In Word Origins, Cecil Hunt provides fascinating profiles of hundreds of people whose names we use in everyday conversation. Discover historical personalities such as Sir Benjamin Hall, for whom Big Ben is named; the mythic figure of Tantalus, who was doomed by Zeus to forever be tantalized, and who continues to be tantalizing; as well as the Morse of Morse Code, Sax of Saxophones, and many others.