From the moment he is born, Lubrin Dhu is different and his unusual talent for drawing places him even further apart. So when his tribe is conquered and Lubrin is appointed its mouthpiece, he is treated with the utmost suspicion. What is the bargain that Lubrin has struck with the enemy lord? And why does he make a horse - a huge horse, high up on the hillside, cut out of the chalk? How can this set his people free?
For anyone who has ever dreamed of hearing a horse’s story... Oregon, 1790 Golden Sun is a chestnut snowflake Appaloosa. In summer, he treks through the mountains with his rider, a Nez Perce boy named Little Turtle, as he gathers healing plants. But when Little Turtle’s best friend falls ill, Golden Sun discovers his true calling. Here is Golden Sun’s story...in his own words. With moving and knowledgeable text and lovely black and white art throughout—by a mother-daughter team of horse experts—this is the perfect fit for all lovers of horses and history!
"Non-stop action! Space battles! Intrigue! This is the kind of space opera that I love best—but Elliott does it even better."—New York Times bestselling author Ann Leckie New York Times bestselling author Kate Elliott brings us a thrilling new science fiction adventure set in a rich universe full of political intrigue with Unconquerable Sun. Bookpage's Best Books of the Year Autostraddle's Best Queer Books of 2020 GENDER-SPUN ALEXANDER THE GREAT ON AN INTERSTELLAR SCALE Princess Sun has finally come of age. Growing up in the shadow of her mother, Eirene, has been no easy task. The legendary queen-marshal did what everyone thought impossible: expel the invaders and build Chaonia into a magnificent republic, one to be respected—and feared. But the cutthroat ambassador corps and conniving noble houses have never ceased to scheme—and they have plans that need Sun to be removed as heir, or better yet, dead. To survive, the princess must rely on her wits and companions: her biggest rival, her secret lover, and a dangerous prisoner of war. Take the brilliance and cunning courage of Princess Leia—add in a dazzling futuristic setting where pop culture and propaganda are one and the same—and hold on tight: This is the space opera you’ve been waiting for. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Mark and Giselle have many adventures in their search for the magical Sun Horse and for Giselle's father. Set on a ranch in the interior of British Columbia.
A wondrous story of adventure and friendship featuring a group of women who ride Icelandic horses. "Blame it or praise it, there is no denying the wild horse in us." - Virgina Woolf Each June, Tory Bilski meets up with fellow women travelers in Reykjavik where they head to northern Iceland, near the Greenland Sea. They escape their ordinary lives to live an extraordinary one at a horse farm perched at the edge of the world. If only for a short while. When they first came to Thingeyar, these women were strangers to one another. The only thing they had in common was their passion for Icelandic horses. However, over the years, their relationships with each other deepens, growing older together and keeping each other young. Combining the self-discovery of Eat, Pray, Love, the sense of place of Under the Tuscan Sun, and the danger of Wild, Wild Horses of the Summer Sun revels in Tory's quest for the "wild" inside her. These women leave behind the usual troubles at home: illnesses, aging parents, troubled teenagers, financial worries and embrace their desire for adventure. Buoyed by their friendships with each other and their growing attachments and bonds with the otherworldly horses they ride, the warmth of Thingeyrar's midnight sun carries these women through the rest of the year's trials and travails. Filled with adventure and fresh humor, as well as an incredible portrait of Iceland and its remarkable equines, Wild Horses of the Summer Sun will enthrall and delight not just horse lovers, but those of us who yearn for a little more wild in everyday life.
In the "Best in Show" tradition come tales of the horses and personalities, the riders and trainers, owners and judges, the big names and big money that make up the national horse show circuit.
Bold and skilled, Francis takes us into the still landscapes of Texas, evoking the African American South in fluid detail. Her poems become panhandle folktales fraught with the weight of memories both individual and collective. Her creative tangle of metaphors, people, and geography will keep the reader rooted in the good earth of extraordinary verse.
Wrapped in blankets and looking at the stars, a young Navajo girl listened long ago to stories that would guide her for the rest of her life. "Such summer evenings were filled with quiet voices, dogs barking far away, the fire crackling, and often we could hear the faint drums and songs of a ceremony somewhere in the distance," writes Luci Tapahonso in this compelling collection. Blue Horses Rush In takes its title from a poem about the birth of her granddaughter Chamisa, whose heart "pounded quickly and we recognized / the sound of horses running: / the thundering of hooves on the desert floor." Through such personal insights, this collection follows the cycle of a woman's life and underlines what it means to be Navajo in the late twentieth century. The book marks a major accomplishment in American literature for its successful blending of Navajo cultural values and forms with the English language, while at the same time retaining the Navajo character. Here, Luci Tapahonso walks slowly through an ancient Hohokam village, recalling stories passed down from generation to generation. Later in the book, she may tell a funny story about a friend, then, within a few pages, describe family rituals like roasting green chiles or baking bread in an outside oven. Throughout, Tapahonso shares with readers her belief in the power of pollen and prayer feathers and sacred songs. Many of these stories were originally told in Navajo, taking no longer than ten minutes in the telling. "Yet, in recreating them, it is necessary to describe the land, the sky, the light, and other details of time and place," writes Tapahonso. "In this way, I attempt to create and convey the setting for the oral text. In writing, I revisit the place or places concerned and try to bring the reader to them, thereby enabling myself and other Navajos to sojourn mentally and emotionally in our home, Dinétah."
