Is Christianity a bland, domesticated religion, unthreatening and easy to grasp? Or is it the most exotic, unexpected, and uncanny of religious paths? For the mystics and saints -- and for Robert Barron who discovered Christianity through them -- it is surely the strangest way. "At its very center, " writes Barron, "is a God who comes after us with a reckless abandon, breaking open his own heart in love in order to include us in the rhythm of his own life." What could be more compelling?
A young woman surviving in Seattle’s murky night world suddenly has new friends. When the pack of young punks saves her from a beating and worse, Whiskey is willing to throw in with them—for a night or two. The high-living rich kids are eager to lavish money, housing, parties and delightful intimacies on her. They say they want nothing in return. Hardened by the brutal streets, Whiskey knows nothing is free. More than ever she clings to her motto: Take more than you give. But when you have nothing, anything can be tempting. It all could be a dream come true, except for the nightmares that await her if Whiskey chooses to walk the Strange Path. The mesmerizing Sanguire trilogy from D Jordan Redhawk unveils the balance of an ancient conflict between undying races, all waiting on one woman’s choices.
Carl Dixon takes readers along on his wild journey through the golden days of Canadian rock, from early days with upstarts Coney Hatch to dizzying success with The Guess Who and April Wine. Strange Way to Live fuses rock-and-roll memoir and the comeback story of Carl's recovery from a life-threatening auto crash.
A sparklingly strange odyssey through the kaleidoscope of America's new spirituality: the cults, practices, high priests and prophets of our supposedly post-religion age. Fifty-five years have passed since the cover of Time magazine proclaimed the death of God and while participation in mainstream religion has indeed plummeted, Americans have never been more spiritually busy. While rejecting traditional worship in unprecedented numbers, today's Americans are embracing a kaleidoscopic panoply of spiritual traditions, rituals, and subcultures -- from astrology and witchcraft to SoulCycle and the alt-right.As the Internet makes it ever-easier to find new "tribes," and consumer capitalism forever threatens to turn spirituality into a lifestyle brand, remarkably modern American religious culture is undergoing a revival comparable with the Great Awakenings of centuries past. Faith is experiencing not a decline but a Renaissance. Disillusioned with organized religion and political establishments alike, more and more Americans are seeking out spiritual paths driven by intuition, not institutions. In Strange Rites, religious scholar and commentator Tara Isabella Burton visits with the techno-utopians of Silicon Valley; Satanists and polyamorous communities, witches from Bushwick, wellness junkies and social justice activists and devotees of Jordan Peterson, proving Americans are not abandoning religion but remixing it. In search of the deep and the real, they are finding meaning, purpose, ritual, and communities in ever-newer, ever-stranger ways.
Acerbic dark humour meets hardcore science in this mind-boggling exploration of the nine worst ways the world could end Which will get us first? The supervolcano in Yellowstone National Park? An asteroid hurtling through outer space? Black holes from CERN gobbling up the solar system? An army of deranged nanobots? Or – who knows – alien invasion? Armed with lavish illustrations and their one-of-a-kind “Catastrophometer”, Dr David Darling and Dr Dirk Schulze-Makuch introduce the disasters you never saw coming, unpicking the science that makes them genuine possibilities, and providing everything from survival tips to danger ratings. So sit back, face the inevitable, and discover the delights of the nine oddest ways the world could end.
A monumental, genre-defying novel that David Mitchell calls "Michel Faber’s second masterpiece," The Book of Strange New Things is a masterwork from a writer in full command of his many talents. It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter. Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us. Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
A young bride, Caja Munch accompanied her husband, Johan Storm Munch, from Norway to Wisconsin where he had received his first call to become pastor of several newly organized Norwegian Lutheran congregations. Her letters to her parents, written during a four-year period, 1855-59, and Pastor Munch's An American Adventure, an excerpt from his "Vita Mea," written fifty years after the visit to America, provide, with an uncanny timelessness and a distinct and charming literary style, perspectives on the immigrant in rural America which will be of considerable interest to general readers as well as historians and sociologists.
Synaesthesia is a confusion of the senses, whereby stimulation of one sense triggers stimulation in a completely different sensory modality. A synaesthete might claim to be able to hear colors, taste shapes, describe the color, shape, and flavor of someone's voice or music, the sound of which looks like 'shards of glass'. Throughout history, many notable artists and writers have claimed to suffer from synaesthesia, including, Arthur Rimbaud, Wassily Kandinsky, Vladimir Nabokov, and David Hockney. The condition remains as controversial now as when first brought to the public eye many years ago--one notable scientist dismissing it as mere 'romantic neurology.' In Synaesthesia: the strangest thing, a world authority on synaesthesia takes us on a fascinating tour of this mysterious condition, looking at historical incidences of synaesthesia, unraveling the theories for the condition, and additionally, examining the claims to synaesthesia of the likes of Rimbaud, Baudelaire, and others. The result is an exciting, yet scientific account of an incredible condition--one that will tell us of a world rich with the most unbelievable sensory experiences.
The complete history of one of the most long-lived and legendary bands in rock history, written by its official historian and publicist—a must-have chronicle for all Dead Heads, and for students of rock and the 1960s’ counterculture. From 1965 to 1995, the Grateful Dead flourished as one of the most beloved, unusual, and accomplished musical entities to ever grace American culture. The creative synchronicity among Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart, and Ron “Pigpen” McKernan exploded out of the artistic ferment of the early sixties’ roots and folk scene, providing the soundtrack for the Dionysian revels of the counterculture. To those in the know, the Dead was an ongoing tour de force: a band whose constant commitment to exploring new realms lay at the center of a thirty-year journey through an ever-shifting array of musical, cultural, and mental landscapes. Dennis McNally, the band’s historian and publicist for more than twenty years, takes readers back through the Dead’s history in A Long Strange Trip. In a kaleidoscopic narrative, McNally not only chronicles their experiences in a fascinatingly detailed fashion, but veers off into side trips on the band’s intricate stage setup, the magic of the Grateful Dead concert experience, or metaphysical musings excerpted from a conversation among band members. He brings to vivid life the Dead’s early days in late-sixties San Francisco—an era of astounding creativity and change that reverberates to this day. Here we see the group at its most raw and powerful, playing as the house band at Ken Kesey’s acid tests, mingling with such legendary psychonauts as Neal Cassady and Owsley “Bear” Stanley, and performing the alchemical experiments, both live and in the studio, that produced some of their most searing and evocative music. But McNally carries the Dead’s saga through the seventies and into the more recent years of constant touring and incessant musical exploration, which have cemented a unique bond between performers and audience, and created the business enterprise that is much more a family than a corporation. Written with the same zeal and spirit that the Grateful Dead brought to its music for more than thirty years, the book takes readers on a personal tour through the band’s inner circle, highlighting its frenetic and very human faces. A Long Strange Trip is not only a wide-ranging cultural history, it is a definitive musical biography.
