Longlisted for the 2020 Miles Franklin Literary Award. From the winner of the 2018 Victorian Premier’s Literary Award for Fiction, this tender, moving portrait of an improbable friendship and multicultural Australia more broadly, is now available in a new compact paperback edition.
Fosco speaks as a member of Post-Christian Society that has emerged from the Great Walk-Out from established religion but as one who cannot subscribe to the Economic Myth of Rational Humanism. Fosco's text, which he dubs My Reality, is republished in this volume, accompanied by six exploratory essays, ranging from the supportive to the dismissive, which seek to open up debate on the issues which he poses. Can we work towards a society in which humane values prevail, or must we accept that ours is, for lack of a better, the best of possible worlds?
This collection represents a serious re-examination of existing work on the Aboriginal history of nineteenth-century Victoria, deploying the insights of postcolonial thought to wrench open the inner workings of territorial expropriation and its historically tenacious variability. Colonial historians have frequently asserted that the management and control of Aboriginal people in colonial Victoria was historically exceptional; by the end of the century, colonies across mainland Australia looked to Victoria as a ‘model’ for how to manage the problem of Aboriginal survival. This collection carefully traces the emergence and enactment of this ‘model’ in the years after colonial separation, the idiosyncrasies of its application and the impact it had on Aboriginal lives. It is no exaggeration to say that the work on colonial Victoria represented here is in the vanguard of what we might see as a ‘new Australian colonial history’. This is a quite distinctive development shaped by the aftermath of the history wars within Australia and through engagement with the ‘new imperial history’ of Britain and its empire. It is characterised by an awareness of colonial Australia’s positioning within broader imperial circuits through which key personnel, ideas and practices flowed, and also by ‘local’ settler society’s impact upon, and entanglements with, Aboriginal Australia. The volume heralds a new, spatially aware, movement within Australian history writing. – Alan Lester This is a timely, astutely assembled and well nuanced collection that combines theoretical sophistication with empirical solidity. Theoretically, it engages knowledgeably but not uncritically with a broad range of influences, including postcolonialism, the new imperial history, settler colonial studies and critical Indigenous studies. Empirically, contributors have trawled an impressive array of archival sources, both standard and relatively unknown, bringing a fresh eye to bear on what we thought we knew but would now benefit from reconsidering. Though the collection wears its politics openly, it does so lightly and without jeopardising fidelity to its sources. – Patrick Wolfe
From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.
From the editors of The Anthology of Colonial Australian Gothic Fiction comes this fascinating collection of disturbing mysteries and gruesome tales by authors such as Mary Fortune, James Skipp Borlase, Guy Boothby, Francis Adams, Ernest Favenc, 'Rolf Boldrewood' and Norman Lindsay, among many others. In the bush and the tropics, the goldfields and the city streets, colonial Australia is a troubling, bewildering place and almost impossible to regulate—even for the most vigilant detective. Ex-convicts, bushrangers, ruthless gold prospectors, impostors, thieves and murderers flow through the stories that make up this collection, challenging the nascent forces of colonial law and order. The landscape itself seems to stimulate criminal activity, where identities change at will and people suddenly disappear without a trace. The Anthology of Colonial Australian Crime Fiction is a remarkable anthology that taps into the fears and anxieties of colonial Australian life.