The Story of Civilization, Volume X: winner of the Pulitzer Prize, a history of civilization in France, England, and Germany from 1756, and in the rest of Europe from 1715 to 1789.
Portrays the enigmatic character and incredible career of Napoleon Bonaparte, and describes the world he helped to fashion in the course of his ambitions.
The Story of Civilization, Volume VII: A history of European civilization in the period of Shakespeare, Bacon, Montaigne, Rembrandt, Galileo, and Descartes: 1558-1648. This is the seventh volume of the classic, Pulitzer Prize-winning series.
Jean-Jacques Rousseau (1712-1778) is generally seen as one of the most important figures whose ideas had a great influence on the French Revolution (1789). Many immediately associate him with the concept of "the noble savage." However, just as with his political and philosophical writings, his love for botany and scenery would change the landscape of continental Europe, if not the world. This book presents a unique view of the young Rousseau's awakening love for plants, and his sometimes euphoric appreciation of the scenery during his endless walks. The author unfolds the development of Rousseau's concept of nature, which makes it possible to pinpoint the exact and pivotal moment of change in his thinking about the natural environment. This culminated in a vision that converged with the the Marquis de Girardin's ideas about landscaping. The reader follows the Marquis during the development of the first English Garden in France, where Rousseau probably spent the happiest weeks of his life. While the park represents Rousseau's dream come true, it was destined to become the place of both his death and his tomb. In text and photographs this book captures the character of the park, built around the concepts of two men of fundamentally different character. It is the park's intricate mixture of bliss and gloominess that put a spell on the reader and every visitor.
Stressing the historical and theological significance of pivotal figures and movements, William Baird guides the reader through intriguing developments and critical interpretation of the New Testament from its beginnings in Deism through the watershed of the Tubingen school. Familiar figures appear in a new light, and important, previously forgotten stages of the journey emerge. Baird gives attention to the biographical and cultural setting of persons and approaches, affording both beginning student and seasoned scholar an authoritative account that is useful for orientation as well as research.
The essays collected in this book present the first comprehensive appreciation of The Fall of the Roman Empire from historical, historiographical, and cinematic perspectives. The book also provides the principal classical sources on the period. It is a companion to Gladiator: Film and History (Blackwell, 2004) and Spartacus: Film and History (Blackwell, 2007) and completes a triad of scholarly studies on Hollywood’s greatest films about Roman history. A critical re-evaluation of the 1964 epic film The Fall of the Roman Empire, directed by Anthony Mann, from historical, film-historical, and contemporary points of view Presents a collection of scholarly essays and classical sources on the period of Roman history that ancient and modern historians have considered to be the turning point toward the eventual fall of Rome Contains a short essay by director Anthony Mann Includes a map of the Roman Empire and film stills, as well as translations of the principal ancient sources, an extensive bibliography, and a chronology of events