Black members of the military served in every war, conflict and military engagement between 1861 and 1948. Beyond serving only as enlisted soldiers and non-commissioned officers, many also served as commissioned officers in positions of leadership and authority. This book offers the first complete and conclusive work to specifically examine the history of black commissioned officers.
Using a masterful combination of artistry and accuracy, Don Troiani has dedicated his career to transforming our understanding of the military soldier. Don now turns his talents to capturing the under-recognized African-American soldiers as they fought in the French and Indian War, the War of Independence, the War of 1812, and the American Civil War. Don’s battle paintings, figure studies, and artifact collection are teamed with historian John Rees’s insightful text. This long-needed work combines Troiani’s magnificent art—the dramatic battle paintings and authentically illustrated uniformed soldier studies—with Rees’s introductory chapters on the four wars. Using primary sources, Rees gives a true picture of the contributions of the many Black soldiers over the 100-year history. Together Troiani and Rees provide the most comprehensive, authoritative, and well-researched study of the Black soldier in early America.
Aristotle accurately characterized humans as political animals. Whether through birth or from choice, people naturally cluster into groups for protection, advancement, and the pursuit of well-being. But Aristotle’s description does not hint at the powerful binary tension within this human tendency. Leaders enhance a social group’s sense of identity by appealing to the members’ commitments and shared traditions, to their hopes, strengths, sacrifices, and fears. Often, however, they cultivate not only an awareness of difference but even a sense of superiority, since for every social group there are those outsider, the “them”. Maintaining a group’s solidarity can too easily lead to the righteousness of intolerance towards those who are excluded. The reinforcement of group-identity in this way runs so deep in human nature that holding up a mirror to ourselves inevitably reveals a split image: the people we want to see and the people we’re glad we’re not. Intolerance: Political Animals and Their Prey presents stark examples of how the “us” have treated the “them”. The papers in this volume hold up various unflattering mirrors of intolerance from the areas of History, Law, Philosophy, Political Science, and Religion. The authors of these scholarly studies do not condemn. Rather, their research compels us to look at ourselves as the political animals we are. Intolerance: Political Animals and Their Prey is the product of a year-long multi-disciplinary collaboration between faculty members of Bard College and the United States Military Academy at West Point. The project involved parallel seminar courses at both institutions along with Joint Sessions, all focused on the central theme of intolerance, and culminated in a three-day academic Conference at Bard in the Spring of 2015. This volume inaugurates a new series being published by Hamilton Books under the general title, Dialogues on Social Issues: Bard College and West Point.
Collective Amnesia: American Apartheid is a comprehensive study of the treatment African Americans have encountered since their arrival in Virginia in 1619, a saga of racism and white supremacy. It is actual history, not the popular mythology about the Civil War and its aftermath taught in our schools. Numerous tables, photographs, maps, and charts make the study easy to read. The topic is extremely pertinent due to the four hundredth anniversary of African Americans’ presence in North America in 2019 and encouragement of racism from the White House. Chapters cover white supremacy and racism, slavery, the service of US Colored Troops in the Civil War, devastation of the South, evolution of emancipation, and Reconstruction and the Freedman’s Bureau. Other chapters address “redemption” and the “lost cause,” Jim Crow, blacks’ significant military contributions in the two world wars, the Great Migration, the civil rights movement, and the backlash that continues today. The book also addresses contemporary issues, including white supremacy, Confederate statuary, and evaluates the status of blacks compared to other groups in society. Note is taken of Professor James Whitman’s observation that Hitler admired Jim Crow and antimiscegenation laws, as well as Richard Rothstein’s study of federal and local housing law, documenting whites’ responsibility for creating inner-city ghettos.
This rich cultural history of African Americans outlines their travails, triumphs, and achievements in negotiating individual and collective identities to overcome racism, slavery, and the legacies of these injustices from colonial times to the present. One of every five Americans at the nation's beginning was an African American—a fact that underscores their importance in U.S. growth and development. This fascinating study moves from Africans' early contacts with the Americas to African Americans' 21st-century presence, exploring their role in building the American nation and in constructing their own identities, communities, and cultures. Historian and lawyer Thomas J. Davis's multi-themed narrative of compelling content provides a historical overview of the rise of African Americans from slavery and segregation in their anti-racist quest to enjoy equal rights and opportunities to reach the American Dream of pursuing happiness. The work features portraits of individuals and treats images of African Americans in their roles as performers, producers, consumers, and creators, and as the face of social problems such as crime, education, and poverty.
It’s one of the last overlooked parts of American military history: the significant role African Americans played in the wars of America. Their story is more than just the 54th Massachusetts in the Civil War, more than just a tank battalion in World War II: African Americans contributed to every war in American history. Gene Bétit tells this important story with verve and gusto, as well as respect. By their brave deeds, African Americans have secured a place in American military history, and Bétit makes sure they receive their due. In the colonial wars, the Revolution, and the War of 1812, African Americans served as seamen, gunners, and marine sharpshooters in the Navy and served as 15 percent of the Continental Army. During the Civil War, blacks constituted nearly 200,000 soldiers of the Union Army and served in some of the war’s most celebrated regiments and toughest battles, and their service inspired the farthest-reaching of the Union’s emancipation policies. In the decades after the Civil War, Black soldiers formed an important part of the U.S. Army, fighting as Buffalo Soldiers in the Indian Wars of the 1870s, up through the Spanish-American War. In World War I, the segregated 92nd and 93rd Divisions fought hard and received the Croix de Guerre from France. In World War II, more than one million Blacks served the United States—and more than a hundred thousand were assigned to combat duty, not only in the Black Panther tank battalion and the Tuskegee Airmen, but in other combat units and units that kept the American war effort supplied. In the years since World War II, Truman integrated the military during the Korean War, but the African-American soldiers remain a class apart—during Korea, during Vietnam, and beyond. This is a story with importance not only for military history, but for all of American history. And Gene Bétit does it careful, exciting justice.
A richly illustrated commemoration of African Americans' roles in World War I highlighting how the wartime experience reshaped their lives and their communities after they returned home. This stunning book presents artifacts, medals, and photographs alongside powerful essays that together highlight the efforts of African Americans during World War I. As in many previous wars, black soldiers served the United States during the war, but they were assigned to segregated units and often relegated to labor and support duties rather than direct combat. Indeed this was the central paradox of the war: these men and women fought abroad to secure rights they did not yet have at home in the States. Black veterans' work during the conflict--and the respect they received from French allies but not their own US military--empowered them to return home and continue the fight for those rights. The book also presents the work of black citizens on the home front. Together their efforts laid the groundwork for later advances in the civil rights movement. We Return Fighting reminds readers not only of the central role of African American soldiers in the war that first made their country a world power. It also reveals the way the conflict shaped African American identity and lent fuel to their longstanding efforts to demand full civil rights and to stake their place in the country's cultural and political landscape.
While the role of the African American in American history has been written about extensively, it is often difficult to locate the wealth of material that has been published. African-Americans in Defense of the Nation builds on a long list of early bibliographies concerning the subject, bringing together a broad spectrum of titles related to the African-American participation in America's wars. It covers both military exploits—as African Americans have been involved in every American conflict since the Revolution—and their participation in the homefront support.
During World War II, tens of thousands of African Americans served in segregated combat units in U.S. armed forces. The majority of these units were found in the U.S. Army, and African Americans served in every one of the combat arms. They found opportunities for leadership unparalleled in the rest of American society at the time. Several reached the field grade officer ranks, and one officer reached the rank of brigadier general. Beyond the Army, the Marine Corps refused to enlist African Americans until ordered to do so by the president in June 1942, and two African American combat units were formed and did see service during the war. While the U.S. Navy initially resisted extending the role of African American sailors beyond kitchens, eventually the crew of two ships was composed exclusively of African Americans. The Coast Guard became the first service to integrate—initially with two shipboard experiments and then with the integration of most of their fleet. Finally, the famous Tuskegee airmen are covered in the chapter on air warfare. Proud Warriors makes the case that the wartime experiences of combat units such as the Tank Battalions and the Tuskegee Airmen ultimately convinced President Truman to desegregate the military, without which the progress of the Civil Rights Movement might also have been delayed.
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
