Despite the insatiable public appetite for all things Star Wars, the more analytical side of the saga is all too often ignored. This book offers a new way of seeing George Lucas' space opera--particularly the prequel trilogy, a series never given a fair chance because of constant comparisons to the iconic originals. In the classic style of Joseph Campbell, the trilogy is viewed through the lens of myth and metaphor, revealing a body of work not only worthy of scholarly study but perhaps destined to find therein its home. A wide variety of philosophical and mythological themes are presented and expounded upon, drawing from a rich source of scholars, thinkers, writers, and poets from East and West alike. Heretical or not, the Star Wars prequels are a surprisingly rich source of insight into the saga--as well as the human drama--as a whole.
Despite the insatiable public appetite for all things Star Wars, the more analytical side of the saga is all too often ignored. This book offers a new way of seeing George Lucas’ space opera—particularly the prequel trilogy, a series never given a fair chance because of constant comparisons to the iconic originals. In the classic style of Joseph Campbell, the trilogy is viewed through the lens of myth and metaphor, revealing a body of work not only worthy of scholarly study but perhaps destined to find therein its home. A wide variety of philosophical and mythological themes are presented and expounded upon, drawing from a rich source of scholars, thinkers, writers, and poets from East and West alike. Heretical or not, the Star Wars prequels are a surprisingly rich source of insight into the saga—as well as the human drama—as a whole.
Order in the Court! Star Wars: the most significant, powerful myth of the twenty-first century or morally bankrupt military fantasy? Six films. Countless books. $20 billion in revenue. No one can question the financial value or cultural impact of the Star Wars film franchise. But has the impact been for the good? In Star Wars on Trial's courtroom—Droid Judge presiding—Star Wars stands accused of elitist politics and sexism, religious and ethical lapses, the destruction of literary science fiction and science fiction film, and numerous plot holes and logical gaps. Supported by a witness list of bestselling science fiction authors, David Brin (for the prosecution) and Matthew Woodring Stover (for the defense) debate these charges and more before delivering their closing statements. The verdict? That's up to you. Covering the films from A New Hope to The Force Awakens, Brin and Stover provide new forewords that explore the newest generation of Star Wars films and what JJ Abrams must do to live up to—or redeem—the franchise.
When cultures such as ours toss Jesus out one door, He comes in – albeit disguised – through another. That’s why author Jim Papandrea turned to Star Wars, Star Trek, The Matrix, Terminator, Spider-Man, Batman, Dr. Who, and half-a-dozen other modern shows, discovering in each one powerful images of Christ and salvation. Nor is that surprising. In stories of alternative universes, people always need rescuing; somebody needs to save the day; and sometimes the whole world cries out for a savior . . . which is just what a hero is. About the heroes of some of the most popular sci-fi stories of all time, author Papandrea here answers questions that concern Christians who are also Trekkies, Whovians, Matrix Dwellers, or aficionados of popular science fiction: What kind of “Christ-figure” is the hero of this story, and what does that say about the show’s vision of Christ, humanity and salvation? In the interest of being scientific, Papandrea even gives each hero a Numerical Orthodoxy Score based on the description of Christ in the Nicene Creed, Christianity’s common definition of orthodoxy. Included herein are astute Christian analyses of: Batman * Captain * America * Doctor Who * The Fifth Element * I, Robot * Iron Man * LOST * The Matrix * Planet of the Apes * Pleasantville * Spider-Man * Star Trek * Star Wars * Superman * The Terminator * The Time Machine * Tron * Wonder Woman Here you’ll read about: The pervasive Christian imagery in Doctor WhoStar Trek’s predicted “death of God”Free-will: the stumbling block in the first MatrixThe crucifixion of Spider-ManWhy Wonder Woman is an image of a gnostic saviorThe meaning of salvation in Star Wars (It masquerades as Christian)How Superman’s life begins as a parallel of Moses.I, Robot: the religious reason why the robot is called “Sonny”Whether, in any Christian sense, Neo is The One?Captain American and Iron-Man: one defends the innocent, the other brings justice to the guiltyThe tomb scene in the Fifth Element: it’s not the resurrection we needMatter vs. Spirit in Tron: gnostic to the coreThe anti-Christian bias of Planet of the ApesWhy the Force in Star Wars is no analogy to Grace or the Holy SpiritThe Star Wars Christ figure: Obi-Wan? Luke? Or even, ultimately, Darth VaderWhat Heaven is understood to be in the LOST universeTime travel as incarnation in The Terminator: a compelling analogyRegeneration as resurrection in Doctor Who: Is it Christ-like?How Pleasantville reverses the dynamism of the FallThe baptismal significance of the plane crash in LOSTPleasantville: a twisted version of EdenThe incarnation of the Christ-figure in Planet of the ApesTron’s parallels between Christianity and the Roman Empire . . . and much more about other science fiction and superhero shows! Christians who enjoy popular culture will greet this fun book with interest and acclaim.
Speculative science fiction, with its underlying socio-political dialogue, represents an important intersection of popular culture and public discourse. As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogues concerning human cloning, torture, just war theory, peace and drone warfare.
In 1973, a young filmmaker named George Lucas scribbled some notes for a far-fetched space-fantasy epic. Some forty years and 37 billion later, Star Wars -- related products outnumber human beings, a growing stormtrooper army spans the globe, and "Jediism" has become a religion in its own right. Lucas's creation has grown into far more than a cinematic classic; it is, quite simply, one of the most lucrative, influential, and interactive franchises of all time. Yet incredibly, until now the complete history of Star Wars -- its influences and impact, the controversies it has spawned, its financial growth and long-term prospects -- has never been told. In How Star Wars Conquered the Universe, veteran journalist Chris Taylor traces the series from the difficult birth of the original film through its sequels, the franchise's death and rebirth, the prequels, and the preparations for a new trilogy. Providing portraits of the friends, writers, artists, producers, and marketers who labored behind the scenes to turn Lucas's idea into a legend, Taylor also jousts with modern-day Jedi, tinkers with droid builders, and gets inside Boba Fett's helmet, all to find out how Star Wars has attracted and inspired so many fans for so long. Since the first film's release in 1977, Taylor shows, Star Wars has conquered our culture with a sense of lightness and exuberance, while remaining serious enough to influence politics in far-flung countries and spread a spirituality that appeals to religious groups and atheists alike. Controversial digital upgrades and poorly received prequels have actually made the franchise stronger than ever. Now, with a savvy new set of bosses holding the reins and Episode VII on the horizon, it looks like Star Wars is just getting started. An energetic, fast-moving account of this creative and commercial phenomenon, How Star Wars Conquered the Universe explains how a young filmmaker's fragile dream beat out a surprising number of rivals to gain a diehard, multigenerational fan base -- and why it will be galvanizing our imaginations and minting money for generations to come.
'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise. With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, 'Star Wars: Essays Exploring a Galaxy Far, Far Away' speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.
While previous work on the Star Wars universe charts the Campbellian mythic arcs, political representations, and fan reactions associated with the films, this volume takes a transmedial approach to the material, recognizing that Star Wars TV projects interact with and relate to other Star Wars texts. The chapters in this volume take as a basic premise that the televisual entrants into the Star Wars transmedia storyworld are both important texts in the history of popular culture and also key to understanding how the Star Wars franchise—and, thus, industry-wide transmedia storytelling strategies—developed. The book expands previous work to consider television studies and sharp cultural criticism together in an effort to bring both long-running popular series, long-ignored texts, and even toy commercials to bear on the franchise’s complex history.
“At last we reveal ourselves to the Jedi…” They are the warriors whose thirst for power is matched only by their ruthlessness, but who are the Sith Lords? From the opening moments of A New Hope in which the imposing figure of Darth Vader strode onto the Tantive IV – and into movie history – to Kylo Ren’s memorable debut in Star Wars: The Force Awakens, the Sith have proved that the bad guys have all the fun. This collection includes interviews with the actors who brought the Sith to life such as Ian McDiarmid (Emperor Palpatine/Darth Sidious), Hayden Christensen (Anakin Skywalker), and Christopher Lee (Count Dooku), along with articles that explore these evil practitioners of the dark side. “Much of the best writing about the Star Wars franchise has appeared in the pages of Star Wars Insider Magazine.” – Manhattan Book Review
Some of the most portentous events in medieval history—the Cathar crusade, the persecution and mass burnings of heretics, the papal inquisition—fall between 1000 and 1250, when the Catholic Church confronted the threat of heresy with force. Moore’s narrative focuses on the motives and anxieties of elites who waged war on heresy for political gain.
