The Standard Course of Lessons & Exercises in the Tonic Sol-fa Method of Teaching Music
Author: John Curwen
Publisher:
Published: 1876
Total Pages: 364
ISBN-13:
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Author: John Curwen
Publisher:
Published: 1876
Total Pages: 364
ISBN-13:
DOWNLOAD EBOOKAuthor: John Curwen
Publisher:
Published: 1872
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor: John Curwen
Publisher:
Published: 1895
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor: John Curwen
Publisher:
Published: 1882
Total Pages: 340
ISBN-13:
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Publisher:
Published: 1901
Total Pages: 442
ISBN-13:
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Publisher:
Published: 1900
Total Pages:
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DOWNLOAD EBOOKAuthor: John Curwen
Publisher:
Published: 1887
Total Pages: 383
ISBN-13:
DOWNLOAD EBOOKAuthor: James Silk Buckingham
Publisher:
Published: 1860
Total Pages: 924
ISBN-13:
DOWNLOAD EBOOKAuthor: Karen E. McAulay
Publisher: Taylor & Francis
Published: 2024-10-30
Total Pages: 221
ISBN-13: 1040216501
DOWNLOAD EBOOKLate Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Author:
Publisher:
Published: 1864
Total Pages: 138
ISBN-13:
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