The "Berlin Republic" has become the key concept of post-Cold War Germany and as such has been widely discussed inside as well as outside Germany. Symbolized by the move of the government from Bonn to Berlin it signals all the tangible and intangible changes in Germany's position in the world that have taken place during the 1990s. Well known German authors, decision-makers, and cultural leaders as well as internationally renowned experts on German affairs contribute to this volume, examining various aspects of the New Germany and its old/new capital, such as history, foreign policy, art, architecture, and culture. In this way, the reader gains a varied but comprehensive picture of Germany after unification as perceived by its neighbors, friends, and allies.
A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
Over the course of his long and controversial career, Joschka Fischer evolved from an archetypal 1960s radical--a firebrand street activist--into a shrewd political insider, operating at the heights of German politics. In the 1980s he was one of the first elected Greens and went on to become Germany's foreign minister from 1998 to 2005. His famous challenge to Donald Rumsfeld's case for invading Iraq--"Excuse me, I am not convinced"--won him worldwide recognition, and the Bush administration's contempt.Here is both a lively biography of Joschka Fischer and a gripping history 'from below'of postwar Germany. Paul Hockenos begins in the ruins of postwar Germany and guides us through the flashpoints of the late sixties and seventies, from the student protests and the terrorism of the Baader-Meinhof group to the evolution of Europe's premier Green party, and brings us up to the present in the united Germany. He shows how the grassroots movements that became the German Greens challenged and changed the republic's status quo, making postwar Germany more democratic, liberal and worldly along the way. Despite the ideological twists and turns of Fischer and his peers, the lessons of the Holocaust and the Nazi terror remained their constant coordinates. Hockenos traces that political journey, providing readers with unique insight into the impact that these movements and the Greens have had on Germany.Informed by hundreds of interviews with key figures and fellow travelers, Joschka Fischer and the Making of the Berlin Republic presents readers with one of the most intriguing personalities on the European scene, and paints a rich picture of the rebellious generation of 1968 that became the political elite of modern Germany.
A leading expert on the 20th-century history of Berlin, employing new and little-known German sources to track Hitler's attitudes and plans for the city, presents a fascinating new account of Hitler's relationship with Berlin, a place filled with grandiose architecture and imperial ideals, which he used as a platform for his political agenda.
Focusing on Berlin's heyday as a hotbed of both artistic excellence and moral decadence, this survey also assesses the political and historical factors that encouraged - or failed to prevent - the rise of Nazism.
The sudden fall of the Berlin Wall is one of the defining images of the late twentieth century. The subsequent unification of Germany and the decision to return Berlin to its status as capital has made the constant changes within the city a matter of public interest. It also offered Berlin the opportunity to create a new image for itself, one that can serve as a counterbalance to the politically charged recent history of Berlin as the capital of Nazi Germany and former East Berlin as the capital of the German Democratic Republic. Poised between capitalist Western Europe and the former communist powers in Eastern Europe, Berlin occupies a fascinating geopolitical space. This anthology presents a unique glimpse into the various constituencies that make up Berlin and that impact the city's challenges and promises.
A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism. While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.
