Based on the magical new film from Paramount Pictures and Nickelodeon Movies, this activity book features black-and-white line art on transparent paper. Fans can use the included markers to create a one-of-a-kind style of art. Consumable.
The Spiderwick Stained Glass Book features intricate black line art on trasparent paper. Color in the pictures and them hang them up on your window. You'll be mesmerized by the sight!
When the children find their great uncle's book, they realise that they're not alone in their new house. They want to tell their story, but the faeries will do everything they can to stop them.
Youngsters can step into Uncle Arthurs studio and find their hidden creativity. Available in time for Paramount Pictures and Nickelodeon Movies film adaptation, this kit includes scissors, stickers, crayons, a paint box, and activity book. Illustrations. Consumable.
Celebrate the 20th anniversary of the #1 New York Times bestselling Spiderwick Chronicles and get ready for the series soon to be streaming on Disney+ with this eighth and final installment in the fantastical adventures featuring updated text. The Wyrm King was previously published under the series title Beyond the Spiderwick Chronicles. Nick and Laurie thought their worries were behind them when they drove all the giants into the sea. But now, the Grace kids have come to tell them they may have more trouble coming their way! It turns out the giants control the population of Hydra, a dragon-like creature that is creating sinkholes all over Florida. But with the mermaids refusing to return the giants to the shore, the nixies still missing and the threat of a destroyed Florida drawing closer, the kids have to take matters in their own hands. Will Nick and Laurie be able to stop the destruction they unwittingly caused with the help of the Field Guide?
After returning to Fairyland, September discovers that her stolen shadow has become the Hollow Queen, the new ruler of Fairyland Below, who is stealing the magic and shadows from Fairyland folk and refusing to give them back.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa". Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's wish for a place to belong.
Rediscover the dark and seductive realm of faerie in the second book of the critically acclaimed Modern Faerie Tales series from the bestselling author of The Cruel Prince – Holly Black. When Valerie runs away to New York to escape her old life, she decides to sport a new identity and take up with a gang of squatters who live in the city’s labyrinthine subway system. There’s something suspicious about her new friends, but she can’t quite put her finger on it. When Val is talked into tracking down the lair of a mysterious creature, she’s drawn into a world she never knew existed. But to leave with her life intact, she must strike a bargain. What’s Val willing to risk?
Just as a work of self-reflexive 'metafiction' - and the experience of reading it - differ from other types of literature, the work and the experience of viewing films that adapt metafiction are distinct from those of other films, and from other film adaptations of literary works. This book explores the adaptation of children's metafictions, including works such as Inkheart, The Invention of Hugo Cabret and the Harry Potter series. Not only are the plot devices of books and reading explored on screen in these adaptations, but so is the nature of transmedial adaptation itself - the act of representing one work of art in another medium. Analysing the 'work' done by children's metafiction and the experience of reading it, Casie E. Hermansson situates the adaptations of these types of books to film within contemporary adaptation criticism.