The Soviet Photograph, 1924-1937
The Soviet Photograph, 1924-1937

Author: Margarita Tupitsyn

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 236

ISBN-13: 9780300064506

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Tupitsyn challenges the view that the Soviet avant-garde peaked in the 1920s and was subsequently forced to conform with Bolshevik politics. Instead she asserts that photography during this period represented the last "great experiment" in the search for the most effective ways to connect art, radical politics, and the masses. Investigating the means by which the new visual tools for disseminating revolutionary messages were adapted to the needs of Stalinist propaganda, Tupitsyn relates major examples of single-frame photography and photomontage to such events as the implementation of the New Economic Policy, Lenin's death, and Stalin's first and second Five-Year Plans, and to mounting censorship of the arts. She also establishes a link between the writings of critics and the development of photography and photomontage at this time. The book presents previously unpublished material from Klutsis's letters, Rodchenko's public lectures, Lissitzky's late writings on the mass media, and Kulagina's personal diaries, as well as many previously unknown photographs.

The Commissar Vanishes
The Commissar Vanishes

Author: David King

Publisher: Holt Paperbacks

Published: 1999-03-15

Total Pages: 192

ISBN-13: 9780805052954

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A New York Times Notable Book, 1997 The lavishly illustrated and often darkly hilarious retelling of Soviet history through the doctored photographs under Stalin. The Commissar Vanishes has been hailed as a brilliant, indispensable record of an era. The Commissar Vanishes offers a unique and chilling look at how one man--Joseph Stalin--manipulated the science of photography to advance his own political career and erase the memory of his victims. Over the past thirty years David King has assembled the world's largest archive of doctored Soviet photographs, the best of which appear here, in a book Tatyana Tolstaya, in The New York Review of Books, called "an extraordinary, incomparable volume."

The Power of Pictures
The Power of Pictures

Author: Susan Tumarkin Goodman

Publisher: Jewish Museum New York CoPublication series (YUP)

Published: 2015

Total Pages: 0

ISBN-13: 9780300207682

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"This book has been published in conjunction with the exhibition The Power of Pictures: Early Soviet Photography, Early Soviet FIlm, organized by the Jewish Museum, New York, and curated by Susan Tumarkin Goodman and Jens Hoffmann, September 18, 2015-February 2, 2016"--Title page verso.

Modernisation in Russia since 1900
Modernisation in Russia since 1900

Author: Markku Kangaspuro

Publisher: Suomalaisen Kirjallisuuden Seura

Published: 2006-12-27

Total Pages: 332

ISBN-13: 9518580219

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Modernisation has been a constant theme in Russian history at least since Peter the Great launched a series of initiatives aimed at closing the economic, technical and cultural gap between Russia and the more ‘advanced’ countries of Europe. All of the leaders of the Soviet Union and post-Soviet Russia have been intensely aware of this gap, and have pursued a number of strategies, some more successful than others, in order to modernise the country. But it would be wrong to view modernisation as a unilinear process which was the exclusive preserve of the state. Modernisation has had profound effects on Russian society, and the attitudes of different social groups have been crucial to the success and failure of modernisation. This volume examines the broad theme of modernisation in late imperial, Soviet, and post-Soviet Russia both through general overviews of particular topics, and specific case studies of modernisation projects and their impact. Modernisation is seen not just as an economic policy, but as a cultural and social phenomenon reflected through such diverse themes as ideology, welfare, education, gender relations, transport, political reform, and the Internet. The result is the most up to date and comprehensive survey of modernisation in Russia available, which highlights both one of the perennial problems and the challenges and prospects for contemporary Russia.

Seduced by Modernity
Seduced by Modernity

Author: Mary Elizabeth O'Connor

Publisher: McGill-Queen's Press - MQUP

Published: 2007

Total Pages: 351

ISBN-13: 077353119X

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A richly illustrated and vivid account of the life and work of an important Canadian modernist photographer.

Edinburgh Dictionary of Modernism
Edinburgh Dictionary of Modernism

Author: Vassiliki Kolocotroni

Publisher: Edinburgh University Press

Published: 2017-12-20

Total Pages: 432

ISBN-13: 0748637044

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This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.

New Perspectives on Russian-American Relations
New Perspectives on Russian-American Relations

Author: William Benton Whisenhunt

Publisher: Routledge

Published: 2015-08-14

Total Pages: 304

ISBN-13: 1317425154

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New Perspectives on Russian-American Relations includes eighteen articles on Russian-American relations from an international roster of leading historians. Covering topics such as trade, diplomacy, art, war, public opinion, race, culture, and more, the essays show how the two nations related to one another across time from their first interactions as nations in the eighteenth century to now. Instead of being dominated by the narrative of the Cold War, New Perspectives on Russian-American Relations models the exciting new scholarship that covers more than the political and diplomatic worlds of the later twentieth century and provides scholars with a wide array of the newest research in the field.

Picturing Russia
Picturing Russia

Author: Valerie Ann Kivelson

Publisher: Yale University Press

Published: 2008-01-01

Total Pages: 304

ISBN-13: 0300119615

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What can Russian images and objects—a tsar’s crown, a provincial watercolor album, the Soviet Pioneer Palace—tell us about the Russian people and their culture? This wide-ranging book is the first to explore the visual culture of Russia over the entire span of Russian history, from ancient Kiev to contemporary, post-Soviet society. Illustrated with more than one hundred diverse and fascinating images, the book examines the ways that Russians have represented themselves visually, understood their visual environment, and used visual images in social and political contexts. Expert contributors discuss images and objects from all over the Russian/Soviet empire, including consumer goods, architectural monuments, religious icons, portraits, news and art photography, popular prints, films, folk art, and more. Each of the concise and accessible essays in the volume offers a fresh interpretation of Russian cultural history. Putting visuality itself in focus as never before, Picturing Russia adds an entirely new dimension to the study of Russian literature, history, art, and culture. The book enriches our understanding of visual documents and shows the variety of ways they serve as far more than mere illustration.

Revolutionary Beauty
Revolutionary Beauty

Author: Sabine T. Kriebel

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 615

ISBN-13: 0520340760

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Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of interwar Europe, exposing the cultural politics of the crucial historical moment that witnessed the consolidation of National Socialism. In this period of radicalization and mass mobilization, the medium of photomontage—the cut-and-paste assemblage of photograph and text—offered a way to deconstruct the visual world and galvanize beholders on a mass scale. Kriebel transforms our understandings of montage as a quintessentially modern practice. Central to that reconceptualization is suture, a concept integral to film theory but recruited in this book to explore the psychic operations of Heartfield’s seamlessly welded AIZ photomontages. Revolutionary Beauty proposes that the language of sutured illusionism constitutes one of the most important and overlooked critiques of modern media, wherein a radical reassessment resides in suture. Scholars of photography, modern and contemporary art history, media studies, and European history will doubtlessly embrace this book.