Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same...
BOOK ONE OF THE SONS OF ODIN SERIES Obsession. Treachery. Revenge. Redemption. Certain themes resonate across the centuries. In ninth-century Ireland, Selia is a girl on the verge of womanhood, frustrated by the confines of her gender and resentful of the freedom her brother boasts of. Intelligent and resourceful in a time when neither is valued in a female, she longs for an escape from her sheltered existence. Fascinated by the tales of Viking raids told by her maidservant, Selia's hunger for independence is fed through the stories of heathen ferocity she hears at the woman's knee. A decision to sneak to the city's harbor to view the Viking longships leads to an encounter with Alrik Ragnarson, a charismatic Viking warlord whose outward beauty masks a dark and tortured mind. With the knowledge that her father is about to announce her betrothal to a man she doesn't love, Selia marries Alrik and within a day is on the longship bound for Norway and a new life. While Selia's relationship with her new husband grows, her friendship with his brother Ulfrik grows as well. And as Alrik's character flaws come to light and tension mounts between the two brothers, Selia begins to have misgivings about her hasty marriage . . . especially when a secret from the past is revealed, one that threatens to destroy them all.
An ordinary young atheist finds out that he is a God among men and is forced to find his stand in a battle between faith and science, belief and doubt, good and evil, light and dark, thunder and water, heart and the mind.Rules are broken, tears are shed, faith is tested, sacrifices are made, lives are lost and Gods are killed in the quest for a divine weapon by a doctor for his son … a son for his father … a priest for his religion … a woman for her love … a man for this world and … a forgotten God for his revenge.
"A masterfully crafted, brutally compelling Norse-inspired epic." —Anthony Ryan THE GREATEST SAGAS ARE WRITTEN IN BLOOD. A century has passed since the gods fought and drove themselves to extinction. Now only their bones remain, promising great power to those brave enough to seek them out. As whispers of war echo across the land of Vigrid, fate follows in the footsteps of three warriors: a huntress on a dangerous quest, a noblewoman pursuing battle fame, and a thrall seeking vengeance among the mercenaries known as the Bloodsworn. All three will shape the fate of the world as it once more falls under the shadow of the gods. Set in a brand-new, Norse-inspired world, and packed with myth, magic, and vengeance, The Shadow of the Gods begins an epic new fantasy saga from bestselling author John Gwynne.
An epic fantasy trilogy from Norway about thousand-year-old secrets, forbidden romance, and what happens to those who make a deal with the devil comes at last to the United States! "Blood magic, blackmail, and battle rock a rich world of fading magic to its core in this internationally bestselling Norwegian epic fantasy." - Publishers Weekly reviews Odin's Child I loved (Odin's Child) deeply from the first to the last word, and was instantly and thoroughly immersed. -- Laini Taylor, bestselling author of Daughter of Smoke and Bone. ...The story examines and upends everything its characters believe in, including their world, their history, their faith, and themselves, while intertwining elements of politics and Norse mythology with a side of forbidden romance. Kirkus Reviews The intrigue, scope, and depth of His Dark Materials, set in an immersive Nordic world as fierce and unforgettable as its characters. Rosaria Munda, author Fireborne/Flamefall - Aurelian Cycle The world building is stupendous. MidWest Book Review Imagine lacking something that everyone else has. Something that proves you belong to this world. Something so vital, that without it, you are nothing. A plague. A myth. A human.” Fifteen winters old, Hirka learns that she is an Odin's child – a tailless rot from another world. Despised. Dreaded. And hunted. She no longer knows who she is, and someone wants to kill her to keep it a secret. But there are worse things than humans, and Hirka is not the only creature to have broken through the gates… Odin’s Child is unique fantasy with Norse roots. An epic clash of xenophobia, blind faith and the right or will to lead. The first in a trilogy, Odin's Child is a thrilling modern fantasy epic.
The present volume endeavors to make a contribution to contemporary Whitehead studies by clarifying his axiological process metaphysics, including his theory of values, concept of aesthetic experience, and doctrine of beauty, along with his philosophy of art, literature and poetry. Moreover, it establishes an east-west dialogue focusing on how Alfred North Whitehead’s process aesthetics can be clarified by the traditional Japanese Buddhist sense of evanescent beauty. As this east-west dialogue unfolds it is shown that there are many striking points of convergence between Whitehead’s process aesthetics and the traditional Japanese sense of beauty. However, the work especially focuses on two of Whitehead’s aesthetic categories, including the penumbral beauty of darkness and the tragic beauty of perishability, while further demonstrating parallels with the two Japanese aesthetic categories of yûgen and aware. It is clarified how both Whitehead and the Japanese tradition have articulated a poetics of evanescence that celebrates the transience of aesthetic experience and the ephemerality of beauty. Finally it is argued that both Whitehead and Japanese tradition develop an aesthetics of beauty as perishability culminating in a religio-aesthetic vision of tragic beauty and its reconciliation in the supreme ecstasy of peace or nirvana.
Collects King Thor (2019) #1-4. One last ride with the almighty lord of Asgard! Jason Aaron reunites with Esad Ribi? to conclude the epic saga they began in THOR: GOD OF THUNDER! Seven years ago, Aaron and Ribi? introduced the Thor of the far future — All-Father of a broken realm and a dying universe — as he stood in battle against Gorr, the Butcher of Gods, wielder of All-Black the Necrosword. But now that nefarious blade has returned, in the hands of Thor’s all-time-greatest enemy: his adopted brother, Loki! It’s time for one final, cataclysmic showdown — but even worse is still to come as the ultimate end of all things grows near! A who’s who of Aaron’s past THOR collaborators, along with a few surprise guests, stop by to bring down the curtain on a glorious era in thunderous style!
As the Black Death rampages across Europe, two creatures of the Elder World clash over the rotting corpse of Christendom in Scott Oden's third book in the Grimnir Series Skrælingr. Orcnéas. Fomoraig. He is Grimnir . . . For over a century, he has tracked the dragon, Níðhöggr -- the Malice-Striker -- from the shores of Lake Vänern, across the Baltic Sea, through Russia, and down into the Mediterranean; he has hounded the wyrm from Old Muscovy to Messina. And finally, to the Eternal City -- to Rome, itself. And in Rome, on a cold November night in 1347 AD, on the ruined steps of Old St. Peter’s basilica, Grimnir’s saga comes crashing to an end. A crossbow bolt, loosed in terror, slays him out of hand. It is a mundane finale to a life spent hip-deep in bloodshed and slaughter, surrounded by steel and savagery and the sorcery of the Elder World. But Death is just the beginning . . . Now, on the grim and misty isle of Nástrond, under the shadows of Yggðrasil, Grimnir is plunged headlong into the twisted Valhalla that is the afterlife of his people. Here, bloody in-fighting, schemes and betrayals are the order of the day. Grimnir is forced to contend with a cabal of witches, with giants and trolls who have never felt the light of Miðgarðr’s moon, and with his own rapacious kin as he journeys beyond the shores of Nástrond to find answers. And with every death, Grimnir unravels another thread of a monstrous secret woven at the dawn of time -- one that will turn him from the pawn of unknown gods into the most powerful being in the Nine Worlds. And the most hunted. For he, alone, holds the key to Ragnarök and the Doom of Odin . . .
Sixteen-year-old Jack thinks he’s a failure. Living with aches and nausea, hearing voices and disconnected from his friends, he wonders if crystal meth might take the pain away. But when his mother ends up in a coma, and his father can’t cope, Jack runs from home with his younger sister Emily. As the siblings shelter from a violent storm, goddess Freyja appears. She says they must travel to the realm of Sylvaheim to defeat the malevolent Lord Batu Glass and his partner Morgana. Growing in power, they now threaten all the realms. But the ultimate challenge lies within: Can Jack and Emily conquer their deepest fears to stop druglord Batu Glass and his henchmen, the traitorous ravens, before Jack’s soul is lost too? Shadows of Sylvaheim is not just a coming-of-age mythic fantasy novel, it also acts as a Jungian guide to life. “It is a worthy undertaking to introduce young people to Jungian psychology and I applaud Toula’s efforts and dedication. I wish her great success!” Dr Murray Stein ~ Jungian Analyst, Author, Lecturer
In this #1 New York Times bestseller, Neil Gaiman returns to the territory of his masterpiece, American Gods to once again probe the dark recesses of the soul. God is dead. Meet the kids. Fat Charlie Nancy’s normal life ended the moment his father dropped dead on a Florida karaoke stage. Charlie didn’t know his dad was a god. And he never knew he had a brother. Now brother Spider is on his doorstep—about to make Fat Charlie’s life more interesting . . . and a lot more dangerous. “Thrilling, spooky, and wondrous.” —Denver Post “Awesomely inventive.… When you take the free-fall plunge into a Neil Gaiman book, anything can happen and anything invariably does.” —Entertainment Weekly “Delightful, funny and affecting.... A tall tale to end all tall tales.” —Washington Post Book World
