When Connie buys a house on the moors, she has to negotiate with the abrupt Vincent O'Connor. She soon discovers that mystery is a way of life for Vincent, who has an increasing influence on her life. Then the shocking truth about the man with whom she shared many years of her life comes to light.
"From the first moment she saw the house on the moors north of Hexham, Conie Stapleton knew she could live there, despite its isolation, despite its lack of basic facilities, and despite her fear of loneliness. Her marriage, on the brink of disintegration, she had already decided to sell the large flat she and her husband Jim shared and she saw the move as a means of initiating the separation she knew was necessary; and now that their son Peter would soon be off to university, there was, she decided, no reason to delay the inevitable. Even if the winters at Shekinah, as the house was called, were as severe as her family had warned, she told herself she could always buy a flat in nearby Hexham. To buy the house, Connie was told that she must negotiate with the nearby O'Connors, one of whom, Vincent appeared to be their spokesman. However, she was somewhat surprised by his abruptness and by his insistence that the deal be closed forthwith; and further taken aback when he asked her if she would be able to sign the papers on the following day. Afterwards, when the house was hers and she had moved in, Connie was to discover that mystery was a way of life with Vincent O'Connor. Des
The Bondage of Love follows the fortunes of the Bailey family, whose previous adventures will be remembered with pleasure by Catherine Cookson's many fans.
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
Cumbria, 1870s. Just before her fifteenth birthday Jinnie Howlett is offered a position as maid-of-all-work at a farm near the Cumbrian border. She hopes this will be a welcome relief from the workhouse she knows too well. But when she meets her brutish employers Jinnie realises she has only exchanged one life of drudgery for another. She is grateful when one of the sons befriends her, but it isn't long before Jennie sees how tempting life is beyond her place of work . . . Catherine Cookson was the original and bestselling saga writer, selling over 100 million copies of her novels. If you like Dilly Court, Katie Flynn or Donna Douglas, you'll love Catherine Cookson.
Vanessa Ratcliffe is just sixteen, daughter of one of the town's richest men. And in spite of her social standing and convent education, Vanessa's provocative manner often draws envious eyes in her direction. Angus Cotton is a rough diamond, living in filthy Ryder's Row, but as engineer at Affleck and Tate he's worth his weight in gold. Angus has ambitious plans for his future, plans that had never included Vanessa - until now... The Round Tower is a beautifully imagined story of power, love, honour and greed and an award-winning novel from one of Britain's most popular novelists.
Drawing on the first systematic study of cultural capital in contemporary Britain, Culture, Class, Distinction examines the role played by culture in the relationships between class, gender and ethnicity. Its findings promise a major revaluation of the legacy of Pierre Bourdieu’s account of the relationships between class and culture.
Thomas Mallen of High Banks Hall had many sons, most of them out of wedlock. But to all of them he passed on his mark - a distinctive flash of white hair running to the left temple, known as the Mallen Streak. It was said that those who bore the Streak seldom reached old age and that nothing good ever came of a Mallen. In 1851, Thomas Mallen found himself a ruined man, forced amid scandal and disgrace, to sell the Hall. With him went his two young wards and their indomitable governess. Then the Radlet brothers of Wilbur Farm arrived, one of whom bore the unmistakable Mallen Streak.