The Sword & The Serpent is a unique book about magick that reveals many of the arcane secrets of the occult arts.The Sword & The Serpent is a record of a series of experiments in astral travel that were undertaken by the magician AnkhafnaKhonsu in 1996. Each journey crosses one of the Paths of the Serpent in their ascent of the Qaballistic Tree of Life. Taken together these visions of the Paths of the Sepher Yetzirah, the ancient Book of Formation, represent the path of initiation into the mysteries of Hermetic Magick.The Sword & the Serpent describes each of the Paths of the Serpent in great detail and introduces the reader to the many strange and unexpected entities that inhabit these spiritual realms. Along the way it tells the story of the magician AnkhafnaKhonsu's progress past the many obstacles and through the varied experiences that these travels upon the astral planes produced.
'HISTORICAL FICTION DOESN'T GET MUCH BETTER THAN THIS' ANGUS DONALD AD 633 Beobrand is a young man with a shadowy past. As an outsider in the kingdom of Bernicia, he is compelled to join his brother, Octa, as a warrior in the household of King Edwin. He must learn to fight with sword and shield to defend the war-ravaged kingdoms of Northumbria. In a period of great upheaval for Dark Age Britain, all he finds is death and war. Men and women strive to seize control of their destinies in a time of despair, and the land is rife with danger as warlords vie for supremacy and dominion. Amongst the blood and the betrayals, Beobrand learns of his brother's near-certain murder. Inexperienced but ruthless, Beobrand must form his own allegiances and learn to fight as a warrior with sword and shield. Driven by a desire for vengeance and a relentless pursuit of his enemies, he faces challenges which transform him from a boy to a man who stands strong in the clamour and gore of the shieldwall. As he closes in on his kin's slayer, can Beobrand mete out the retribution he craves without sacrificing his honour... or even his soul? Praise for Matthew Harffy: 'Nothing less than superb... The tale is fast paced and violence lurks on every page' Historical Novel Society 'Beobrand is the warrior to follow' David Gilman 'A tale that rings like sword song in the reader's mind' Giles Kristian 'A brilliant characterization of a difficult hero in a dangerous time. Excellent!' Christian Cameron 'A terrific novel. It illuminates the Dark Ages like a bolt of lightning' Toby Clements 'Battles, treachery, revenge and a healthy dose of Dark Age adventure' Simon Turney 'Matthew Harffy tells a great story' Joanna Hickson 'Harffy's writing just gets better and better... He is really proving himself the rightful heir to Gemmell's crown' Jemahl Evans 'Harffy has a real winner on his hands... A genuinely superb novel' Steven McKay 'A breathtaking novel that sweeps the reader into a dark and dangerous world' Paul Fraser Collard
Not all battles are won by the sword. Jurian's victory against the dark power in Cyrene has earned him renown throughout the Empire, but fame means nothing to him if he can't save the friend he lost. When Jurian's search for Menas leads him to Alexandria, he finds an unlikely ally in the Roman governor's brilliant and precocious daughter, Aikaterina. Together they are swept into the glittering intrigue of Diocletian's court in Nicomedia, where no one and nothing is what it seems. Then Sabra arrives in the city, and Jurian proves to the Emperor that he is more than just a legend, and finally everything he ever hoped for seems within his reach. But Marcus Valerius Casca is also vying for Diocletian's favor, and his hatred for Jurian knows no limits. As Casca's devious plotting snares each of Jurian's friends in turn, Jurian must discover a way to beat his enemy at his own game and rescue Menas before he destroys them all. From the exotic Alexandria to the imperial court of Nicomedia and the bloody sands of the Roman Colosseum, this sweeping second installment of the Sword and Serpent series will pull you into a riveting adventure through a world of deadly intrigue, where nothing is what it seems and the price of freedom can be greater than life itself. Saints aren't born. They are forged.
The long-lost conclusion to The Once and Future King, in which King Arthur faces his final battle against his son. This magical account of King Arthur’s last night on earth, rediscovered in a collection of T. H. White’s papers at the Harry Ransom Center at the University of Texas at Austin, spent twenty-six weeks on the New York Times bestseller list following its publication in 1977. While preparing for his final, fatal battle with his bastard son, Mordred, Arthur returns to the Animal Council with Merlyn, where the deliberations center on ways to abolish war. More self-revealing than any other of White’s books, Merlyn shows his mind at work as he agonized over whether to join the fight against Nazi Germany while penning the epic that would become The Once and Future King. The Book of Merlyn has been cited as a major influence by such illustrious writers as Kazuo Ishiguro, J. K. Rowling, Helen Macdonald, Neil Gaiman, and Lev Grossman. “Arriving from beyond the curve of time and apparently from the grave, The Book of Merlyn stirs its own pages, saying, wait: you didn’t get the whole story. . . . It gives us a final glimpse of those two immortal characters, Wart and Merlyn, up close, slo-mo, with a considered and affectionate scrutiny. The book is an elegiac posting from a master storyteller of the twentieth century. Its reissue in our next century is just as welcome as when it first arrived forty years ago. . . . Certainly the moral questions about the military use of force perplex the world still. . . . The efficacy of treaties, the trading of insults among the potentates of the day, the testing of weapons, the weaponizing of trade—these strategies are still front and center. Rather terrifyingly so. We do well to revisit what that old schoolteacher of children, Merlyn, has been trying to point out to us about power and responsibility.” —Gregory Maguire, bestselling author of Wicked,from the foreword “Such a small thing, The Book of Merlyn, to hold so much. Joyful and despairing, heartbreaking, yet full of hope. As wonderful and fearful to read today as it was when I first found it in 1978. And the world has as much need of it today as it did then—more, perhaps. But will the world be ready to listen?” —Mercedes Lackey, New York Times–bestselling author of the Valdemar and Elves on the Road series
»The Man and the Snake« is a short story by Ambrose Bierce, originally published in 1893. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
Snake and Sword is one of the first novels of P. C. Wren. Damocles de Warrenne, or simply Dam, has inherited irrational fear of snakes from his mother and, though quite intelligent, capable and brave soldier, he faints at the mere sight of a snake, which is causing him big problems. He can't manage to become an officer in the army, but only a private. He also loses love and respect of the woman he fancies and it is leading him deeper into self exile. Dam must conquer his fears in order to regain the respect of his fellow soldiers and the love of a woman. Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion. The descriptions of Legion garrison life given in his work The Wages of Virtue, written in 1914, closely match those contained in the autobiographical In the Foreign Legion by ex-legionnaire Edwin Rosen.
Vulcan the god has a hard task to perform for his bored and restless colleagues — forge 12 magic Swords, quenched with human blood, and scatter them across the world. Each Sword possesses a different power. With them the gods will play a new, grand, and glorious Game. Mere humans foolishly striving for dominion, wealth and glory, are invited to risk their puny lives by joining in. (Later, the gods realize with horror that something has gone wrong in the forging, and with the Game. The Swords are much too powerful, controlling chance, enhancing fortune, changing destiny. And lethal even to their divine creators.) Jord the Smith, drafted to help Vulcan in his task, loses his right arm in the process (receiving the Sword Townsaver as pay). He is too weak to claim Mala, his bride-to-be, who joins a traditional fertility rite, where her partner might be the enigmatic Emperor, his face hidden by a leather mask. Nine months later, she gives birth to Mark. Thirteen years pass, then Townsaver wipes out a raiding party on orange-furred warbeasts, sent to Mark’s village. It falls to Mark to carry the blade away to hide or destroy it.
