In this ambitious book, Girard employs the latest tools of the historian's craft, multi-archival research in particular, and applies them to the climactic yet poorly understood last years of the Haitian Revolution. Haiti lost most of its archives to neglect and theft, but a substantial number of documents survive in French, U.S., British, and Spanish collections, both public and private. In all, this book relies on contemporary military, commercial, and administrative sources drawn from nineteen archives and research libraries on both sides of the Atlantic.
Toussaint L’Ouverture was the leader of the Haitian Revolution in the late eighteenth century, in which slaves rebelled against their masters and established the first black republic. In this collection of his writings and speeches, former Haitian politician Jean-Bertrand Aristide demonstrates L’Ouverture’s profound contribution to the struggle for equality.
"In the aftermath of January's horrific earthquake, the world's attention is focused on Haiti. In this full narrative history of the Caribbean nation, historian Philippe Girard offers insight into Haiti's complex and layered past, showing that its current state as the poorest country in the western hemisphere was not inevitable. This highly readable and accessible history takes the reader back two hundred years to a time when Haiti was so prosperous it was known as the Pearl of the Antilles. Haiti was the only country in the Americas to pull off a successful slave revolution, yet today its survival is completely dependent on foreign aid. As all eyes turn to watch what happens to Haiti, author Girard provides the necessary context for envisioning its future--including a detailed account of the quake's consequences, an assessment of the benefit and cost of an American intervention, and commentary on what Haiti must do to rebuild for a brighter future"--
This book tells the story of the Battle of Vertières, fought in 1803 between indigenous Haitian forces under the leadership of Jean-Jacques Dessalines and a French expeditionary army commanded by Napoleon. The battle marked the culmination of a thirteen-year revolutionary struggle to end slavery and the dawn of an independent Haiti. Yet despite its pivotal importance to the history of Haiti, France, and the Americas, the Battle of Vertières has been struck from the record. The Cry of Vertières is the first book-length study of the battle, drawing from an array of sources including military correspondence, Haitian literature, art, and popular music. The event itself is recounted in vivid detail: it is a dramatic story of a volunteer army of former slaves, seeking the promises of freedom and citizenship held out by the revolution, defeating a colonial power determined to re-enslave them. The book also examines why the history of the battle has been suppressed in France - an act of erasure of a humiliating defeat - and why it remains fragile even in Haiti. Jean-Pierre Le Glaunec explains that today Vertières is both a key lieu de mémoire that embodies reconciliation, pride, and strength for the Haitian people, and a figure of speech exploited by politicians to reinforce their power. Describing a decisive yet largely forgotten moment in the revolutionary history of the Americas, The Cry of Vertières makes an essential contribution to the complex subjects of race, memory, colonialism, and cultural nationalism in present-day France and Haiti.
Laurent Dubois weaves the stories of slaves, free people of African descent, wealthy whites and French administrators into an unforgettable tale of insurrection, war, heroism and victory.
A powerful and impassioned historical account of the largest successful revolt by enslaved people in history: the Haitian Revolution of 1791–1803 “One of the seminal texts about the history of slavery and abolition.... Provocative and empowering.” —The New York Times Book Review The Black Jacobins, by Trinidadian historian C. L. R. James, was the first major analysis of the uprising that began in the wake of the storming of the Bastille in France and became the model for liberation movements from Africa to Cuba. It is the story of the French colony of San Domingo, a place where the brutality of plantation owners toward enslaved people was horrifyingly severe. And it is the story of a charismatic and barely literate enslaved person named Toussaint L’Ouverture, who successfully led the Black people of San Domingo against successive invasions by overwhelming French, Spanish, and English forces—and in the process helped form the first independent post-colonial nation in the Caribbean. With a new introduction (2023) by Professor David Scott.
Winner of the 2021 Wolfson History Prize “Black Spartacus is a tour de force: by far the most complete, authoritative and persuasive biography of Toussaint that we are likely to have for a long time . . . An extraordinarily gripping read.” —David A. Bell, The Guardian A new interpretation of the life of the Haitian revolutionary Toussaint Louverture Among the defining figures of the Age of Revolution, Toussaint Louverture is the most enigmatic. Though the Haitian revolutionary’s image has multiplied across the globe—appearing on banknotes and in bronze, on T-shirts and in film—the only definitive portrait executed in his lifetime has been lost. Well versed in the work of everyone from Machiavelli to Rousseau, he was nonetheless dismissed by Thomas Jefferson as a “cannibal.” A Caribbean acolyte of the European Enlightenment, Toussaint nurtured a class of black Catholic clergymen who became one of the pillars of his rule, while his supporters also believed he communicated with vodou spirits. And for a leader who once summed up his modus operandi with the phrase “Say little but do as much as possible,” he was a prolific and indefatigable correspondent, famous for exhausting the five secretaries he maintained, simultaneously, at the height of his power in the 1790s. Employing groundbreaking archival research and a keen interpretive lens, Sudhir Hazareesingh restores Toussaint to his full complexity in Black Spartacus. At a time when his subject has, variously, been reduced to little more than a one-dimensional icon of liberation or criticized for his personal failings—his white mistresses, his early ownership of slaves, his authoritarianism —Hazareesingh proposes a new conception of Toussaint’s understanding of himself and his role in the Atlantic world of the late eighteenth century. Black Spartacus is a work of both biography and intellectual history, rich with insights into Toussaint’s fundamental hybridity—his ability to unite European, African, and Caribbean traditions in the service of his revolutionary aims. Hazareesingh offers a new and resonant interpretation of Toussaint’s racial politics, showing how he used Enlightenment ideas to argue for the equal dignity of all human beings while simultaneously insisting on his own world-historical importance and the universal pertinence of blackness—a message which chimed particularly powerfully among African Americans. Ultimately, Black Spartacus offers a vigorous argument in favor of “getting back to Toussaint”—a call to take Haiti’s founding father seriously on his own terms, and to honor his role in shaping the postcolonial world to come. Shortlisted for the Baillie Gifford Prize | Finalist for the PEN / Jacqueline Bograd Weld Award for Biography Named a best book of the year by the The Economist | Times Literary Supplement | New Statesman
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
