A heartwarming story about the strength in friendships and the power of love that will inspire you to believe in happily ever after. Olivia doesn’t want the neighboring beach house full of handsome firefighters and their charming leader Brody to get in the way of her women’s retreat, but her heart might have other plans. From a New York Times bestselling author, don’t miss the chance to unite with friendships that endure and a love that will last forever in THE SISTERHOOD PROMISE.
Allie Richards has always dreamed of having her own landscaping business and her Pinky Promise girlfriends convince her to enter Shady Grove's Beautiful Town Landscaping Competition. Daniel Montgomery, the man behind the camera who is filming the competition, is after more than just a story. Will he be satisfied with anything less than Allie's heart?
In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with former editors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement.
A sister's promise and a wife's promise. . .Kate must break one. Kate Hopper can list a million reasons why she doesn't have kids. No, more like reasons why she shouldn'thave kids: genetics, a demanding career, and ultimately, the fear that she wasn't cut out to be June Cleaver, Carol Brady or Claire Huxtable. TV moms always make it look so easy, but Kate knows better. When Kate's sister refuses a lupus treatment, Kate is willing to say anything to save her sister's life-even promising to have a baby. Kate decides to keep her rash words a secret from her husband until she can figure out whether she really wants to be a mother. Especially since they agreed their marriage would remain childless. Should she risk everything she has for the unknown?
Suzy and Nancy Goodman were more than sisters. They were best friends, confidantes, and partners in the grand adventure of life. For three decades, nothing could separate them. Not college, not marriage, not miles. Then Suzy got sick. She was diagnosed with breast cancer in 1977; three agonizing years later, at thirty-six, she died. It wasn’t supposed to be this way. The Goodman girls were raised in postwar Peoria, Illinois, by parents who believed that small acts of charity could change the world. Suzy was the big sister—the homecoming queen with an infectious enthusiasm and a generous heart. Nancy was the little sister—the tomboy with an outsized sense of justice who wanted to right all wrongs. The sisters shared makeup tips, dating secrets, plans for glamorous fantasy careers. They spent one memorable summer in Europe discovering a big world far from Peoria. They imagined a long life together—one in which they’d grow old together surrounded by children and grandchildren. Suzy’s diagnosis shattered that dream. In 1977, breast cancer was still shrouded in stigma and shame. Nobody talked about early detection and mammograms. Nobody could even say the words “breast” and “cancer” together in polite company, let alone on television news broadcasts. With Nancy at her side, Suzy endured the many indignities of cancer treatment, from the grim, soul-killing waiting rooms to the mistakes of well-meaning but misinformed doctors. That’s when Suzy began to ask Nancy to promise. To promise to end the silence. To promise to raise money for scientific research. To promise to one day cure breast cancer for good. Big, shoot-for-the-moon promises that Nancy never dreamed she could fulfill. But she promised because this was her beloved sister. I promise, Suzy. . . . Even if it takes the rest of my life. Suzy’s death—both shocking and senseless—created a deep pain in Nancy that never fully went away. But she soon found a useful outlet for her grief and outrage. Armed only with a shoebox filled with the names of potential donors, Nancy put her formidable fund-raising talents to work and quickly discovered a groundswell of grassroots support. She was aided in her mission by the loving tutelage of her husband, restaurant magnate Norman Brinker, whose dynamic approach to entrepreneurship became Nancy’s model for running her foundation. Her account of how she and Norman met, fell in love, and managed to achieve the elusive “true marriage of equals” is one of the great grown-up love stories among recent memoirs. Nancy’s mission to change the way the world talked about and treated breast cancer took on added urgency when she was herself diagnosed with the disease in 1984, a terrifying chapter in her life that she had long feared. Unlike her sister, Nancy survived and went on to make Susan G. Komen for the Cure into the most influential health charity in the country and arguably the world. A pioneering force in cause-related marketing, SGK turned the pink ribbon into a symbol of hope everywhere. Each year, millions of people worldwide take part in SGK Race for the Cure events. And thanks to the more than $1.5 billion spent by SGK for cutting-edge research and community programs, a breast cancer diagnosis today is no longer a death sentence. In fact, in the time since Suzy’s death, the five-year survival rate for breast cancer has risen from 74 percent to 98 percent. Promise Me is a deeply moving story of family and sisterhood, the dramatic “30,000-foot view” of the democratization of a disease, and a soaring affirmative to the question: Can one person truly make a difference?
The year is 1900 and orphaned 14-year-old Rosetta and her beloved younger sister Flora sail from England as “home girls.” They are sent to Canada so that they can have a chance at family life. Their dreams are shattered when Flora is adopted, but Rosetta is deemed to be too old. She is to become a farm worker, far from Flora’s new home. Rosetta’s only dream is to find her sister. But slowly and against her will, she is drawn into the lives of the strange couple with whom she has been placed. It is soon clear to her that their home is full of fear and sorrow. As her relationship develops with the farmer’s wife, Rosetta learns that true sisterhood can take many forms. The support the two young women offer one another makes each one stronger until they find a way to follow their dreams.
Despite having jobs and men that they love, Tibby, Lena, Carmen, and Bridget know something is missing: the closeness that once sustained them. Carmen is a successful actress in New York, engaged to be married, but misses her friends. Lena finds solace in her art, teaching in Rhode Island, but still thinks of Kostos and the road she didn't take. Bridget lives with her longtime boyfriend, Eric, in San Francisco, and though a part of her wants to settle down, a bigger part can't seem to shed her old restlessness. When Tibby sends the others plane tickets for a reunion they all breathlessly await, it will change their lives forever, but in ways none of them ever expected. The traveling pants are gone, but the sisterhood lasts forever.
If the Slipper Fits Olivia Drake Raised in a girls' school, Annabelle Quinn longs for the world outside the walls of the academy. When she's hired as the governess to an orphaned duke, Annabelle never expects the child's breathtakingly handsome guardian to capture her imagination—or her heart. Falling for his young nephew's governess is an irksome complication in Lord Simon Westbury's orderly life, but Annabelle's quiet beauty and wry intellect are too much to resist. Meanwhile, a mysterious danger looms over the remote Cornwall estate. Will their newfound desire stand the test of time? Or are some happy endings just too good to come true?
The third novel in the wildly popular #1 New York Times bestselling Sisterhood of the Traveling Pants series, from the author of The Whole Thing Together and The Here and Now. It’s the summer before the sisterhood departs for college . . . their last real summer together before they head off to start their grown-up lives. It’s the time when Lena, Tibby, Bridget, and Carmen need their Pants the most. Pants = love. Love your pals. Love yourself. “A fun and poignant coming-of-age story." —Entertainment Weekly “Readers of the other books won’t be disappointed.” —Booklist, Starred “A treat for anyone.” —Los Angeles Times “These are friends worth having.” —Chicago Tribune
Lucy Marsh has lost everything but her determination to provide for her brother and sister. When she realizes her father's death was no accident, she decides to accept a proxy marriage in order to get her siblings out of harm's way. But trouble follows her to Wichita Falls, Texas, and nothing there is as she expected.
