The account is a remarkably accurate description of the experience by a partner of what it is like to be married to someone with Borderline personality Disorder.
Walker's disturbing memoir follows the relationship between the author (a psychiatrist) and his wife, Michelle, from its tumultuous beginning in 1985 to their ambivalent last good-bye three years later. The subtitle "a case study" attempts to maintain a professional distance from this devastating relationship, but it's all too clear that the illness from which Walker's wife suffered came close to dragging him down with her. Walker is first smitten by Michelle when, as a medical student, he encounters her on rounds, where she is presented as a recent suicide attempt. He can't understand how such a beautiful, sexy young woman would want to kill herself and returns to interview her for a school presentation. Despite warnings from his teacher, friends and father, he falls deeply in love and is drawn into her world, only to emerge with great difficulty a year later. Walker, an outgoing, athletic, cheerful young man, relinquishes more and more of himself to Michelle and gradually becomes isolated, depressed, devious and even violent as he tries to cope with-and ultimately escape from-Michelle. Walker, who now treats teenage girls with borderline personality disorder, is not an expert writer. His dialogues often sound as if the speakers learned English as a second language. But this intimate narrative, showing how the best intentions of a na
A broad-ranging account of women's roles and experience in dance, which demolishes the myth that dance is a female art form by demonstrating the way in which it is dominated by male managers, choreographers and directors. While most dancers are women, for the most part they interpret male-constructed images rather than create their own. This is not inevitable, however, the author argues; dance is a possible arena for feminist practice and women's liberation.
From Kirkus Award Winner Cidney Swanson, a dark tale of Sirens, Ballet, and Theatre. The loss of the role she was born to dance crushes Giselle, but when she fights to find purpose, deadly sirens offer her a watery immortality that may cost the life of the boy she’s falling for. A deft blending of the obsessive worlds of ballet and theatre that asks, when it comes to living your deepest passions, is there any price too high to pay?
A girl searches for a killer on an island where deadly sirens lurk just beneath the waves in this “twisty, atmospheric story that grips readers like a siren song” (Publishers Weekly, starred review). The sea holds many secrets. Moira Alexander has always been fascinated by the deadly sirens who lurk along the shores of her island town. Even though their haunting songs can lure anyone to a swift and watery grave, she gets as close to them as she can, playing her violin on the edge of the enchanted sea. When a young boy is found dead on the beach, the islanders assume that he’s one of the sirens’ victims. Moira isn’t so sure. Certain that someone has framed the boy’s death as a siren attack, Moira convinces her childhood friend, the lighthouse keeper Jude Osric, to help her find the real killer, rekindling their friendship in the process. With townspeople itching to hunt the sirens down, and their own secrets threatening to unravel their fragile new alliance, Moira and Jude must race against time to stop the killer before it’s too late—for humans and sirens alike.
Centering around the most dangerously divine women in fantasy, all of whom thrive on magical mayhem and decadent desires, this sensational collection of original short stories features contributions from Jean Rabe, Scott William Carter, Laura Resnick, and Rosemary Edghill. Original.
A Rolling Stone Top 10 Best Music Books of the Year “That’s what I’m talking about…Of all these memoirs, Dancing With Myself was the only one that stimulated my envy—made me want to be Billy Idol for five minutes….He’s a genuine romantic, writing in a kind of overheated journalese about his London punk rock roots…and then falling head over heels for America.” —James Parker, The New York Times Book Review In this highly original memoir—following Billy Idol from his childhood in England to his rise to fame at the height of the punk-pop revolution—the iconic superstar tells the real story behind the sex, drugs, and rock 'n' roll that he is so fabulously famous for, in his own utterly indelible voice. An early architect of punk rock’s sound, style, and fury, whose lip-curling sneer and fist-pumping persona vaulted him into pop’s mainstream as one of MTV’s first megastars, Billy Idol remains, to this day, a true rock ‘n’ roll icon. Now, in his New York Times bestselling autobiography, Dancing with Myself, Idol delivers an electric, “refreshingly honest” (Daily News, New York) account of his journey to fame—from his early days as front man of the pioneering UK punk band Generation X to the decadent life atop the dance-rock kingdom he ruled—delivered with the same in-your-face attitude and fire his fans have embraced for decades. Beyond adding his uniquely qualified perspective to the story of the evolution of rock, Idol is a brash, lively chronicler of his own career. A survivor’s tale at its heart, this sometimes chilling and always riveting account of one man’s creative drive joining forces with unbridled human desire is unmistakably literary in its character and brave in its sheer willingness to tell. With it, Billy Idol is destined to emerge as one of the great writers among his musical peers. “I am hopelessly divided between the dark and the good, the rebel and the saint, the sex maniac and the monk, the poet and the priest, the demagogue and the populist. Pen to paper, I’ve put it all down, every bit from the heart. I’m going on out a limb here, so watch my back.” —Billy Idol
In power for forty-four years and counting, Fidel Castro has done everything possible to define Cuba to the world and to itself -- yet not even he has been able to control the thoughts and dreams of his people. Those thoughts and dreams are the basis for what may become a post-Castro Cuba. To more fully understand the future of America's near neighbor, veteran reporter Eugene Robinson knew exactly where to look -- or rather, to listen. In this provocative work, Robinson takes us on a sweaty, pulsating, and lyrical tour of a country on the verge of revolution, using its musicians as a window into its present and future. Music is the mother's milk of Cuban culture. Cubans express their fondest hopes, their frustrations, even their political dissent, through music. Most Americans think only of salsa and the Buena Vista Social Club when they think of the music of Cuba, yet those styles are but a piece of a broad musical spectrum. Just as the West learned more about China after the Cultural Revolution by watching From Mao to Mozart, so will readers discover the real Cuba -- the living, breathing, dying, yet striving Cuba. Cuban music is both wildly exuberant and achingly melancholy. A thick stew of African and European elements, it is astoundingly rich and influential to have come from such a tiny island. From rap stars who defy the government in their lyrics to violinists and pianists who attend the world's last Soviet-style conservatory to international pop stars who could make millions abroad yet choose to stay and work for peanuts, Robinson introduces us to unforgettable characters who happily bring him into their homes and backstage discussions. Despite Castro's attempts to shut down nightclubs, obstruct artists, and subsidize only what he wants, the musicians and dancers of Cuba cannot stop, much less behave. Cubans move through their complicated lives the way they move on the dance floor, dashing and darting and spinning on a dime, seducing joy and fulfillment and next week's supply of food out of a broken system. Then at night they take to the real dance floors and invent fantastic new steps. Last Dance in Havana is heartwrenching, yet ultimately as joyous and hopeful as a rocking club late on a Saturday night.
#1 New York Times bestseller A sweeping stand-alone fantasy romance from Kiera Cass, author of the bestselling, beloved Selection series. Kahlen is a Siren—bound to serve the Ocean by luring humans to their watery graves with her voice, which is deadly to any human who hears it. Akinli is human—a kind, handsome boy who’s everything Kahlen ever dreamed of. Falling in love puts them both in danger… but will Kahlen risk everything to follow her heart? This star-crossed YA romance is sure to captivate readers who grew up loving The Little Mermaid or fans of Jennifer Donnelly’s Waterfire Saga. Originally self-published, The Siren has been completely rewritten for this edition. Don’t miss The Betrothed, a glittering royal romance sure to captivate Kiera Cass’s legion of loyal readers and lovers of courtly intrigue alike!