Musical sound contains multiple frequencies in harmonic and inharmonic ratios. Verification of Raman's model, effect of different parts of tabla on its tonal qualities and effect of sound and rhythm of tabla on human nature and behaviour have been studied in this book on the basis of results obtained by the experiments.
How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. Focusing on a range of areas as diverse as Ireland, Greece, India, Malta, the US, and China, the contributors bring musicological, sociological, psychological, and anthropological approaches to the interaction between performers, fans, and the industry that mediates them. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processual nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent.
This book is the author s first endeavour to crystallise and document India s grand legacy of music for posterity. The book encompasses elements as diverse as microphones, hall acoustics and other technological aspects to improve musical performance and
A comprehensive, visual reference, enhanced by two thousand photographs and illustrations, provides information on all major fields of knowledge and includes timelines, sidebars, cross-reference, and other useful features.
Peter Lavezzoli, Buddhist and musician, has a rare ability to articulate the personal feeling of music, and simultaneously narrate a history. In his discussion on Indian music theory, he demystifies musical structures, foreign instruments, terminology, an
Just a day and a half old, the very first words Zakir hears from his famous father, Allarakha, are bols -- rhythms played out on tablas! These rhythms sing and dance in his head, on Amma's cheeks, on pots and pans... The author follows these beats, stringing together little vignettes from his life. From a childhood around music to the highs of a performer who took the tabla to the world, this joyous story introduces children to a musical genius, whose busy f ingers and flying curls make him the inimitable Zakir Hussain. The illustrations add their own magic with f ine artistry and a subtle but striking use of colours. * A book about the internationally renowned musician, Zakir Hussain, by an award-winning author * A journey into his childhood and life in music * Exuberant and elegantly crafted pictures by an award-winning illustrator * A multicultural story about music and musicians
This two-volume book constitutes the post-conference proceedings of the 5th International Conference on Advances in Computing and Data Sciences, ICACDS 2021, held in Nashik, India, in April 2021.* The 103 full papers were carefully reviewed and selected from 781 submissions. The papers in Part I and II are centered around topics like distributed systems organizing principles, development frameworks and environments, software verification and validation, computational complexity and cryptography, machine learning theory, database theory, probabilistic representations database management system engines, data mining, information retrieval query processing, database and storage security, ubiquitous and mobile computing, parallel computing methodologies, and others. *The conference was held virtually due to the COVID-19 pandemic.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 21 OCTOBER, 1962 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 78 VOLUME NUMBER: Vol. XXVII. No. 42 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-76 ARTICLE: 1. Western Interest in Indian Music 2. Role of Accompaniment In Indian music 3. Music of North and South 4. Human Touch In Public Administration AUTHOR: 1. Dr. V. K. Narayana Menon 2. Sangeet Kalanidhi, T. K. Jayamma Iyer 3. N. S. Ramachandran 4. K. S. V. Raman KEYWORDS : 1. Long standing familiarity,western interest in Indian music, two ways, Gustav holst, avant garde interest 2. In the south,sangeet Kalanidhi T. K. Jayaramaiyer 3. Violinist’s role, other percussion instruments, period of transformation Document ID : APE-1962 (S-O) Vol-IV-08 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Beginning with Ravi Shankar and Ali Akbar Khan, Indian art music is renowned internationally for its improvised raga performance. This ancient tradition has for centuries been transmitted orally within the seclusion of hereditary families. Few such families remain today, and not enough is known about their central contribution to the life of Indian music. Master Musicians of India reveals this rich world through profiles and interviews of key musicians from this tradition.