This is the probing, hilarious and provocative story of Sidney, a disenchanted Greenwich Village intellectual, his wife Iris, an aspiring actress, and their colorful circle of friends and relations. Set against the shenanigans of a stormy political campaign, the play follows its characters in their unorthodox quests for meaningful lives in an age of corruption, alienation and cynicism. With compassion, humor and poignancy, the author examines questions concerning the fragility of love, morality and ethics, interracial relationships, drugs, rebellion, conformity and especially withdrawal from or commitment to the world.
"Never before, in the entire history of the American theater, has so much of the truth of Black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. This edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff. Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of Black America—and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic."
This insightful study opens with an overview of Hansberry's cultural, social, political, and philosophical views and their relations to her artistic goals.
Spanning over 2,000 years, this study looks at the complex relationship between Jewish and Catholic thought from a social and historical perspective. Examining different significant moments for both religions throughout the centuries, this book analyzes and explains the conflicts that have arisen between the two religions since their beginnings.
As the war in Vietnam rages halfway across the world, a generation of young people rise up to demand change. Among the movement are five radicals living together as a collective, where everything from money to romantic partners is shared. When two strangers suddenly enter the picture, the group’s delicate balance is set askew. Soon new dangers and old wounds threaten to tear the collective, and perhaps the movement, apart. DAYS OF RAGE explores the conflict between means and ends, ideals and practicality, and the perils of changing the world.
From the award-winning author of A Raisin in the Sun, comes one of the most electrifying classic masterpieces of the American theater: an unforgettable portrait of a man struggling with his individual fate in an age of racial and social injustice. "Rich and warm and funny... beautifully written.” —Los Angeles Times The Sign in Sidney Brustein's Window, along with A Raisin in the Sun, are milestones in the American theater, remarkable not only for their historical value but for their continued ability to engage the imagination and the heart. “It is drama of such clarity that one may return to it again and again, and, I expect, emerge as deeply moved; and each time the more illumined…. Miss Hansberry, I am convinced, doesn’t know how to create a character who isn’t gloriously diverse, illuminatingly contradictory, heart-breakingly alive…. [A] personal odyssey of discovery, a confrontation with others in the process of which [Brustein] discovers himself.” —from the Foreword by John Braine With an Introduction by Robert Nemiroff.
This book provides a stimulating account of the dominant cultural forms of 1950s America: fiction and poetry; theatre and performance; film and television; music and radio; and the visual arts. Through detailed commentary and focused case studies of influential texts and events - from Invisible Man to West Side Story, from Disneyland to the Seattle World's Fair, from Rear Window to The Americans - the book examines the way in which modernism and the cold war offer two frames of reference for understanding the trajectory of postwar culture. The two core aims of this volume are to chart the changing complexion of American culture in the years following World War II and to provide readers with a critical investigation of 'the 1950s'. The book provides an intellectual context for approaching 1950s American culture and considers the historical impact of the decade on recent social and cultural developments.
The works collected in this volume form the true foundation of Western philosophy—the base upon which Plato and Aristotle and their successors would eventually build. Yet the importance of the Pre-Socratics thinkers lies less in their influence—great though that was—than in their astonishing intellectual ambition and imaginative reach. Zeno's dizzying 'proofs' that motion is impossible; the extraordinary atomic theories of Democritus; the haunting and enigmatic epigrams of Heraclitus; and the maxims of Alcmaeon: fragmentary as they often are, the thoughts of these philosophers seem strikingly modern in their concern to forge a truly scientific vocabulary and way of reasoning. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Here are Lorraine Hansberry's last three plays--Les Blancs, The Drinking Gourd, and What Use Are Flowers?--representing the capstone of her achievement. Includes a new preface by Jewell Gresham Nemiroff and a revised introduction by Margaret B. Wilkerson.
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