In From Nicopolis to Mohács, Tamás Pálosfalvi offers an account of Ottoman-Hungarian warfare from its start in the late fourteenth century to the battle of Mohács in 1526.
Fifteenth Century Europe. Tom Swan is not a professional soldier. He's really a merchant and a scholar looking for remnants of Ancient Greece and Rome - temples, graves, pottery, fabulous animals, unicorn horns. But he also has a real talent for ending up in the midst of violence when he didn't mean to. Having used his wits to escape execution, he begins a series of adventures that take him to street duels in Italy, meetings with remarkable men - from Leonardo Da Vinci to Vlad Dracula - and from the intrigues of the War of the Roses to the fall of Constantinople.
In July 1456, a massive Turkish army settled in before Belgrade, an ancient city at the confluence of the Danube and Sava rivers. The army’s leader was the twenty-four-year-old Ottoman sultan Mehmed II, "the Conqueror," who sought to take one of the most strategically important fortifications in southeastern Europe. Three weeks later, Mehmed’s army was driven from Belgrade by a Hungarian warlord and his army, along with a ragtag force of ill-equipped crusaders. In The Crusade of 1456, James D. Mixson gathers together the key primary sources for understanding the events that led to the siege of Belgrade. These newly translated sources challenge readers with their variety: papal decrees, letters, liturgies, and chronicles from Latin, Byzantine, and Ottoman perspectives. An accessible introduction, timelines, and maps help to illuminate this fascinating yet previously neglected story.
Mahmud Pasha Angelovic served as Grand Vezir under Sultan Mehmed II, in the years following the Ottoman conquest of Constantinople, which were marked by an extensive imperial project, transforming the Ottoman principality into an empire. This book attempts to piece together the available evidence on Mahmud Pasha's Byzantine descent and family network, as well as his multi-faceted contribution to the founding of the new empire, through military leadership, diplomatic practices and architectural and literary patronage, considering also his execution and the creation of a posthumous legend presenting him as a martyr. Using Ottoman, Greek and Western sources, as well as archival material, this study focuses on the period of transition from Byzantine to Ottoman Empire and would be of interest to historians and other specialists studying that period.
This collection of essays by European and American scholars addresses the changing nature and appeal of crusading during the period which extended from the battle of Nicopolis in 1396 to the battle of Mohács in 1526. Contributors focus on two key aspects of the subject. One is developments in the crusading message and the language in which it was framed. These were brought about partly by the appearance of new enemies, above all the Ottoman Turks, and partly by shifting religious values and innovative currents of thought within Catholic Europe. The other aspect is the wide range of responses which the papacy's repeated calls to holy war encountered in a Christian community which was increasingly heterogeneous in character. This collection represents a substantial contribution to the study of the Later Crusades and of Renaissance Europe.
In 1683, an Ottoman army that stretched from horizon to horizon set out to seize the "Golden Apple," as Turks referred to Vienna. The ensuing siege pitted battle-hardened Janissaries wielding seventeenth-century grenades against Habsburg armies, widely feared for their savagery. The walls of Vienna bristled with guns as the besieging Ottoman host launched bombs, fired cannons, and showered the populace with arrows during the battle for Christianity's bulwark. Each side was sustained by the hatred of its age-old enemy, certain that victory would be won by the grace of God. The Great Siege of Vienna is the centerpiece for historian Andrew Wheatcroft's richly drawn portrait of the centuries-long rivalry between the Ottoman and Habsburg empires for control of the European continent. A gripping work by a master historian, The Enemy at the Gate offers a timely examination of an epic clash of civilizations.
A history of the evolution of military technology among knights in Renaissance Europe from the fifteenth century to the seventeenth century. The Art of Renaissance Warfare tells the story of the knight during the fifteenth and sixteenth centuries—from the great victories of Edward III and the Black Prince to the fall of Richard III on Bosworth Field. During this period, new technology on the battlefield posed deadly challenges for the mounted warrior; but they also stimulated change, and the knight moved with the times. Having survived the longbow devastation at Crécy, Poitiers and Agincourt, he emerged triumphant, his armor lighter and more effective, and his military skills indispensable. This was the great age of the orders of chivalry and the freemasonry of arms that bound together comrades and adversaries in a tight international military caste. Men such as Bertrand du Guesclin and Sir John Chandos loom large in the pages of this book—bold leaders and brave warriors, imbued with these traditions of chivalry and knighthood. How their heroic endeavors and the knightly code of conduct could be reconciled with the indiscriminate carnage of the “chevauchee” and the depredations of the “free companies” is one of the principal themes of this informative and entertaining book.
The real Dracula was far from Bram Stoker’s well-mannered aristocrat. Better known as Vlad the Impaler, he was named for his favoured execution method: running a spear through his victim’s lower body, then standing them upright so it skewered their vital organs.In a world ruled by petty tyrants and constantly at war, the young Dracula was held hostage by the Turks while his father was assassinated and his brother was buried alive. Finally released, Dracula conducted an almighty purge, surrounding his palace with noblemen impaled on stakes. Then he turned his attention to military campaigns against the Turks and Bulgars to consolidate his power.Yet to Romanians and the Pope he was a hero and liberator, fighting to protect his kingdom and countrymen from invasion in a complex and treacherous time. And, as an initiate in the Order of the Dragon, Dracula also played a vital (if not entirely noble) part in the fight against the Ottoman war machine.In this full account of Vlad Dracula, James Waterson details the good and the bad of this warlord prince, offering a fascinating insight into the violent end of the Middle Ages.