Collected from a truly expansive exploration of television’s most creative minds, Showrunners is an insider’s guide to creating and maintaining a hit show in today’s golden age of television. The official companion to the documentary Showrunners, this highly informative book features exclusive interviews with such acclaimed and popular showrunners as Joss Whedon, Damon Lindelof, Ronald D.Moore, Terence Winter, Bill Prady, Shawn Ryan, David Shore, and Jane Espenson.
The hiring of a new assistant triggers a power struggle between an aging TV show creator and her protégée-turned-partner in a suspenseful, relatable, wickedly entertaining novel about powerful, ambitious women competing for the top job.
The hiring of a new assistant triggers a power struggle between an aging TV show creator and her former protégée. Rising-star showrunner Stacey McCreedy has one goal: to leave behind her nerd-girl origins and become a power player — like Ann Dalloni, her former mentor and current producing partner. Ann, meanwhile, is feeling her age and losing her mind. But she’ll be damned if she cedes control of their hit primetime TV show to Stacey. After Ann hires Jenna, a young actress hoping to restart her stalled career, as an assistant, the relationship between Ann and Stacey deteriorates into a blood feud. Soon, Jenna must choose whom to support and whom to betray to achieve her own ends. And Stacey will find out if she possesses the killer instinct needed to stay on top.
Cy Chermak will charm readers with his humor as he takes us into the world of television show business? dealing with writers, directors, actors and the networks. His producing credits include the iconic TV series CHiPs, Ironside, The Virginian, The Bold Ones, Barbary Coast, and Kolchak: The Night Stalker, among others. During his 30-year career in television, Cy also worked as a freelance writer (Bonanza, Star Trek: The Next Generation, and dozens of others), a Story Editor (Rescue 8 and The Virginian), and has been nominated for three primetime Emmys, the Writers Guild of America Award, and the Humanitas Prize. Mr. Chermak is also the proud recipient of the NAACP's Image Award. In this memoir, Cy reveals his real-life experiences, lessons learned, regrets, and many delights.
If you’ve ever dreamed of being in charge of your own network, cable, or web series, then this is the book for you. The TV Showrunner’s Roadmap provides you with the tools for creating, writing, and managing your own hit show. Combining his 20+ years as a working screenwriter and UCLA professor, Neil Landau expertly guides you through 21 essential insights to the creation of a successful show, and takes you behind the scenes with exclusive and enlightening interviews with showrunners from some of TV’s most lauded series, including: Breaking Bad Homeland Scandal Modern Family The Walking Dead Once Upon a Time Lost House, M.D. Friday Night Lights The Good Wife From conception to final rewrite, The TV Showrunner’s Roadmap is an invaluable resource for anyone seeking to create a series that won’t run out of steam after the first few episodes. This groundbreaking guide features a companion website with additional interviews and bonus materials. www.focalpress.com/cw/landau So grab your laptop, dig out that stalled spec script, and buckle up. Welcome to the fast lane.
From a leading cultural journalist, the definitive cultural history of female showrunners—including exclusive interviews with such influential figures as Shonda Rhimes, Amy Sherman-Palladino, Mindy Kaling, Amy Schumer, and many more. “An urgent and entertaining history of the transformative powers of women in TV” (Kirkus Reviews, starred review). In recent years, women have radically transformed the television industry both behind and in front of the camera. From Murphy Brown to 30 Rock and beyond, these shows and the extraordinary women behind them have shaken up the entertainment landscape, making it look as if equal opportunities abound. But it took decades of determination in the face of outright exclusion to reach this new era. In this “sharp, funny, and gorgeously researched” (Emily Nussbaum, The New Yorker) book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades and the iconic shows that redefined the television landscape starting with Diane English and Roseanne Barr—and even incited controversy that reached as far as the White House. Drawing on a wealth of original interviews with the key players like Amy Sherman-Palladino (Gilmore Girls), Jenji Kohan (Orange is the New Black), and Jill Soloway (Transparent) who created storylines and characters that changed how women are seen and how they see themselves, this is the exhilarating behind-the-scenes story of a cultural revolution.
The Glory is a historical drama series that centers around the life and times of Catherine the Great, a renowned Empress who ruled the Russian Empire from 1762 until her death in 1796. The series explores Catherine’s rise to power, as well as her love life, controversies, and political conflicts that shaped her reign. The show is set in the 18th century, a time of political turmoil, social upheaval, and cultural transformation that led to the Enlightenment. The Glory features a star-studded cast, with Australian actress Elle Fanning playing the lead role of Catherine. Other notable cast members include Nicholas Hoult, who portrays Peter III, Catherine’s husband and predecessor, and Phoebe Fox, who plays Marial, Catherine’s loyal maid and confidante. The series is produced by MediaRes and Echo Lake Entertainment, and was created by Tony McNamara, who also wrote the script for the Oscar-winning film The Favourite. The show has been praised for its production quality, strong performances, and attention to historical accuracy. The Glory premiered on May 15, 2021, on Hulu, and has since gained a large following and critical acclaim.
Written by an authoritative expert, Friends Behind the Scenes: Backstage Pass to the Series, A Comprehensive History is the most in-depth book ever written about the series. It provides a unique insider perspective and dishes the dirt on never-before-revealed secrets, such as outing the cast member who was nearly fired from the series—TWICE! Friends Behind the Scenes commences with the showrunners’ backstory and a comprehensive recounting of the series’ concept, the pitch presented to NBC, and the network’s objections. Fans get a confidant’s look into the TV industry and the trio’s struggle to protect their pilot concept and creative vision. The journey also uncovers early script drafts with jaw-dropping disclosures about the main characters—there was a highly promiscuous female, an arrogant, self-centered jerk from Chicago, and a homosexual. The next chapters immerse the sitcom enthusiast into the laborious casting process with amazing revelations, such as the two costars who turned down guaranteed roles and a once-rejected cast member who was only hired because NBC insisted. The likelihood of all six actors being chosen for the pilot was astronomically minuscule, especially since two of the costars were committed to other projects and a handful of famous actors were offered costarring roles in the series. Friends Behind the Scenes unravels the mysteries behind shooting the pilot, how a test audience’s negative report nearly capsized the series, and what finally convinced NBC to gamble on adding the show to its fall schedule. The following pages methodically outline the showrunners’ diligent efforts to assemble an incomparable creative team and hire brilliant wardrobe, hair, and makeup specialists who redefined 1990s fashion. Of course, TV junkies cannot forget the memorable title sequence with all the fountain frivolity and the mind-numbing theme song that captivated the world. Astonishingly, the original intro was completely different with an up-tempo singalong by a famous rock band that refused to license the track because the lead singer despised the hit single. Avid enthusiasts will discover how The Rembrandts were eventually hired and why they did not want their name attached to the bubblegum pop ditty. Readers are transported backstage to witness how episodes were produced and how guest stars were chosen, with dazzling insight into the ones that got away, including a famous pop singer, three iconic movie stars, and a rock legend. In addition, tome-travelers will get an insider scoop into the world of stand-ins, body doubles, and famous extras who appeared on the show, and marvel at the history of sets, how they were designed and decorated, and even the story behind famous props and set dressings like the peephole picture frame and burnt-orange sofa. Further interviews unearth the private salary negotiations that eventually made the cast the highest-paid actors on television. Actors’ confessions shed light on how success impacted their lives, and what made the sextet decide to call it quits after ten seasons. Friends disciples will be privy to the soundstage hysteria during the final days of shooting and the epochal send-off by NBC, while sitcom purists will be enraptured by the historical overview of the show’s evolution from struggling newbie to ratings giant en route to its unprecedented success in syndication and streaming. Finally, the remaining chapters detail the societal impact of Friends, and offer numerous trivia tidbits that have evaded most Friends aficionados for decades.
When the BBC's Sherlock debuted in summer 2010--and appeared in the U.S. on PBS a few months later--no one knew it would become an international phenomenon. The series has since gathered a diverse and enthusiastic fandom. Like their hero, Sherlock fans scrutinize clues about the show's deeper meaning, as well as happenings off screen. They postulate theories and readings of the characters and their relationships. They have tweeted with "The Powers That Be," mobilized to filming locations via #Setlock, and become advocates for LGBTQIA communities. Sherlock's digital communities have changed the way that fans and series creators interact in person and online, as each publicly takes "ownership" of beloved television characters who represent far more than entertainment to fans.
This collection looks at the post–network television industry’s heady experiments with new forms of interactive storytelling—or wired TV—that took place from 2005 to 2010 as the networks responded to the introduction of broadband into the majority of homes and the proliferation of popular, participatory Web 2.0 companies like Facebook, YouTube, and Twitter. Contributors address a wide range of issues, from the networks’ sporadic efforts to engage fans using transmedia storytelling to the production inefficiencies that continue to dog network television to the impact of multimedia convergence and multinational, corporate conglomeration on entrepreneurial creativity. With essays from such top scholars as Henry Jenkins, John T. Caldwell, and Jonathan Gray and from new and exciting voices emerging in this field, Wired TV elucidates the myriad new digital threats and the equal number of digital opportunities that have become part and parcel of today’s post-network era. Readers will quickly recognize the familiar television franchises on which the contributors focus— including Lost, The Office, Entourage, Battlestar Gallactica, The L Word, and Heroes—in order to reveal their impact on an industry in transition. While it is not easy for vast bureaucracies to change course, executives from key network divisions engaged in an unprecedented period of innovation and collaboration with four important groups: members of the Hollywood creative community who wanted to expand television’s storytelling worlds and marketing capabilities by incorporating social media; members of the Silicon Valley tech community who were keen to rethink television distribution for the digital era; members of the Madison Avenue advertising community who were eager to rethink ad-supported content; and fans who were enthusiastic and willing to use social media story extensions to proselytize on behalf of a favorite network series. In the aftermath of the lengthy Writers Guild of America strike of 2007/2008, the networks clamped down on such collaborations and began to reclaim control over their operations, locking themselves back into an aging system of interconnected bureaucracies, entrenched hierarchies, and traditional partners from the past. What’s next for the future of the television industry? Stay tuned—or at least online. Contributors: Vincent Brook, Will Brooker, John T. Caldwell, M. J. Clarke, Jonathan Gray, Henry Jenkins, Derek Johnson, Robert V. Kozinets, Denise Mann, Katynka Z. Martínez, and Julie Levin Russo
