“[A] stunning tale of academic fraud . . . shocking and compelling.”-The Washington Post Dave Tomar wrote term papers for a living. Technically, the papers were “study guides,” and the companies he wrote for-there are quite a few-are completely aboveboard and easily found with a quick web search. For as little as ten dollars a page, these paper mills provide a custom essay, written to the specifics of any course assignment. During Tomar's career as an academic surrogate, he wrote made-to-order papers for everything from introductory college courses to Ph.D. dissertations. There was never a shortage of demand for his services. The Shadow Scholar is the story of this dubious but all-too-common career. In turns shocking, absurd, and ultimately sobering, Tomar explores not merely his own misdeeds but the bureaucratic and cash-hungry colleges, lazy students, and even misguided parents who help make it all possible.
The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.
Shadow Academy has many secrets and maybe I’m the worst one of all. When I saved Ren Worthington’s life and stopped the school dance from turning into a vampire buffet, I didn’t expect a medal, I didn’t expect kudos but I sure as heck didn’t expect to become public enemy #1 at this paranormal academy either. And, after sharing my first kiss with Ren, I’m not sure of his feelings. I don’t think he’s sure himself. If that isn’t enough, a couple of weirdos kidnap Ren and I, wanting to experiment to test the extent of our powers. Those experiments include putting us in dangerous situations until we no longer know what’s real or not. If the prophecy is true, and I am the chosen one, I need to get this mess sorted out as soon as possible, or we’ll both die.
"The Irishman is great art . . . but it is not, as we know, great history . . . Frank Sheeran . . . surely didn’t kill Hoffa . . . But who pulled the trigger? . . . For some of the real story, and for a great American tale in itself, you want to go to Jack Goldsmith’s book, In Hoffa’s Shadow.” —Peggy Noonan, The Wall Street Journal "In Hoffa’s Shadow is compulsively readable, deeply affecting, and truly groundbreaking in its re-examination of the Hoffa case . . . a monumental achievement." —James Rosen, The Wall Street Journal As a young man, Jack Goldsmith revered his stepfather, longtime Jimmy Hoffa associate Chuckie O’Brien. But as he grew older and pursued a career in law and government, he came to doubt and distance himself from the man long suspected by the FBI of perpetrating Hoffa’s disappearance on behalf of the mob. It was only years later, when Goldsmith was serving as assistant attorney general in the George W. Bush administration and questioning its misuse of surveillance and other powers, that he began to reconsider his stepfather, and to understand Hoffa’s true legacy. In Hoffa’s Shadow tells the moving story of how Goldsmith reunited with the stepfather he’d disowned and then set out to unravel one of the twentieth century’s most persistent mysteries and Chuckie’s role in it. Along the way, Goldsmith explores Hoffa’s rise and fall and why the golden age of blue-collar America came to an end, while also casting new light on the century-old surveillance state, the architects of Hoffa’s disappearance, and the heartrending complexities of love and loyalty.
View our feature on Barb and J.C. Hendee’s In Shade and Shadow. The national bestselling Noble Dead saga is "one of those [series] for which the term dark fantasy was definitely intended" (Chronicle) Wynn Hygeorht arrives at the Guild of Sagecraft, bearing texts supposedly penned by vampires. Seized by the Guild's scholars without Wynn's consent, several pages disappear-and two sages are found murdered. Convinced the Noble Dead are responsible for the killings, Wynn embarks on a quest to uncover the secrets of the texts...
Shadow Academy has many secrets… and I’m one of them. Plucked from foster care and offered a scholarship to an elite school, I figured I had it made. But it didn’t take me long to discover how this school worked. Scholarship kids at the bottom of the heap, and way at the top, Ren Worthington. With his breath-taking good looks and bottomless pits of family money, you’d think he’d have better things to do than bully us poor kids. Not so. Ren and the other human students live their lives unaware of the creatures lurking in the dark. But us scholarship kids weren’t selected just for our academic skills. We’re all half-bloods and freaks - fae, witch, shifter, demon. In return for our free ride, we protect the rich brats from paranormal dangers. I don’t want to get close to Ren, I don’t want to work with him and I sure don't want to succumb to his charms, but I have no choice. Things aren’t what they seem on the surface. Our families have a history that goes way back and the connection between us might just be the thing to save or destroy me. Shadow Academy has many secrets… and maybe Ren is one of them.
Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay's secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.
From the acclaimed author of 2020 Independent Press Awards Distinguished Favorites Clifford's Spiral and Preacher Finds a Corpse. This special scholar's courseware edition of The Bonfire of the Vanderbilts includes the full text of the novel, along with the author's research whitepaper "Deconstructing the Scandalous Narrative of The Baptism," which appeared in the Fall 2016 issue of The Journal of Art Crime. Also included in the endmatter are rare photographs from the private collection of the painter's family and links to related audiovisual supplementary materials, including the recording of the author's presentation on the The Baptism to the American Art Council of the Los Angeles County Museum of Art. In 1892 Paris, Julius Stewart painted The Baptism, a Vanderbilt family scene that contains an embarrassing secret. In the novel, art historian Grace Atwood becomes obsessed with the painting and its hidden clues for reasons that have more to do with her personal ghosts. Either her doting husband is trying to make her think she’s crazy, or she really is in the early stages of dementia. "I must say, I am impressed with your sleuthing, your imagination and your ability to weave a story. Your theory is fascinating, and I personally would be quite excited if any piece of it proved true." -- Carson Joyner Clark, biographer of painter Julius Stewart "Alva Vanderbilt Belmont would be very grateful to you for researching a Vanderbilt family painting - as will all the family. And as I do. Historians keep us alive!" -- Margaret Hayden Rector, Vanderbilt biographer, author of Alva,That Vanderbilt-Belmont Woman "Of the many inquiries we get, this has been the most interesting in a long time." -- The Very Rev. Harry E. Krauss (retired) "I think you've done an extraordinary job of researching and speculating on the painting. You've certainly convinced me that this was a Vanderbilt affair!" -- Mary Sudman Donovan, Historian, Episcopal Church USA, Author of A Different Call: Women's Ministries in the Episcopal Church, 1850-1920
Introduction kihawahine : the future in the past -- Hawaiian feathered cloaks and Mayan sculptures : collecting origins -- The Haida crest pole and the Nootka eagle mask : hypercollecting -- Benin bronzes : colonial questions -- Guatemalan textiles : persisting global networks -- The Yup'ik flying-swan mask : the past in the future -- Epilogue : harnessing Humboldt.
The shadows are in my blood. I can feel them crawling through me, slithering under my skin and taking me hostage. But the darkness within me, isn't nearly as bad as the darkness that lives around me. The four heirs will stop at nothing to destroy the lives of me and my sister. But they haven't figured out yet, we're the strongest creatures they've ever known...
