The Sewell C. Biggs Collection of American Art
Author: Sewell C. Biggs Museum of American Art
Publisher:
Published: 2002
Total Pages: 521
ISBN-13: 9781893287037
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Author: Sewell C. Biggs Museum of American Art
Publisher:
Published: 2002
Total Pages: 521
ISBN-13: 9781893287037
DOWNLOAD EBOOKAuthor: Sewell C. Biggs Museum of American Art
Publisher:
Published: 2002
Total Pages: 308
ISBN-13:
DOWNLOAD EBOOKAuthor: Sewell C. Biggs Museum of American Art
Publisher:
Published: 2002
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOKAuthor: Sewell C. Biggs Museum of American Art
Publisher: The Library Company of Phil
Published: 1999
Total Pages: 52
ISBN-13: 9781893287013
DOWNLOAD EBOOKAuthor: Philip D. Zimmerman
Publisher: Hudson Hills
Published: 2004
Total Pages: 158
ISBN-13: 9781882650170
DOWNLOAD EBOOKWhile demonstrating the high level of artistry attained by furniture-makers of the period, this selection in many ways reflects the evolving character of domestic life in America during a seminal period in the country's history.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2010
Total Pages: 330
ISBN-13: 1588393577
DOWNLOAD EBOOKAuthor: Barbara Cantalupo
Publisher: Penn State Press
Published: 2015-06-10
Total Pages: 213
ISBN-13: 0271064366
DOWNLOAD EBOOKAlthough Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who “from childhood’s hour . . . [had] not seen / As others saw.” Poe and the Visual Arts is the first comprehensive study of how Poe’s work relates to the visual culture of his time. It reveals his “deep worship of all beauty,” which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe’s sensitivity to visual media gave his writing a distinctive “graphicality” and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus.
Author: Charles C. Eldredge
Publisher: Univ of California Press
Published: 2022-11
Total Pages: 464
ISBN-13: 0520385551
DOWNLOAD EBOOK"In the past, histories of American art have traditionally highlighted the work of a familiar roster of artists, often white and male. Over time the achievements of others worthy of attention, including numerous women and artists of color, as well as white men, have gone uncelebrated and fallen into obscurity. In this collection of essays, sixty-three scholars from various institutions, specialties, and locales respond to the challenge to nominate one maker deserving remembrance and detail the reasons for their choice. The collection is headed by a preface from editor Charles C. Eldredge, explaining the genesis of the anthology, and an introduction by Dr. Kirsten Pai Buick, promoting the value of recovered reputations and oeuvres in the training of future art experts and audiences"--
Author: Matthew R. Costello
Publisher: University Press of Kansas
Published: 2021-12-03
Total Pages: 352
ISBN-13: 0700633367
DOWNLOAD EBOOKGeorge Washington was an affluent slave owner who believed that republicanism and social hierarchy were vital to the young country’s survival. And yet, he remains largely free of the “elitist” label affixed to his contemporaries, as Washington evolved in public memory during the nineteenth century into a man of the common people, the father of democracy. This memory, we learn in The Property of the Nation, was a deliberately constructed image, shaped and reshaped over time, generally in service of one cause or another. Matthew R. Costello traces this process through the story of Washington’s tomb, whose history and popularity reflect the building of a memory of America’s first president—of, by, and for the American people. Washington’s resting place at his beloved Mount Vernon estate was at times as contested as his iconic image; and in Costello’s telling, the many attempts to move the first president’s bodily remains offer greater insight to the issue of memory and hero worship in early America. While describing the efforts of politicians, business owners, artists, and storytellers to define, influence, and profit from the memory of Washington at Mount Vernon, this book’s main focus is the memory-making process that took place among American citizens. As public access to the tomb increased over time, more and more ordinary Americans were drawn to Mount Vernon, and their participation in this nationalistic ritual helped further democratize Washington in the popular imagination. Shifting our attention from official days of commemoration and publicly orchestrated events to spontaneous visits by citizens, Costello’s book clearly demonstrates in compelling detail how the memory of George Washington slowly but surely became The Property of the Nation.