The Serapion Brethren II
The Serapion Brethren II

Author: E. T. A. Hoffmann

Publisher: anboco

Published: 2016-09-08

Total Pages: 693

ISBN-13: 3736414854

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The ever-fluctuating vicissitudes of human life had once more scattered our little group of friends asunder. Sylvester had gone back to his country home; Ottmar had travelled away on business, and so had Cyprian; Vincent was still in the town, but (after his accustomed fashion) he had disappeared in the turmoil, and was nowhere to be seen; Lothair was nursing Theodore, who had been laid on a bed of sickness by a malady long struggled against, which was destined to keep him there for a considerable time. Indeed, several months had gone by, when Ottmar (whose sudden and unlooked-for departure had been the chief cause of the breaking up of the "Club") came back, to find, in place of the full-fledged "Serapion Brotherhood," one friend, barely convalescent, and bearing the traces of a severe illness in his pale face, abandoned by the Brethren, with the exception of one, who was tasking him severely by constant outbreaks of a grim and capricious "humour."....

The Serapion Brethren Volume 2
The Serapion Brethren Volume 2

Author: E.T.A. Hoffmann

Publisher: Lindhardt og Ringhof

Published: 2022-06-21

Total Pages: 596

ISBN-13: 8728264355

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‘The Serapion Brethren’ is the name of a literary and social circle created in Berlin in 1818 by the German romantic writer E. T. A. Hoffmann and his friends. ‘The Serapion Brethren’ is also the name of a four-volume collection of Hoffmann's novellas and fairy tales that appeared in 1819, 1820, and 1821. Volume 2 includes the stories: ‘The Life of a Well-known Character’, ‘Albertine's wooers’, ‘The Uncanny Guest’, ‘Mademoiselle Scuderi’, ‘Gamblers', ‘Fortune’, ‘Signor Formica’, ‘Phenomena’, ‘The Mutual Interdependence of Things’, ‘The King's Betrothed’. E. T. A. Hoffmann was a German romantic author, most famous for his novella ‘The Nutcracker and the Mouse King’ (1816) which inspired Tchaikovsky’s ballet ‘The Nutcracker’. These classic short stories are perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.

The Serapion Brethren Volume 1
The Serapion Brethren Volume 1

Author: E.T.A. Hoffmann

Publisher: Lindhardt og Ringhof

Published: 2022-06-21

Total Pages: 614

ISBN-13: 8728264347

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‘The Serapion Brethren’ is the name of a literary and social circle created in Berlin in 1818 by the German romantic writer E. T. A. Hoffmann and his friends. ‘The Serapion Brethren’ is also the name of a four-volume collection of Hoffmann's novellas and fairy tales that appeared in 1819, 1820, and 1821. Volume 1 includes the stories: ‘The Story of Serapion’, ‘An Interrupted Cadence’, ‘The Poet and the Composer’, ‘A Fragment of the Lives of Three Friends’, ‘The Mines of Falun’, ‘Nutcracker and the King of Mice’, ‘The Doge and the Dogaressa’, ‘Master Martin, the Cooper, and his men’, ‘The Stranger Child’. E.T.A. Hoffmann was a German romantic author, most famous for his novella ‘The Nutcracker and the Mouse King’ (1816) which inspired Tchaikovsky’s ballet ‘The Nutcracker’. These classic short stories are perfect for fans of horror and fantasy fiction and the authors H. P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.

The Serapion Brethren I
The Serapion Brethren I

Author: E. T. A. Hoffmann

Publisher: anboco

Published: 2016-09-09

Total Pages: 727

ISBN-13: 3736414862

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Notwithstanding the popularity which several of Hoffmann's tales have obtained in many different countries, we are not aware of any complete or accurate translation of his works. In England they have become known in a very partial form, chiefly by the appearance of a few isolated tales in association with those of other writers, as in the 'Specimens of German Romance,' or in Gillies' 'German Stories,' which were published about 1830. Others are familiar only through the medium of a translation from a previous French version, as is the case with the well-known 'Nutcracker,'--and in this process of double dilution the Author's name has sometimes disappeared altogether. The most important attempt to present this writer to English readers is the recent publication of two volumes entitled 'Hoffmann's Weird Stories,' which contain eleven tales seven being from the Serapions-Brüder, two from the Nachtstücke, and two from other parts of his works. These stories are all separated from the setting in which, as in the present volume, they for the most part appeared, and the translator has not aimed at any completeness or method in their selection. The first attempt to give English readers a satisfactory idea of Hoffmann's work in its completeness is inaugurated by the present volume, which will be followed by the remaining portion of the Serapion Brethren, and in due course it is hoped by other portions of his works. Musicians will be interested by the fulness with which the Author's views on musical subjects so much in advance of his age, and so just and accurate are developed in many places, such as the dialogue called "The Poet and the Composer," and the conversation which precedes the tale "Master Martin." It would be of much interest could any of Hoffmann's numerous musical compositions be brought to light at the present day; they appear to have been considerably in advance of their period, although Weber's critique on one of Hoffmann's operas is full of high praise. A.

The Aesthetics of Fear in German Romanticism
The Aesthetics of Fear in German Romanticism

Author: Paola Mayer

Publisher: McGill-Queen's Press - MQUP

Published: 2020-02-13

Total Pages: 411

ISBN-13: 0228000262

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Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.