Provides an overview of the past and present lives of the Seminoles, covering their daily life, customs, relations with the government and others, and more.
A collection of folk stories talk about human, animal, and spirit characters who act out important lessons about living in the natural world of the Florida Everglades.
Discusses the life of Native American Betty Mae Jumper, highlighting her various occupations, her storytelling abilities, and her family's turbulent Seminole history.
As indigenous populations are invited to participate in cultural heritage identification, research, interpretation, management, and preservation, they are faced with a variety of challenges, questions that are difficult to answer, and demands that must be carefully navigated. We Come for Good describes the development and operations of the Tribal Historic Preservation Office (THPO) of the Seminole Tribe of Florida as an example of how tribes can successfully manage and retain authority over the heritage of their respective cultures. With Native voices front and center, this book demonstrates ways THPOs can work within federal and tribal governments to build capacity and uphold tribal values--core principles of a strong tribal historic preservation program. The authors also offer readers one of the first attempts to document Native perspectives on the archaeology of native populations.
"When he died in 1838, Seminole warrior Osceola was the most famous Native American in the world. Born a Creek, Osceola was driven from his home to Florida by General Andrew Jackson where he joined the Seminole tribe. Their paths would cross again when President Jackson signed the Indian Removal Act that would relocate the Seminoles to hostile lands and lead to the return of the slaves who had joined their tribe. Outraged Osceola declared war. This vivid history recounts how Osceola led the longest, most expensive, and deadliest war between the U.S. Army and Native Americans and how he captured the imagination of the country with his quest for justice and freedom. Insightful, meticulously researched, and thrillingly told, Thom Hatch's account of the Great Seminole War is an accomplished work that finally does justice to this great leader"--Provided by publisher.
In 1979, Florida Seminoles opened the first tribally operated high-stakes bingo hall in North America. At the time, their annual budget stood at less than $2 million. By 2006, net income from gaming had surpassed $600 million. This dramatic shift from poverty to relative economic security has created tangible benefits for tribal citizens, including employment, universal health insurance, and social services. Renewed political self-governance and economic strength have reversed decades of U.S. settler-state control. At the same time, gaming has brought new dilemmas to reservation communities and triggered outside accusations that Seminoles are sacrificing their culture by embracing capitalism. In High Stakes, Jessica R. Cattelino tells the story of Seminoles’ complex efforts to maintain politically and culturally distinct values in a time of new prosperity. Cattelino presents a vivid ethnographic account of the history and consequences of Seminole gaming. Drawing on research conducted with tribal permission, she describes casino operations, chronicles the everyday life and history of the Seminole Tribe, and shares the insights of individual Seminoles. At the same time, she unravels the complex connections among cultural difference, economic power, and political rights. Through analyses of Seminole housing, museum and language programs, legal disputes, and everyday activities, she shows how Seminoles use gaming revenue to enact their sovereignty. They do so in part, she argues, through relations of interdependency with others. High Stakes compels rethinking of the conditions of indigeneity, the power of money, and the meaning of sovereignty.
Traces the life and achievements of one of modern America's first female elected tribal leaders, describing her half-Seminole heritage, her determination to acquire an education and her contributions as a community activist.
In 1840 Night Bird, whose clan of Seminole Indians is fighting to preserve its traditional way of life in Florida, must decide whether to seek land and an unknown future in distant Oklahoma.
Years before the first shots of the Civil War were fired, Florida witnessed a clash of wills and ways that prompted three wars unlike any others in America's history. Among the most well-known of Florida's native peoples, the Seminole Indians frustrated troops of militia and volunteer soldiers for decades during the first half of the nineteenth century in the ongoing struggle to keep hold of their ancestral lands. While careers and reputations of American military and political leaders were made and destroyed in the mosquito-infested swamps of Florida's interior, the Seminoles and their allies, including the Miccosukee tribe and many escaped slaves, managed to wage war on their own terms. The study of guerrilla warfare tactics employed by the Seminoles may have aided modern American forces fighting in Viet Nam, Cambodia, and other regions.
"A superbly readable piece of cultural history. . . . Downs proves that graphics and narrative can be intertwined in an entertaining and informative historical presentation. . . . Delightful and intellectually enriching."--Southern Historian "Excellent. . . . Well-documented with both historical and anthropological sources, this is the best work to appear on a significant cultural characteristic of the Seminoles in quite some time. An excellent addition to the growing literature on the Seminole and Miccosukee tribes."--Tampa Tribune "Unfolds the meaning of Seminole-Miccosukee arts as metaphor for the people of the Everglades."--Joyce Herold, Denver Museum of Natural History The artistic tradition that in the past sustained Florida Indians helps identify them today as possessing a resilient, modern culture. In this richly illustrated account of the arts and crafts of the Florida Seminole and Miccosukee Indians, Dorothy Downs shows how artistic expression reflects and inspires history. Emphasizing the influence of drastic cultural changes on their artistic traditions, Downs traces Seminole and Miccosukee art from the eighteenth century to the present and demonstrates both the persistence of some prehistoric southeastern Indian designs and the impact of contact with Europeans. In addition to clothing and finger-woven or bead-embroidered accessories, their arts and crafts--most often practiced by women--include pottery, basketry, and doll making. Their most powerful artistic expression is found in the colorful and intricate patchwork patterns that have become their twentieth-century signature. Incorporating color and black-and-white photographs of these remarkable art pieces, Downs also details the "men's work" of silver and wood crafts and chickee building in a volume sure to interest scholars and the general public alike.