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This volume assembles more than 30 articles focusing on the visual, material, and environmental arts of the Ancient Near East. Specific case studies range temporally from the fourth millennium up to the Hellenistic period and geographically from Iran to the eastern Mediterranean. Contributions apply innovative theoretical and methodological approaches to archaeological evidence and critically examine the historiography of the discipline itself. Not intended to be comprehensive, the volume instead captures a cross-section of the field of Ancient Near Eastern art history as its stands in the second decade of the twenty-first century. The volume will be of value to scholars working in the Ancient Near East as well as others interested in newer art historical and anthropological approaches to visual culture.
From 1985 to 2001, the collaborative research initiative known as the Bannu Archaeological Project conducted archaeological explorations and excavations in the Bannu region, in what was then the North West Frontier Province (NWFP) of Pakistan, now Khyber-Pakhtunkhwa. This Project involves scholars from the Pakistan Heritage Society, the British Museum, the Institute of Archaeology (UCL), Bryn Mawr College and the University of Cambridge. This is the third in a series of volumes that present the final reports of the exploration and excavations carried out by the Bannu Archaeological Project. This volume presents the first synthesis of the archaeology of the historic periods in the Bannu region, spanning the period when the first large scale empires expanded to the borders of South Asia up until the arrival of Islam in the subcontinent at the end of the first and beginning of the second millennium BC. The Bannu region provides specific insight into early imperialism in South Asia, as throughout this protracted period, it was able to maintain a distinctive regional identity in the face of recurring phases of imperial expansion and integration.
The sudden death of the Persian Emperor in 522 BCE is one of history’s great mysteries. Was his demise self-inflicted, accidental, an assassination or due to natural causes? The author contends that during this incident Siddhartha Gautama may have been the leader of Babylon's Magi, an interfaith order that assumes governance of the region. The situation explodes when Darius the Great seizes the throne. Simultaneously the Magi Order is purged as Siddhartha, prince of the Saka nation, heads back east to the Indus. Could this event have inspired the creation of Buddhism as a pacifist movement dedicated to the pursuit of self-transformation, goodwill, and universal compassion? The Buddha from Babylon: The Lost History and Cosmic Vision of Siddhartha Gautama uncovers new evidence that solves this ages-old mystery and discovers Babylonian influences in the Buddha's revelations.
The Cyrus Cylinder is one of the most famous objects to have survived from the ancient world. The Cylinder was inscribed in Babylonian cuneiform on the orders of the Persian King Cyrus the Great (559-530BC) after he captured Babylon in 539BC. It is often referred to as the first bill of human rights as it appears to permit freedom of worship throughout the Persian Empire and to allow deported people to return to their homelands. It is valued by people all around the world as a symbol of tolerance and respect for different peoples and different faiths, so much so that a copy of the cylinder is on display in the United Nations building in New York. This catalogue is being published in conjunction with the first ever tour of the object to the United States, along with sixteen other objects from the British Museum's collection. The book discusses how these objects demonstrate the innovations initiated by Persian rule in the Ancient Near East (550 BC-331 BC), a prime example being a gold plaque from the Oxus Treasure with the representation of a priest that shows the spread of the Zoroastrian religion. The book offers a new authoritative translation of the Cyrus Cylinder by Irving Finkel and the publication of two fragments of a cuneiform tablet that show how the Cyrus Cylinder was most probably a proclamation and not just a foundation deposit.
The northwestern regions of Pakistan and southeastern regions of Afghanistan were once the heart of a highly developed civilization whose cultural impact was felt from China to Persia. A major center of Buddhism, its cultural attainments were highlights of ancient civilization. The author's research, accompanied by some 60 illustrations, offers Americans an entirely new understanding of the desolate region shown on the nightly news. The Persian, Greek and Central Asian invasions of Gandhara, rather than causing wide scale destruction in the region, promoted the development of a multi-cultural, multi-ethnic society. After a gestation period of about half a millennium, this region blossomed into a unique civilization in the opening years of the Common Era. Detailed archaeological excavations were started at sites in northern Pakistan and Afghanistan in the late-19th century. Through these excavations, eminent archaeologists such as Aurel Stein, Alexander Cunningham, John Marshall, J. Barthoux and Professor A.H. Dani recovered hundreds of thousands of beautiful stone sculptures belonging to the Gandhara Civilization. In the last century or so, much has been written about the artistic quality of these beautiful stone sculptures. But hardly anything has been written about the Civilization itself that gave birth to these extraordinary pieces of art. In this book an effort has been made to present Gandhara in its wider perspective, highlighting the different features of a unique civilization in which many different races contributed and many cultures merged to bring about a major sociological change and establish a distinct cultural identity in this region of the South Asian sub-continent. This book is based on the author's analysis of archaeologists' reports, information gathered through extended visits to numerous archaeological sites associated with the lost Gandhara Civilization including those in the Taxila, Peshawar, Charsadda, Mardan and Swat regions in Pakistan, and study in museums. His research reveals a great deal of continuity in the field of socio-cultural development of the region, which is referred to in this book as Greater Gandhara, from the time it became a part of the Achaemenid Empire in the 6th century BCE till the end of Kidara Kushan's rule in the 5th century CE. Further, it reveals that after the Achaemenids had established the physical and administrative infrastructure in Greater Gandhara, the continuity in socio-cultural development in the region was maintained mainly by the growing Buddhist population. This book illustrates the spirit of independence and features in the character of the ancient people of the Gandhara region which facilitated the sustained progress towards the emergence of the Gandhara Civilization. Following the invasion of Alexander the Great, his successors had no difficulty in colonizing Bactria (Northern Afghanistan) and Sogdia (Uzbekistan), but they could not do the same in Gandhara. Similarly the Scythians, Parthians and the Kushans ruled over the Central Asian region as colonizers, but not so in Gandhara. Here they ruled not over the people, but with the people. Their administration was highly de-centralized, with the locals playing a major role in the regional administration and having a major say in the social and cultural affairs of the entire population. Finally, the book highlights the interactive environment which prevailed in Gandhara throughout the transient and mature phases of the Gandhara Civilization: Alexander's companions hobnobbing with the naked fakirs of Taxila; Menander, the great Indus-Greek ruler, finding time to engage in prolonged question-and-answer sessions with Buddhist scholars at the monastery near Sagala (Sialkot); and the greatest of the Kushan conquerors, Kanishka, finding pleasure in the company of local intellectuals and artists such as Asvaghosha and Vasumitra, and presiding over the official launch of Mahayana Buddhism.
