Annotation in Eighteenth-Century Poetry

Annotation in Eighteenth-Century Poetry

Author: Michael Edson

Publisher: Rowman & Littlefield

Published: 2017-10-18

Total Pages: 279

ISBN-13: 1611462533

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Recent years have witnessed a growing fascination with the printed annotations accompanying eighteenth-century texts. Previous studies of annotation have revealed the margins as dynamic textual spaces both shaping and shaped by diverse aesthetic, historical, and political sensibilities. Yet previous studies have also been restricted to notes by or for canonical figures; they have neglected annotation’s relation to developments in reading audiences and the book trade; and they have overlooked the interaction, even tension, between prose notes and poetry, a tension reflecting eighteenth-century views of poetry as aesthetically superior to prose. Annotation in Eighteenth-Century Poetry addresses these oversights through a substantial introduction and eleven essays analyzing the printed endnotes and footnotes accompanying poems written or annotated between 1700 and 1830. Drawing on methods and critical developments in book history and print culture studies, this collection explores the functions that annotation performed on and through the printed page. By analyzing the annotation specific to poetry, these essays clarify the functions of notes among the other paratexts, including illustrations, by which scholars have mapped poetry’s relation to the expanding book trade and the class-specific production of different formats. Because the reading and writing of poetry boasted social and pedagogical functions that predate the rise of the note as a print technology, studying the relation of notes to poetry also reveals how the evolving layout of the eighteenth-century book wrought significant changes not only on reading practices and reception, but on the techniques that booksellers used to make new poems, steady-sellers, and antiquarian discoveries legible to new readers. Above all, analyzing notes in poetry volumes contributes to larger inquiries into canon formation and the rise of literary studies as a discipline in the eighteenth century.


The Invention of Rare Books

The Invention of Rare Books

Author: David McKitterick

Publisher: Cambridge University Press

Published: 2018-07-12

Total Pages: 463

ISBN-13: 1108428320

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Explores how the idea of rare books was shaped by collectors, traders and libraries from the sixteenth to the nineteenth centuries. Using examples from across Europe, David McKitterick looks at how rare books developed from being desirable objects of largely private interest to become public and even national concerns.


Edmund Spenser and the Eighteenth-Century Book

Edmund Spenser and the Eighteenth-Century Book

Author: Hazel Wilkinson

Publisher: Cambridge University Press

Published: 2017-11-30

Total Pages: 279

ISBN-13: 1107199557

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The first comprehensive study of the eighteenth-century response to the Elizabethan poet Edmund Spenser, from editions to influence.


The Imprisoned Traveler

The Imprisoned Traveler

Author: Keith Crook

Publisher: Rutgers University Press

Published: 2019-12-13

Total Pages: 266

ISBN-13: 1684481643

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The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention” came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


Spectacular Suffering

Spectacular Suffering

Author: Ramesh Mallipeddi

Publisher: University of Virginia Press

Published: 2016-04-29

Total Pages: 343

ISBN-13: 0813938430

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Spectacular Suffering focuses on commodification and discipline, two key dimensions of Atlantic slavery through which black bodies were turned into things in the marketplace and persons into property on plantations. Mallipeddi approaches the problem of slavery as a problem of embodiment in this nuanced account of how melancholy sentiment mediated colonial relations between English citizens and Caribbean slaves. The book’s first chapters consider how slave distress emerged as a topic of emotional concern and political intervention in the writings of Aphra Behn, Richard Steele, and Laurence Sterne. As Mallipeddi shows, sentimentalism allowed metropolitan authors to fashion themselves as melancholy witnesses to racial slavery by counterposing the singular body to the abstract commodity and by taking affective property in slaves against the legal proprietorship of slaveholders. Spectacular Suffering then turns to the practices of the enslaved, tracing how they contended with the effects of chattel slavery. The author attends not only to the work of African British writers and archival textual materials but also to economic and social activities, including slaves’ petty production, recreational forms, and commemorative rituals. In examining the slaves’ embodied agency, the book moves away from spectacular images of suffering to concentrate on slow, incremental acts of regeneration by the enslaved. One of the foremost contributions of this study is its exploration of the ways in which the ostensible objects of sentimental compassion—African slaves—negotiated the forces of capitalist abstraction and produced a melancholic counterdiscourse on slavery. Throughout, Mallipeddi’s keen reading of primary texts alongside historical and critical work produce fresh and persuasive insights. Spectacular Suffering is an important book that will alter conceptions of slave agency and of sentimentalism across the long eighteenth century.


The Rhetoric of Diversion in English Literature and Culture, 1690–1760

The Rhetoric of Diversion in English Literature and Culture, 1690–1760

Author: Darryl P. Domingo

Publisher: Cambridge University Press

Published: 2016-03-29

Total Pages:

ISBN-13: 1316558916

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Why did eighteenth-century writers employ digression as a literary form of diversion, and how did their readers come to enjoy linguistic and textual devices that self-consciously disrupt the reading experience? Darryl P. Domingo answers these questions through an examination of the formative period in the commercialization of leisure in England, and the coincidental coming of age of literary self-consciousness in works published between approximately 1690 and 1760. During this period, commercial entertainers tested out new ways of gratifying a public increasingly eager for amusement, while professional writers explored the rhetorical possibilities of intrusion, obstruction, and interruption through their characteristic use of devices like digression. Such devices adopt similar forms and fulfil similar functions in literature as do diversions in culture: they 'unbend the mind' and reveal the complex reciprocity between commercialized leisure and commercial literature in the age of Swift, Pope, and Fielding.


Samuel Johnson Among the Modernists

Samuel Johnson Among the Modernists

Author: Anthony W. Lee

Publisher:

Published: 2020

Total Pages:

ISBN-13: 9781789629293

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This text brings Johnson more sharply into focus by casting him amongst an unfamiliar milieu and company; likewise, it is hoped that by bringing Johnson to bear on the various authors and topics gathered, it manages to foreground some aspects of Modernism and its practitioners that would otherwise remain elusively hidden. If it is unlikely that the phrase 'Modernity Johnson' will eclipse such better-known appellations as 'Dictionary Johnson' and 'the Rambler,' this volume suggests that it urges a rethinking of both Johnson and Modernism in ways that are at once compelling, illuminating, and critically productive.