The text of this edition is transcribed from that of George Nettleton, with additions or deletions set off in brackets. Also included are the dedicatory 'Portrait Addressed to Mrs Crewe', Garrick's 'Prologue', and G Colman's 'Epilogue'. Edited by John Loftis, this edition of The School for Scandal for performance and study also includes an introduction, a list of principal dates in the life of Richard Brinsley Sheridan, and a selected bibliography.
Vanity Fair’s Schools for Scandal brings together the magazine’s finest reporting on the scandals that have swept our nation’s most elite campuses over the past twenty-five years—all collected in one definitive, “fascinating, eye-opening” (Booklist) volume edited by Graydon Carter and introduced by Cullen Murphy. Many of us have long suspected an American obsession with status. Now Graydon Carter has collected extraordinary articles from Vanity Fair that show the lengths we will go to achieve it, preserve it, or destroy it—from the enduring, shadowy influence of Yale’s secret societies to the infamous “senior salute” at St. Paul’s School; from the false accusations in the Duke lacrosse team’s infamous rape case to the (mis)reportage of a sexual assault at the University of Virginia; from a deadly extreme-sport episode at Oxford to the Keystone Kop theft of a college’s rare books to the allegations of fraud by the now-shuttered Trump University. Vanity Fair’s Schools for Scandal brings focus to the perils facing American education today and how the life of the mind, and the significance of the institutions meant to foster it, has been negatively impacted by the partisan politics of privatization, tensions over so-called political correctness, the fraught dynamic of the teacher-student relationship, and what happens when visions for a bold future collide with the desire to maintain hidebound (or venerable) traditions. With an array of Vanity Fair’s signature writers—including Buzz Bissinger, William D. Cohan, Sarah Ellison, Evgenia Peretz, Todd S. Purdum, and Sam Tanenhaus, among others—Vanity Fair’s Schools for Scandal presents a compelling if troubling account of the state of elite education today, and the evolving social, sexual, racial, and economic forces that have shaped it.
“Part memoir, part investigative reporting . . . a richly layered and ultimately balanced account of the decades-long trend of sexual abuse at Horace Mann.” —Sarah Saffian, author of Ithaka In June 2012, Amos Kamil’s New York Times Magazine cover story, “Prep-School Predators,” caused a shock wave that is still rippling. In his piece, Kamil detailed a decades-long pattern of sexual abuse at the highly prestigious Horace Mann School in the Bronx. After the article appeared, Kamil closely observed the fallout. While the article revealed the misdeeds of three teachers, this was just the beginning: an extraordinary twenty-two former Horace Mann teachers and administrators have since been accused of abuse. In gripping detail, Kamil and his coauthor, Sean Elder, relate what happened as survivors of abuse came forward and sought redress. We see the school and its influential backers circle the wagons. We meet Horace Mann alumni who work to change New York State’s sexual abuse laws. We follow a celebrity lawyer’s contentious efforts to achieve a settlement. And we encounter a former teacher who candidly recalls his inappropriate relationships with students. Kamil and Elder also examine other institutions—from prep schools to the Catholic Church—that have sought to atone for their complicity in abuse and to prevent it from reoccurring. “Great is the truth and it prevails” may be the motto of Horace Mann, but for many alumni the truth remains all too hard to come by. This book is essential reading for anyone trying to understand how an elite institution can fail those in its charge, and what can be done about it.
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 2,0, Johannes Gutenberg University Mainz (Institut für Anglistik), course: Seminar, language: English, abstract: This paper shall analyse Richard Brinsley Sheridan`s play “The School for Scandal”. This drama was first performed in 1776 in London’s Drury Lane Theatre, and was a cultural part of the colonization process in India. The aim of the first chapter is to provide some background information about Sheridan and his time, and also serves to explain the role which the concept of the sentimental comedy played during the time it was first performed in London. The main focus here, however, is to explore the differences as well as the comparable elements with other comedy genres. The second chapter deals with the production of “The School for Scandal” which was first performed in Calcutta in 1777. Here it seem appropriate to analise the motives behind the exportation of British culture into the colony and to find out more about the commercial as well as the cultural aspects. An important source of information in reference to this production is the Folger manuscript; a handwritten copy of the play complete with stage directions, which had been used at the New Playhouse in Calcutta. It is necessary to mention here that this Folger manuscript “recovered” by Mita Choudhury, whose essay about the production of “The School for Scandal” is the main source for the second part of this paper. The aim of this chapter however, is not to summarise her work, but rather to approach her argumentation critically. The last part of the paper deals with the question whether or not there is a connection between the play and the process of colonialism in Calcutta in terms of the production itself and its content. It also examines the part which colonialism plays within the drama, with regards to its moral and financial aspects.
Often called the best comedy of manners in English, and one of the most produced of all theatre classics, this delightful play brilliantly displays Sheridan's mastery of the mechanics of stage comedy, his flair for witty dialogue, and his obvious delight in skewering the affectation and pretentiousness of aristocratic Londoners of the 1770s. Publisher's Note.
THE STORY: Sir Peter Teazle, a middle-aged, wealthy bachelor, has recently married a pretty maid from the country. Suddenly thrust into London's high society, the young and frivolous Lady Teazle finds herself a willing member of a vicious, scandal-
