This critical study explicates the complex and elusive fiction of John Fowles in terms of the tensions between time and timelessness. The author introduces insights gained from recent scientific and interdisciplinary studies of the apprehension of temporality and constructs a model for the hierarchy of levels of time in fiction.
Ecocriticism is the emerging academic field which explores nature writing and ecological themes in all literature. Thomas M. Wilson's book is the first to consider the work of one of the most critically acclaimed and generally popular post-war English writers from an ecocritical perspective. Fowles is best known as a novelist and author of such works as The Magus, The French Lieutenant's Woman and Daniel Martin. Going beyond the fiction, this book also examines the many profound reflections on the natural world found in his essays, poems and his recently published Journals. John Fowles' writings have cast light on the ways we perceive the natural world, from curious scientific observer to Wordsworthian lover of natural places, as well as many other important and, at this time, crucial themes. This volume will be of interest to critics and readers of contemporary fiction, but most of all, to anyone curious about their place in the recurrent green universe that is our earth.
We've all got one. A secret, special place. Hidden. Enclosed. A little greener and more fertile than the world outside. Here the birds are slightly more exotic, slightly more confiding, the grass greener and the fruit sweeter. To know such a place, to love such a place, is part of being human. Sometimes it's a place of myth, like the Garden of Eden. Sometimes it exists in fictional form, like Narnia or Shangri-La. Sometimes it comes in memories of a golden day in childhood, or in a glorious, doomed love affair. Sometimes it's a real place that we daren't go back to, for fear that it – or we – had changed. And just occasionally it's a real place. A place where you leave a small piece of your heart and return as often as you can so as not to lose it. It's a place of privilege. Simon Barnes found such a place when he woke in his first morning in the Luangwa Valley in Zambia to find elephants eating the roof of his hut. It was a homecoming, and he has been faithful to that passion ever since. Here he has known peace, danger, discomfort, fear and a profound sense of oneness with the Valley, with all nature and with the world. With the Valley he found completion. This book explores the special places of the mind and the world, with special reference to the Luangwa Valley and the glorious support of the Valley's great artist, Pam Carr. It's a book about the quest for paradise, and the eternal human search to find such a paradise everywhere.
Longlisted for the Desmond Elliott Prize 2017 ‘A man’s eye is accommodative, like his heart.’ Samuel Browne’s wife has left him suddenly after three years of marriage. She invites him to ‘go and live a better life without me’. He must start again, and alone. And so it is that Sam finds himself deep in the English countryside in a cold but characterful old house, remote and encircled by hills, in the employment and company of an older, wiser man, a man as fond of mystery as he is of enlightenment. What is the purpose of the seemingly hopeless task set for Sam in the house’s ancient library? What is the secret of the unused room? And where does a life lose its way or gain its meaning? The combe is home to a truth born of fraud, a building made of light, and a family wrecked by recklessness: loss and love reverberate around the house and around the novel, providing pleasure, pain and purpose. Combe Hall is a house designed to honour and to enthral. And this very fine debut novel does exactly the same. PRAISE FOR THOMAS MALONEY ‘An atmospheric novel sprinkled with literary and musical allusion.’ The Sydney Morning Herald ‘Beautiful … An intriguing gothic mystery.’ The Daily Mail
