The Rousing Drum

The Rousing Drum

Author: Scott Schnell

Publisher: University of Hawaii Press

Published: 1999-06-01

Total Pages: 380

ISBN-13: 9780824821418

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Ritual is too often equated with unvarying or repetitive behavior. This impression is encouraged by the ethnographic tendency toward an overly narrow time frame, which highlights current relationships and conditions rather than long-term developments. The Rousing Drum takes a different view. It adopts a historical perspective encompassing several hundred years in exploring the role of ritual as an effective medium for negotiating sociopolitical and economic change. The setting is Furukawa, a town located in Japan's mountainous interior. Every spring the local Shinto shrine festival provides an opportunity for enacting social relationships and attitudes. By day, a portable shrine containing the spirit of the guardian deity is escorted through town in a stately procession. At night, however, a different scenario unfolds. A barrel-shaped drum is borne through the nighttime streets on a massive grid-like platform. Prominent members of the community are obliged to ride upon the platform, while teams of young adults rush out and attack it as it passes through their respective neighborhoods. The action can become quite unruly, and random fights and injuries are accepted as inevitable correlates. In analyzing the festival over time, Schnell reveals a dramatic transformation. The drum ritual, which originated as a minor preliminary to the other events, emerged during the late 1800s as an occasion for airing hostilities and settling scores. As Japan's modernization progressed, the ritual performance came to embody a symbolic challenge to institutionalized authority, and occasionally escalated into politically motivated violence. While the religious ceremonies observed during the day were appropriated by local power holders, the nighttime drum ritual represented a folk response to the officially sanctioned liturgy. The festival as a whole thus represented the clash of competing ideologies within the context of a single public forum. Today's ritual, rather tame by comparison, is being transformed into a tourist attraction aligned with the town's economic development objectives. Schnell's careful examination of the ethnohistorical data offers a valuable new perspective on Japanese festivals as well as the events and conditions that influence their development. His innovative look at ritual behavior over time persuades us that we can grasp the underlying significance of such activities only if we consider them within the context of larger historical patterns.


The Rousing Drum

The Rousing Drum

Author: Scott Schnell

Publisher: University of Hawaii Press

Published: 1999

Total Pages: 394

ISBN-13:

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Ritual is too often equated with unvarying behaviour. This impression is encouraged by the ethnographic tendency towards an overly narrow time frame. This book takes a different view, adopting a historical perspective encompassing several hundred years in exploring the role of ritual.


The Drum Book

The Drum Book

Author: Geoff Nicholls

Publisher: Hal Leonard Corporation

Published: 1997

Total Pages: 126

ISBN-13: 9780879304768

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Reveals the history of the rock drum kit, its leading manufacturers, and the drummers who inspired innovation in its making


Percussion

Percussion

Author: John Mowitt

Publisher: Duke University Press

Published: 2002-06-07

Total Pages: 276

ISBN-13: 9780822329190

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DIVBy emphasizing the specifically percussive articulation of rhythm, this study contributes to the elaboration of critical musicology by both challenging its construction of music as essentially harmonic and by extending the interpretive vocabulary of music/div


Drum Circle Facilitation

Drum Circle Facilitation

Author: Arthur Hull

Publisher: Hal Leonard Corporation

Published: 2007-06-01

Total Pages: 262

ISBN-13: 9780972430715

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An introduction and guide to the concepts of facilitating successful community rhythm-based events.


Sympathy for the Drummer

Sympathy for the Drummer

Author: Mike Edison

Publisher: Rowman & Littlefield

Published: 2019-11-05

Total Pages: 227

ISBN-13: 1493050699

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Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush—capturing the bristling energy of the Rolling Stones and the times in which they lived—and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star—an urbane jazz fan with a dry wit and little taste for the limelight—was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era ("Gimme Shelter," "Street Fighting Man," "Brown Sugar," "Jumpin' Jack Flash," etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R&B—the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock —the beat, that crazy beat!—and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts.


Contemporary Musical Expressions in Canada

Contemporary Musical Expressions in Canada

Author: Anna Hoefnagels

Publisher: McGill-Queen's Press - MQUP

Published: 2020-01-09

Total Pages: 536

ISBN-13: 0228000149

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Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance, early Toronto hip hop, and contemporary cantor practices within the Byzantine Ukrainian Church in Canada to folk music performances in twentieth-century Quebec, Gaelic milling songs in Cape Breton, and Mennonite songs in rural Manitoba, this collection offers detailed portraits of contemporary music practices and how they engage with diverse cultural expressions and identities. At a historical moment when identity politics, multiculturalism, diversity, immigration, and border crossings are debated around the world, Contemporary Musical Expressions in Canada demonstrates the many ways that music and dance practices in Canada engage with these broader global processes. Contributors include Rebecca Draisey-Collishaw (Queen's University), Meghan Forsyth (Memorial University of Newfoundland), Monique Giroux (University of Lethbridge), Ian Hayes (Memorial University of Newfoundland), Anna Hoefnagels (Carleton University), Judith Klassen (Canadian Museum of History), Chris McDonald (Cape Breton University), Colin McGuire (University College Cork), Marcia Ostashewski (Cape Breton University), Laura Risk (McGill University), Neil Scobie (University Western Ontario), Gordon Smith (Queen's University), Heather Sparling (Cape Breton University), Jesse Stewart (Carleton University), Janice Esther Tulk (Cape Breton University), Margaret Walker (Queen's University), and Louise Wrazen (York University).