The Italian Cantata in Vienna

The Italian Cantata in Vienna

Author: Lawrence Bennett

Publisher: Indiana University Press

Published: 2013-10-18

Total Pages: 389

ISBN-13: 0253010349

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A history of music for the imperial court “from a professor, choral director, and professional tenor who has studied Viennese cantatas for half a century” (Lowell Lindgren, Massachusetts Institute of Technology). Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the seventeenth and early eighteenth centuries. The cantata became a form of elite entertainment composed to amuse listeners during banquets or pay homage to members of the royal family during special occasions. Concentrating on Baroque cantatas composed in the Habsburg court, Bennett draws extensively on primary source material to explore the stylistic changes that occurred within the genre in the generations before Haydn and Mozart. “An important book. It deserves to be warmly welcomed not only by scholars but also by performers of Baroque vocal chamber music.” —Early Music “Shed[s] light on an important yet seldom-discussed repertory, written by someone whose expertise is unquestionable.” —Music and Letters “By taking multiple analytical approaches, Bennett establishes an overall understanding while also demonstrating how individual composers approached the genre. . . . Recommended.” —Choice “An important tool for understanding the context in which cantatas were composed and performed, and in which the Hapsburgs’ important music collection . . . was created.” —Notes “A wealth of new information . . . from a scholar who writes clearly and perceptively, and who has devoted decades of attention to the material.” —Steven Saunders, Charles A. Dana Professor of Music, Colby College


Sound Truth and Corporate Myth$

Sound Truth and Corporate Myth$

Author: Riki Ott

Publisher:

Published: 2005

Total Pages: 604

ISBN-13:

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Dr. Riki Ott exposes the profound legacy of the Exxon Valdez oil spill and how readers can help reshape our global energy future. The author chronicles the long-lasting environmental harm to Prince William Sound, Alaska, and investigates the health problems suffered by many cleanup workers. Exxon's spill provided a portal to understanding a startling truth: oil is much more toxic than we previously thought. Sound Truth and Corporate Myth$ frames the larger story of discovery of the truly toxic nature of oil. This book shows how one particular fraction of crude oil, polycyclic aromatic hydrocarbons or PAHs, may well be the new DDT of the 21st century. In 1999, the U.S. Environmental Protection Agency listed 22 PAHs in crude oil as "persistent, bioaccumulative, and toxic (PBT) pollutants." Sharing this list of extreme human health hazards are the more commonly known pollutants--mercury, lead, dioxin, PCBs, and DDT. The latter are all highly regulated chemicals and some, such as DDT and PCBs, have been banned in the United States. Sound Truth and Corporate Myth$ traces 15 years of lingering harm to humans and wildlife from the Exxon Valdez oil spill. It reveals how corporate greed, government short-sightedness, and manipulation of the truth and the media have kept the public from learning the deadly nature of PAHs. The author provides relevant information and practical recommendations for people and policy-makers at this critical juncture in the history of civilization. This book will inspire people to reduce their own consumption of fossil fuels and, in so doing, help permanently shift society to a clean energy future.


The Emotional Power of Music

The Emotional Power of Music

Author: Tom Cochrane

Publisher: OUP Oxford

Published: 2013-07-18

Total Pages: 392

ISBN-13: 0191504955

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How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology


Portrait of a Castrato

Portrait of a Castrato

Author: Roger Freitas

Publisher: Cambridge University Press

Published: 2009-05-14

Total Pages: 433

ISBN-13: 0521885213

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A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.


The Castrato

The Castrato

Author: Martha Feldman

Publisher: Univ of California Press

Published: 2015-02-20

Total Pages: 496

ISBN-13: 0520279492

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The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castratoÕs comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchyÑinvolving teachers, patrons, colleagues, and relativesÑwhereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composersÑfrom Cavalli and Pergolesi to Handel, Mozart, and RossiniÑwere the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.