The Grapes of Wrath is a novel written by John Steinbeck that tells the story of the Joad family's journey from Oklahoma to California during the Great Depression. The novel highlights the struggles and hardships faced by migrant workers during this time, as well as the exploitation they faced at the hands of wealthy landowners. Steinbeck's writing style is raw and powerful, with vivid descriptions that bring the characters and their surroundings to life. The novel has been widely acclaimed for its social commentary and remains a classic in American literature. Despite being published over 80 years ago, the novel still resonates with readers today, serving as a reminder of the importance of empathy and compassion towards those who are less fortunate.
As Jon prepares for the inevitable battle with Rohaer, strategies must evolve in response to the enemy's overwhelming advantage. But Rohaer is not Jon's only concern. Political players among his allies may plan to use the upcoming strife as an opportunity to grab power for themselves. Jon must protect their king from an internal betrayal at the same time that they're defending their land from an unrelenting force bent on conquest.Hope is on the horizon, however, when hidden truths about sorcery are uncovered. From these discoveries, a new age will dawn: The rise and fall of legends. As Jon pushes himself to his limits, he will find himself right in the middle of it all.There's nowhere else he'd rather be.
For a generation, Muslim extremists have targeted Americans in an escalation of terror that culminated in the September 11 attacks. Our shared confusion -- Who are the attackers? Why are we targets? -- is cleared away in a book as dramatic as it is authoritative. Updated with new chapters on Afghanistan and the the broader Islamic movement, Sacred Rage combines Robin Wright's extraordinary reportage on the Islamic world with an historian's grasp of context to explain the roots, the motives, and the goals of the Islamic resurgence. Wright talked to terrorists, militant religious leaders, and fighters from Beirut to Islamabad and Kabul. Their voices of rage reverberate here -- right up to the attacks in New York and Washington. Across continents extends a challenge we fail to understand at our peril. Sacred Rage now casts light on the war being fought in the shadows.
The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized—and sometimes outraged—millions of readers. First published in 1939, Steinbeck’s Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics. This Centennial edition, specially designed to commemorate one hundred years of Steinbeck, features french flaps and deckle-edged pages. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Roots of Jewish Consciousness, Volume One: Revelation and Apocalypse is the first volume, fully annotated, of a major, previously unpublished, two-part work by Erich Neumann (1905–1960). It was written between 1934 and 1940, after Neumann, then a young philosopher and physician and freshly trained as a disciple of Jung, fled Berlin to settle in Tel Aviv. He finished the second volume of this work at the end of World War II. Although he never published either volume, he kept them the rest of his life. The challenge of Jewish survival frames Neumann’s work existentially. This survival, he insists, must be psychological and spiritual as much as physical. In Volume One, Revelation and Apocalypse, he argues that modern Jews must relearn what ancient Jews once understood but lost during the Babylonian Exile: that is, the individual capacity to meet the sacred directly, to receive revelation, and to prophesy. Neumann interprets scriptural and intertestamental (apocalyptic) literature through the lens of Jung’s teaching, and his reliance on the work of Jung is supplemented with references to Buber, Rosenzweig, and Auerbach. Including a foreword by Nancy Swift Furlotti and editorial introduction by Ann Conrad Lammers, readers of this volume can hold for the first time the unpublished work of Neumann, with useful annotations and insights throughout. These volumes anticipate Neumann’s later works, including Depth Psychology and a New Ethic, The Origins and History of Consciousness, and The Great Mother. His signature contribution to analytical psychology, the concept of the ego–Self axis, arises indirectly in Volume One, folded into Neumann’s theme of the tension between earth and YHWH. This unique work will appeal to Jungian analysts and psychotherapists in training and in practice, historians of psychology, Jewish scholars, biblical historians, teachers of comparative religion, as well as academics and students.
The fourth in the Faithful and the Fallen series from John Gwynne, an epic fantasy perfect for fans of George R. R. Martin, Brandon Sanderson and David Gemmell. Events are coming to a climax in the Banished Lands, as the war reaches new heights. King Nathair has taken control of the fortress at Drassil and three of the Seven Treasures are in his possession. And together with Calidus and his ally Queen Rhin, Nathair will do anything to obtain the remaining Treasures. With all seven under his command, he can open a portal to the Otherworld. Then Asroth and his demon-horde will finally break into the Banished Lands and become flesh. Meanwhile Corban has been taken prisoner by the Jotun, warrior giants who ride their enormous bears into battle. His warband scattered, Corban must make new allies if he hopes to survive. But can he bond with competing factions of warlike giants? Somehow he must, if he's to counter the threat Nathair represents. His life hangs in the balance -- and with it, the fate of the Banished Lands.
This multivolume work is still proving to be as fundamental to Old Testament studies as its companion set, the Kittel-Friedrich Theological Dictionary of the New Testament, has been to New Testament studies. Beginning with father, and continuing through the alphabet, the TDOT volumes present in-depth discussions of the key Hebrew and Aramaic words in the Old Testament. Leading scholars of various religious traditions (including Roman Catholic, Lutheran, Reformed, Anglican, Greek Orthodox, and Jewish) and from many parts of the world (Denmark, France, Germany, Great Britain, Greece, Israel, Italy, the Netherlands, Norway, Sweden, Switzerland, and the United States) have been carefully selected for each article by editors Botterweck, Ringgren, and Fabry and their consultants, George W. Anderson, Henri Cazelles, David Noel Freedman, Shemaryahu Talmon, and Gerhard Wallis. The intention of the writers is to concentrate on meaning, starting from the more general, everyday senses and building to an understanding of theologically significant concepts. To avoid artificially restricting the focus of the articles, TDOT considers under each keyword the larger groups of words that are related linguistically or semantically. The lexical work includes detailed surveys of a word s occurrences, not only in biblical material but also in other ancient Near Eastern writings. Sumerian, Akkadian, Egyptian, Ethiopic, Ugaritic, and Northwest Semitic sources are surveyed, among others, as well as the Qumran texts and the Septuagint; and in cultures where no cognate word exists, the authors often consider cognate ideas. TDOT s emphasis, though, is on Hebrew terminology and on biblical usage. The contributors employ philology as well as form-critical and traditio-historical methods, with the aim of understanding the religious statements in the Old Testament. Extensive bibliographical information adds to the value of this reference work. This English edition attempts to serve the needs of Old Testament students without the linguistic background of more advanced scholars; it does so, however, without sacrificing the needs of the latter. Ancient scripts (Hebrew, Greek, etc.) are regularly transliterated in a readable way, and meanings of foreign words are given in many cases where the meanings might be obvious to advanced scholars. Where the Hebrew text versification differs from that of English Bibles, the English verse appears in parentheses. Such features will help all earnest students of the Bible to avail themselves of the manifold theological insights contained in this monumental work.
Anger now dominates American politics. It wasn’t always so. “Happy Days Are Here Again” was FDR’s campaign song in 1932. By contrast, candidate Kamala Harris’s 2020 campaign song was Mary J. Blige’s “Work That” (“Let ‘em get mad / They gonna hate anyway”). Both the left and right now summon anger as the main way to motivate their supporters. Post-election, both sides became even more indignant. The left accuses the right of “insurrection.” The right accuses the left of fraud. This is a book about how we got here—about how America changed from a nation that could be roused to anger but preferred self-control, to a nation permanently dialed to eleven. Peter W. Wood, an anthropologist, has rewritten his 2007 book, A Bee in the Mouth: Anger in America, which predicted the new era of political wrath. In his new book, he explains how American culture beginning in the 1950s made a performance art out of anger; how and why we brought anger into our music, movies, and personal lives; and how, having step by step relinquished our old inhibitions on feeling and expressing anger, we turned anger into a way of wielding political power. But the “angri-culture,” as he calls it, doesn’t promise happy days again. It promises revenge. And a crisis that could destroy our republic.
