What do Hammurabi, Solomon, and Oliver Wendell Holmes, Jr. have in common? They all presided as judges, relying on a precise understanding of the law to mete out justice. Today’s judges, too, have a significant opportunity to intelligently resolve disputes and artfully change lives, but they also face many other daily challenges. Unfortunately, there is no real handbook for a practicing judge—or there wasn’t, until now. Written by Judge James P. Gray, Wearing the Robe explores the day-to-day realities of being a judge, from faithfully applying the law in court to sharing knowledge outside the courthouse. The author addresses a range of important topics, examining how judges can obtain and refine their skills, preside effectively over judicial calendars, healthfully manage the restrictions placed on their private lives, and more. Throughout, personal insights and practical tips add to the firm foundation of knowledge.
From the history of the trade blanket to contemporary collectible blankets to designs of the major trade blanket manufacturers such as Pendleton Woolen Mills, Racine Woolen Mills, and Buell Manufacturing Company, Language of the Robe presents the bright colors and intricately woven patterns hallmark to American Indian trade blankets.
Robes is a book of global dimensions that offers a compelling look at the next century. By turns startling, comforting, enlightening, and unnerving, it takes a deep look at the coming changes in nations and governments, as well as the rise of business to power. It expands to examine everything from education and population, to wars, weather, food, and famine, including the emerging human potential embedded in the body/mind system. "The most important thing for you to remember as you look at these coming changes," said the little men in brown robes, "is that things could be so much easier if you understood why these things are happening, and if you worked with them instead of against them..."
“Irresistible. A major force in the renaissance of storytelling in America.” —New York Times “The Robe of Love takes us straight to the heart singing, glorious reminding us in story after story that no matter who we are—unschooled or learned, young or old – we must make the journey, no matter how difficult. And if we do so faithfully, the deepest love of life waits for us with open arms.” —China Galland, author of Longing for Darkness: Tara and the Black Madonna Acclaimed story teller Laura Simms gives us a rich tapestry of tales that unveil the secrets of love in all of its forms. Passionate, riveting, often humorous, these stories of emotional, physical, and spiritual love come from a variety of traditions, including Celtic, Inuit, Persian, Hindu, Jewish, and African. As meaningful today as when they were first told her evocative, retellings of these tales of the mysteries of the heart lead us to many faces and profound requirements of love. “A varied and subtle collection of stories, both wise and intensely engaging, on the profound instructions of love.” —Goia Timpanelli, author of Sometimes the Soul and Tales from the Rood of the World “One can never know what love will look like or what form it will take. Each of these fourteen stories is a passage to love with its own perils and triumphs, disappointments, and miracles. It is in the power of story to remind us what we have forgotten, what we need to remember to restore our hearts.” —Terry Tempest Williams, author of Refuge, Red, and Leap Laura Simms is an internationally renowned storyteller, author, and recording artist whom Maori elders call “as good as our grandparents.” She is the author of the award-winning children’s book, Rotten Teeth (Houghton Mifflin) and the spoken word recording The Gift of Dreams (Sounds True) which Publishers Weekly called “spellbinding,” among other books and recordings. A contributing editor to Parabola magazine, she is co-chairman of the National Healing Story Alliance, and has served as artist-in-residence at New York City’s Lincoln Center for the Arts.
At the height of the Spanish Inquisition a ruthless inquisitor by the name of Bishop Promane tortures a fellow priest, Father Sanchez, for information about the whereabouts of a relic known as the Judas Robe, rumored to be the only piece of physical evidence of God on earth. Promane succeeds in recovering the robe only to lose it to Sanchez's saviors, knights belonging to The Order of Christ. In the Present Day, Joel Gardiner, a pre-med student, is attacked by a group of religious zealots after leaving a campus pub. A young woman calling herself Sophia rescues Joel and reveals that he is descended from of the Order of Christ who still has the Judas Robe in their possession. Joel dismisses it as a hoax or farce, but zealots renew their efforts to seize the robe. Joel and Sophia embark on a quest to verify the existence of the so-called relic while trying to elude the murderous cabal. Praise for Larry Rodness' new novel The Judas Robe "If you had a chance for proof-positive of God's existence on earth, would you go for it?... The author's med-student protagonist, Joel Gardiner, finds himself suddenly faced with just that dilemma...Here's a novel for those looking for an unusual plot-line with lots of action and adventure." - William Maltese: Amen's Boy; A slip to Die For; Thai Died; A Conspiracy of Ravens "In the spirit of a Dan Brown thriller, The Judas Robe cleverly fulfills the promise of its thought-provoking subject. Like the fine weave of a robe, Rodness intertwines his inspired premise with theology, mystery, action and suspense to engage the reader in the timeless battle between science and religion, which couldn't be more relevant today."-Stephen Witkin, Screenwriter, Los Angeles Excerpt Mother Natalie entered the room wearing a standard white blouse and navy skirt. That was the only thing standard about her. Standing five foot seven, she had sparse feather-like hair. Her skin was almost translucent, and her slight-build made her look like she would tip over at the slightest breeze. "Joel, isn't this a nice surprise," the nun said. "Someone in my dorm was murdered last night. Do you know anything about it?" "No, of course not. How would I?" "A couple of nights ago, I was jumped by two men." "Oh my, you weren't hurt, were you?" "I'm all right. Mostly, because this girl intervened." "What girl?" "Goes by the name of Sofia. She said the thugs who attacked me were after something called the Judas Robe." Natalie emitted a tiny gasp as the look of concern on her face turned to fear. "What did you tell her?" "I told her I had no idea what she was talking about. But I'm here because my mother and her wacked-out family have been part of some religious cult for years."
"Poised to spark debate among scholars of religious studies and other disciplines, Colors of the Robe sheds new light on the Sri Lankan Buddhist universe of ethics and politics and, more important, suggests innovative directions for the global study of religion, identity, culture, politics, and violence. In a volume that surpasses other studies in tracking, identifying, and locating Sri Lankan Buddhism in its sectarian, ethnic, cultural, social, and political constructions, Ananda Abeysekara lays down a challenge to postcolonial and postmodern theory. He argues that although criticisms have undermined the orientalist constructions of culture, they cannot help us understand, let alone theorize, the emergence of contemporary authoritative discourses that define distinctions involving religion and violence, identity and difference. Supplanting that aim, Abeysekara illuminates the shifting configurations that characterize the relations connected with postcolonial religious identity and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved